References
- Anderson, R. (undated). Attempting horizontality. Downloaded http://www.rachelanderson.info/uploads/2/1/0/0/21003736/quam_paper.pdf.
- Arnstein, S. (1969). A ladder of citizen participation. Journal of the American Institute of Planners, 35(4), 216–224. https://doi.org/10.1080/01944366908977225
- Bishop, C. (2012). Artificial Hells. Participatory Art and the Politics of Spectatorship. Verso.
- Bourdieu, P. (1984 [1979]). Distinction: A Social Critique of the Judgement of Taste. Routledge.
- Bourriaud, N. (2007[1998]). Relasjonell estetikk. Pax Forlag A/S.
- Carpentier, N. (2015). Differentiating between access, interaction and participation. Conjunctions, 2(2), 7–28. https://doi.org/10.7146/tjcp.v2i2.23117
- Cornwall, Andrea. (2008). Unpacking ‘Participation’: models, meanings and practices. Community Development Journal, 43(3), 269–283. https://doi.org/10.1093/cdj/bsn010
- Cruz, C. (2015). Democracy: A (Non) artistic intervention?: Attempts to perform democracy through Art [Doctoral thesis. Goldsmiths, University of London]. https://research.gold.ac.uk/id/eprint/12485/1/ART_thesis_CruzC_2015.pdf.
- Dahl Nilsen, S. (2019). Deltagelse i et radikalt demokratisk perspektiv. Silent university som kunstnerisk og migrasjonspolitisk platform. In B. i Erikson, M. H. Rung, & A. S. Sørensen (Eds.), Kunst, kultur og deltagelse (pp. 74–90). Aarhus Universitetsforlag.
- Eriksson, B., Reestorff, C. M., & Stage, C. (2018). Forms and potential effects of citizen participation in European cultural centres. Participations: Journal of Audience & Reception Studies, 15(2), 205–228.
- Eriksson, B., Rung, M. H., & Sørensen, A. S. (2019). Kunst, kultur og deltagelse. Aarhus Universitetsforlag.
- Evans, G. (2016). Participation and provision in arts and culture – bridging the divide. Cultural Trends, 25(1), 2–20. https://doi.org/10.1080/09548963.2015.1135528
- Fangen, K. (2010). Deltagende observasjon. 2.utgave. Fagbokforlaget.
- Greiner, C., & Sakdapolrak, P. (2013). Translocality: Concepts, applications and emerging research perspectives. Geography Compass, 7(5), 373–384. https://doi.org/10.1111/gec3.12048
- Gross, J., & Pitts, S. (2016). Audiences for the contemporary arts: Exploring varieties of participation across art forms in Birmingham, UK. Participations: Journal of Audience & Reception Studies, 13(1), 4–23.
- Jackson, S. (2011). Social Works. Performing Art, Supporting Publics. Routledge.
- Jancovich, L. (2011). Great art for everyone? Engagement and participation policy in the arts. Cultural Trends, 20(3-4), 271–279. https://doi.org/10.1080/09548963.2011.589708
- Jonvik, M. (2020). On participation, Contemporary Art Stavanger (CAS), https://www.contemporaryartstavanger.no/on-participation/.
- Jonvik, M. (2021). A Remnant of what was: About the Art Project SKAUS. Contemporary Art Stavanger (CAS) https://www.contemporaryartstavanger.no/eit-drag-fra-noko-som-var-om-kunstprosjektet-skaus/.
- Jonvik, M., Røssaak, E., Stien, H. H., & Sunnanå, A. (2020). Kunst som deling, delingens kunst. Fagbokforlaget.
- Kelty, C. M. (2020). The Participant. A Century of Participation in Four Stories. University of Chicago Press.
- Kester, G. (2011). The One and the Many. Contemporary Collaborative Art in a Global Context. Duke University Press. https://doi.org/10.1215/9780822394037
- Kortbek, H. B., Schwartz, C. P., Sørensen, A. S., & Thobo-Carlsen, M. (2016). The participatory agenda. A post-critical, anticipatory intervention. Nordisk Kulturpolitisk Tidsskrift, 19(1), 19–35. https://doi.org/10.18261/ISSN2000-8325-2016-01-02
- Lefebvre, H. (1968). The Right to the City. Anthropos.
- Mackney, M., & Young, T. (2022). Embracing the messiness: A creative approach to participatory arts evaluation. Cultural Trends, 31(5), 397–415. https://doi.org/10.1080/09548963.2021.2000330
- Mangset, P., & Hylland, O. M. (2017). Kulturpolitikk. Organisering, legitimering og praksis. Universitetsforlaget.
- Marx, L. (2019). Participation as policy in local cultural governance. Cultural Trends, 28(4), 294–304. https://doi.org/10.1080/09548963.2019.1644786
- Mauss, M. (1995 [1950]). Gaven. Utvekslingens form og årsak i arkaiske samfunn. Cappelen Akademisk forlag AS.
- Medvirkning i planlegging. Hvordan legge til rette for økt deltakelse og innflytelse i kommunal og regional planlegging etter plan- og bygningsloven. (2014). Veileder, Kommunal og moderniseringsdepartementet, https://www.regjeringen.no/globalassets/upload/kmd/plan/medvirkningsveileder/h2302b_veileder_medvirkning.pdf.
- Mouffe, C. (2005 [1993]). The Return of the Political. Verso.
- Mouffe, C. (2013). Agonistics. Thinking the World Politically. Verso.
- Ong, B. K. (2012). Grounded theory method (GTM) and the abductive research strategy (ARS): a critical analysis of their differences. International Journal of Social Research Methodology, 15(5), 417–432. https://doi.org/10.1080/13645579.2011.607003
- Sol, S. L. (2019). Equal access or empowerment? Understanding youth participation in cultural institutions through two Swedish case studies. In Conjunctions: Transdisciplinary Journal of Cultural Participation, 6(1), 1–15. https://doi.org/10.7146/tjcp.v6i1.117320
- Sørensen, A. S. (2016). “Participation” - The new cultural policy and communication agenda. Nordisk kulturpolitisk tidsskrift, 19(1), 4–18. https://doi.org/10.18261/ISSN2000-8325-2016-01-0
- Sternfeld, N. (2013). Playing by the rules of the game. Participation in the post-representative. Museum. CuMMA PAPERS I. https://cummastudies.wordpress.com/wp-content/uploads/2013/08/cumma-papers-7.pdf.
- Zobl, E., & Huber, L. (2016). Making Art – taking part! negotiating participation and the playful opening of liminal spaces in a collaborative process. In Conjunctions: Transdisciplinary Journal of Cultural Participation, 3(1), 1–18.