References
- Abisuga-Oyekunle, O., & Sirayi, M. (2018). The role of creative industries as a driver for a sustainable economy: A case of South Africa. Creative Industries Journal, 11(3), 225–244. https://doi.org/10.1080/17510694.2018.1480850
- Abrams, A.-R. (2019, October 26). The meteoric rise of African art. The Standard. https://www.standard.co.uk/lifestyle/the-rise-of-african-art-a4244361.html
- Aduku, A. I. (2018). Strategies for wealth-creation in nollywood: A critical appraisal. The CRAB Journal of Theatre & Media Arts, 5, 159–174.
- Ahearne, J. (2009). Cultural policy explicit and implicit: A distinction and some uses. International Journal of Cultural Policy, 15(2), 141–153. https://doi.org/10.1080/10286630902746245
- Alacovska, A., Langevang, T., & Steedman, R. (2021). The work of hope: Spiritualizing, hustling and waiting in the creative industries in Ghana. EPA: Economy and Space, 53, 619–637.
- Allman, J. (2004). “Let your fashion be in line with our Ghanaian costume”: nation, gender and politics of clothing in nkrumah’s Ghana. In J. Allman (Ed.), Fashioning Africa: Power and the politics of dress (pp. 144–165). Indiana University Press.
- Anokye, P. A., & Afrane, S. A. (2014). Apprenticeship training system in Ghana: Processes, institutional dynamics and challenges. Journal of Education and Practice, 5, 130–114.
- Artwatch Ghana. (2017). The state of creative arts in Ghana. Retrieved May 17, 2021, from https://www.newsghana.com.gh/wp-content/uploads/2017/04/THE-STATE-OF-CREATIVE-ARTS-IN-GHANA-final.pdf
- Asare, A. D. (2021). Policy strategies for a performing arts sector: An analysis of cultural policy support for the performing arts in Ghana [Doctoral dissertation]. University of Cape Coast. https://ir.ucc.edu.gh/xmlui/handle/123456789/7101
- Asare, A. D. (2022a). Cultural policy evaluation towards a sustainable arts and cultural sector in Ghana. In M. Lettau, C. Y. Mtaku, & E. D. Otchere (Eds.), Performing sustainability in West Africa (pp. 139–160). Routledge.
- Asare, A. D. (2022b). Arts management and cultural policy in Ghana. In A. C. Cuyler (Ed.), Arts management, cultural policy, & the African diaspora (pp. 29–50). Springer International Publishing.
- Axelson, L. (2012). Making border: Engaging the threat of Chinese textiles in Ghana. ActaUniversitatisStockholmiensis.
- Ayiku, R. K. (1998). Symbolic meanings in the Ghanaian arts: A step towards developing cultural literacy [Doctoral dissertation]. Retrieved May 17, 2021, from https://www.collectionscanada.gc.ca/obj/s4/f2/dsk1/tape7/PQDD_0017/NQ43588.pdf
- Belfiore, E. (2002). Art as a means of alleviating social exclusion: Does it really work? A critique of instrumental policies and social impact studies in the UK. International Journal of Cultural Studies, 8, 91–106.
- Belfiore, E. (2003). Economic impact-inconclusive evidence. Arts Professional, 43, ISSN1474 385X.
- Belfiore, E. (2020). Whose cultural value? Representation, power and creative industries. International Journal of Cultural Policy, 26(3), 383–397. https://doi.org/10.1080/10286632.2018.1495713
- Blankson, I. A. (2005). Negotiating the use of native languages in emerging pluralistic and independent broadcast systems in Africa. Africa Media Review, 13, 1–22.
- Boateng, B. (2011). The copyright thing doesn’t work here: Adinkra and kente cloth and intellectual property in Ghana. University of Minnesota Press.
- Bobie, A. O. (2017). Unconventional entrepreneurs: The youth in the Ghanaian fashion industry. Africa e Mediterraneo, 85, 11–17.
- Botwe-Asamoah, K. (2013). Kwame Nkrumah’s politico-cultural thoughts and policies: An African-centred paradigm for the second phase of the African revolution. Routledge.
- Callus, P., & Potter, C. (2017). Michezo video: Nairobi’s gamers and the developers who are promoting local content. Critical African Studies, 9(3), 302–326. https://doi.org/10.1080/21681392.2017.1371620
- Chapain, C., & De Propris, L. (2009). Drivers and processes of creative industries in cities and regions. Creative Industries Journal, 2(1), 9–18. https://doi.org/10.1386/cij.2.1.9/1
- Collins, J. (1989). The early history of West African highlife music. Popular Music, 8(3), 221–230. https://doi.org/10.1017/S0261143000003524
- Collins, J. (2007). Popular performance and culture in Ghana: The past 50 years. Ghana Studies, 10, 9–64.
- Collins, J. (2008). Ghana and the World Music boom. Popular Music History, 3(3), 275–294.
- Crossick, G., & Kaszynska, P. (2014). Under construction: Towards a framework for cultural value. Cultural Trends, 23(2), 120–131. https://doi.org/10.1080/09548963.2014.897453
- De Beukelaer, C. (2017). Toward an ‘African’ take on the cultural and creative industries? Media, Culture & Society, 39(4), 582–591. https://doi.org/10.1177/0163443716664856
- De Beukelaer, C., & Eisenberg, A. J. (2018). Mobilising African music: How mobile telecommunications and technology firms are transforming African music sectors. Journal of African Cultural Studies, 32(2), 195–211. https://doi.org/10.1080/13696815.2018.1546569
- De Beukelaer, C., & Fredriksson, M. (2019). The political economy of intellectual property rights: The paradox of Article 27 exemplified in Ghana. Review of African Political Economy, 46(161), 459–479. https://doi.org/10.1080/03056244.2018.1500358
- Donkor, D. A. (2016). Spiders of the market: Ghanaian trickster performance in a web of neoliberalism. Indiana University Press.
- Eräranta, K., Moisander, J., & Penttilä, V. (2019). Reflection on the marketization of Art in contemporary neoliberal capitalism. In K. Eskröm (Ed.), Museum marketization: Cultural institutions in the neoliberal Era (pp. 19–33). Routledge. https://doi.org/10.4324/9780429401510-2
- Essel, O. Q. (2019). Challenges hampering the growth of dress fashion design in the Ghana fashion industry. Journal of Small Business and Entrepreneurship, 7, 1–6.
- Essel, O. Q. (2021). Ghana’s iconic fashion designers in the world of fashion: Generations of contemporary Ghanaian fashion designers. Exceller Books.
- Fiagbedzi, E. E. K., & Fio, R. C. (2022). Ghana’s cultural policy and (dis)empowerment: Three decades reflections on the centres for national culture (CNCs). In A. C. Cuyler (Ed.), Arts management, cultural policy, & the African diaspora (pp. 51–73). Springer International Publishing.
- Fianu, D. A. G., Biney-Aidoo, V., Antiaye, E., & Oppong, J. A. (2014). The production and exportation of garments under the AGOA initiative: Challenges facing garment producers in Ghana. Art and Design Studies, 17, 34–44.
- Galloway, S., & Dunlop, S. (2007). A critique of definitions of the cultural and creative industries in public policy. International Journal of Cultural Policy, 13(1), 17–31. https://doi.org/10.1080/10286630701201657
- Garnham, N. (2005). From cultural to creative industries. International Journal of Cultural Policy, 11(1), 15–29. https://doi.org/10.1080/10286630500067606
- Gott, S. (2010). The Ghanaian Kaba: Fashion that sustains. In S. Gott & K. Loughran (Eds.), Contemporary African fashion (pp. 11–27). Indiana University Press.
- Hesmondhalgh, D., & Pratt, A. C. (2005). Cultural industries and cultural policy. International Journal of Cultural Policy, 11(1), 1–13. https://doi.org/10.1080/10286630500067598
- Hewison, R. (2014). Cultural capital: The rise and fall of creative Britain. Verso Books.
- Isar, Y. R. (2012). Cultures and cities: Some policy implications. In H. K. Anheier, & Y. R. Isar (Eds.), Cultures and globalization: Cities, cultural policy and governance (pp. 330–339). Sage.
- Kaymas, S. (2020). Is development possible without cultural policies? Rethinking creative industries and sustainable development in the case of Turkey. Creative Industries Journal, 13(1), 72–92. https://doi.org/10.1080/17510694.2019.1652026
- Kwami, A. (2019). Black stars–contextualizing the rise of blaxTARLINES: Contemporary art of the late 20th to the early 21st centuries in Ghana. Critical Interventions, 13(1), 51–74. https://doi.org/10.1080/19301944.2020.1794416
- Langevang, T. (2017). Fashioning the future: Entrepreneuring In Africa’s emerging fashion industry. The European Journal of Development Research, 29(4), 893–910. https://doi.org/10.1057/s41287-016-0066-z
- Langevang, T., & Gough, K. V. (2012). Diverging pathways: Young female employment and entrepreneurship In sub-Saharan Africa. The Geographical Journal, 178(3), 242–252. https://doi.org/10.1111/j.1475-4959.2011.00457.x
- Lindberg, M. (2014). From exclusion to inclusion in public innovation support? Innovative practices in bottom-up networks. Scandinavian Journal of Public Administration, 18(4), 91–107. https://doi.org/10.58235/sjpa.v18i4.15658
- Lopez, D., & Munoz, F. (2023). Creative industries as interest groups in services export promotion policy-making in Chile. Creative Industries Journal, 16(2), 238–257. https://doi.org/10.1080/17510694.2021.2017665
- Mazrui, A. A. (1983). The reincarnation of the African state: A triple heritage in transition from Pre-colonial times. Présence Africaine, 3, 114–127. https://doi.org/10.3917/presa.127.0114
- National Commission on Culture. (2004). The cultural policy of Ghana. Retrieved October 29, 2020, from http://www.s158663955.websitehome.co.uk/ghanaculture/privatecontent/File/CULTURAL.%20POLICY%20-%20FINAL.pdf
- O’Connor, J. (2011). The cultural and creative industries: A critical history. Ekonomiaz, 78 (3), 24–47.
- Oloruntoba, S. O., & Falola, T. (2019). The palgrave handbook of African political economy. Palgrave Macmillan.
- Oyebowale, A. Y., & Algarhi, A. S. (2020). Macroeconomic determinants of economic growth in Africa. International Review of Applied Economics, 34(6), 839–857. https://doi.org/10.1080/02692171.2020.1792422
- Wu, C.-T. (2003). Privatising culture: Corporate art intervention since the 1980s. Verso.
- Yorke, J. O., Amissah, E. K., DeGraft-Yankson, P., & Essuman, J. (2017). An overview of Kwame Nkrumah’s cultural policies on Ghana’s visual culture. Research Journal of Humanities and Cultural Studies, 3, 22–33.