15,922
Views
0
CrossRef citations to date
0
Altmetric
Articles

From Cool Japan to Cold Japan: grime cyborgs in Black Britain

References

  • Adams, Ruth. 2019. “‘Home Sweet Home, That’s Where I Come from, Where I Got My Knowledge of the Road and the Flow From’: Grime Music as an Expression of Identity in Postcolonial London.” Popular Music and Society 42 (4): 438–455. doi:10.1080/03007766.2018.1471774.
  • Allison, Anne. 2006. Millennial Monsters: Japanese Toys and the Global Imagination. Berkeley: University of California Press.
  • Alt, Matt. 2020. Pure Invention. How Japan’s Pop Culture Conquered the World. New York: Crown.
  • Anderson, Elijah. 2012. “The Iconic Ghetto.” The Annals of the American Academy of Political and Social Science 642 (1): 8–24. doi:10.1177/0002716212446299.
  • Aoyagi, Hiroshi, Mateja Kovacic, and Stephen Grant Baines. 2020. “Neo-Ethnic Self-Styling among Young Indigenous People of Brazil: Re-Appropriating Ethnicity through Cultural Hybridity.” Vibrant: Virtual Brazilian Anthropology 17:e17352. doi:10.1590/1809-43412020v17a352.
  • Boakye, Jeffrey. 2018. Hold Tight: Black Masculinity, Millennials and the Meaning of Grime. London: Influx Press.
  • Botz-Bornstein, Thorsten. 2011. The Cool Kawaii: Afro-Japanese Aesthetics and New Modernity. Plymouth: Lexington Books.
  • Bramwell, Richard. 2011. “The Aesthetics and Ethics of London Based Rap: A Sociology of UK Hip-Hop and Grime.” PhD diss., The London School of Economics and Political Science.
  • Bramwell, Richard, and James Butterworth. 2019. “I Feel English as Fuck’: Translocality and the Performance of Alternative Identities through Rap.” Ethnic and Racial Studies 42 (14): 2510–2527. doi:10.1080/01419870.2019.1623411.
  • Bridges William H., IV, and Nina Cornyetz, eds. 2015. Traveling Texts and the Work of Afro-Japanese Cultural Production: Two Haiku and a Microphone. Lanham: Lexington Books.
  • Chakrabarty, Dipesh. 2000. Provincializing Europe: Postcolonial Thought and Historical Difference. Princeton: Princeton University Press.
  • Charles, Monique. 2019. “Grime and Spirit: On a Hype!.” Open Cultural Studies 3 (1): 107–125. doi:10.1515/culture-2019-0010.
  • Condry, Ian. 2006. Hip-Hop Japan: Rap and the Paths of Cultural Globalization. Durham: Duke University Press.
  • Dery, Mark. 1994. “Black to the Future: Interviews with Samuel R. Delany, Greg Tate, and Tricia Rose.” In Flame Wars: The Discourse of Cyberculture, edited by Mark Dery, 179–222. Durham and London: Duke University Press.
  • Doan, Natalia. 2019. “The 1860 Japanese Embassy and the Antebellum African American Press.” The Historical Journal 62 (4): 997–1020. doi:10.1017/S0018246X19000050.
  • Eshun, Kodwo. 1998. More Brilliant than the Sun: Adventures in Sonic Fiction. London: Quartet Books.
  • Fawaz, Ramzi. 2016. The New Mutants: Superheroes and the Radical Imagination of American Comics. New York and London: New York University Press.
  • Funabashi, Yoichi and Barak Kushner, eds. 2015. Examining Japan’s Lost Decades. Oxon and New York: Routledge.
  • Gallagher, Rob. 2017. “All the Other Players Want to Look at My Pad: Grime, Gaming, and Digital Identity.” The Italian Journal of Game Studies 6: 13–29. https://www.gamejournal.it/all-the-other-players-want-to-look-at-my-pad-grime-gaming-and-digital-identity-work/.
  • Gallicchio, Marc. 2000. The African American Encounter with Japan and China Black Internationalism in Asia, 1895–1945. Chapel Hill: University of North Carolina Press.
  • Gilroy, Paul. 1993. The Black Atlantic: Modernity and Double-Consciousness. London: Verso Books.
  • Goffe, Tao L. 2020. “The DJ is a Time Machine.” Public Books, October 29. Accessed April 22, 2021: https://www.publicbooks.org/the-dj-is-a-time-machine/.
  • Graham, Elaine. 2002. “Nietzsche Gets a Modem: Transhumanism and the Technological Sublime.” Literature and Theology 16 (1): 65–80. doi:10.1093/litthe/16.1.65.
  • Hancox, Dan. 2018. Inner City Pressure: The Story of Grime. London: William Collins.
  • Haraway, Donna J. 1991. Simians, Cyborgs, and Women: The Reinvention of Nature. New York: Routledge.
  • Henthorne, Tom. 2011. William Gibson: A Literary Companion. Jefferson, North Carolina, and London: McFarland & Company.
  • Ho, Fred and Bill V. Mullen, eds. 2008. Afro Asia: Revolutionary Political and Cultural Connections between African Americans and Asian Americans. Durham, NC: Duke University Press.
  • Ho, Jennifer. 2021. “Anti-Asian Racism, Black Lives Matter, and COVID-19.” Japan Forum 33 (1): 148–159. doi:10.1080/09555803.2020.1821749.
  • hooks, bell. 1989. “Choosing the Margin as a Space of Radical Openness.” Framework: The Journal of Cinema and Media 36: 15–23. https://www.jstor.org/stable/44111660?seq=1#metadata_info_tab_contents.
  • hooks, bell. 1994. “Feminism inside: Toward a Black Body Politic.” In Black Male: Representations of Masculinity in Contemporary American Art, edited by Thelma Golden, 127–140. New York: Whitney Museum of American Art.
  • Horne, Gerald. 2018. Facing the Rising Sun: African Americans, Japan, and the Rise of Afro-Asian Solidarity. New York: New York University Press.
  • Iwabuchi, Koichi. 2002. Recentering Globalization: Popular Culture and Japanese Transnationalism. Durham and London: Duke University Press.
  • Jenkins, Henry. 2006. Convergence Culture: Where Old and New Media Collide. New York: New York University Press.
  • Jenkins, Henry. 2020. Comics and Stuff. New York: New York University Press.
  • Jme. 2015. The Very Best, (YouTube Video), September 4. Accessed April 22, 2021: https://www.youtube.com/watch?v=-XvsTYq9INU.
  • Kearney, Reginald. 1998. African American Views of the Japanese: Solidarity or Sedition? Albany: State University of New York Press.
  • Kelley, Robin D. G. 2003. Freedom Dreams: The Black Radical Imagination. New York: Beacon Press.
  • Kelts, Roland. 2006. Japanamerica: How Japanese Pop Culture Has Invaded the U.S. New York: Palgrave MacMillan.
  • Logan, Sama. 2019. Keepin it Grimy Podcast: Episode 15 Blay Vision (YouTube Video) 00:40:14–00:40:52, August 20. Accessed April 22, 2021: https://www.youtube.com/watch?v=SWqZjxtL6bQ.
  • McGray, Douglas. 2002. “Japan’s Gross National Cool.” Foreign Policy 130 (130): 44–54. doi:10.2307/3183487.
  • McLelland, Mark, eds. 2017. The End of Cool Japan: Ethical, Legal, and Cultural Challenges to Japanese Popular Culture. Oxon and New York: Routledge.
  • McLeod, Ken. 2013. “Afro-Samurai: Techno-Orientalism and Contemporary Hip Hop.” Popular Music 32 (2): 259–275. doi:10.1017/S0261143013000056.
  • Miller, Laura. 2011. “Taking Girls Seriously in “Cool Japan” Ideology.” Japanese Studies Review 15: 97–106.
  • Morley, David, and Kevin Robins. 1995. Spaces of Identity: Global Media, Electronic Landscapes and Cultural Boundaries. London and New York: Routledge.
  • Mullen, Bill V. 2004. Afro-Orientalism. Minneapolis: University of Minnesota Press.
  • Luvaas, Brent. 2012. DIY Style: Fashion, Music and Global Digital Cultures. London: Berg.
  • Napier, Susan J. 1998. Anime: From Akira to Princess Mononoke – Experiencing Contemporary Japanese Animation. New York: Palgrave.
  • Nye, Joseph S., Jr. 1990. “Soft Power.” Foreign Policy 80 (80): 153–171. doi:10.2307/1148580.
  • Perry, Imani. 2004. Prophets of the Hood, Politics and Poetics in Hip Hop. Durham and London: Duke University Press.
  • Prashad, Vijay. 2002. Everybody Was Kung Fu Fighting: Afro-Asian Connections and the Myth of Cultural Purity. Boston: Beacon Press.
  • Reynolds, Simon. 2011. Bring the Noise: 20 Years of Writing about Hip Rock and Hip Hop. Berkeley: Soft Skull Press.
  • Rose, Tricia. 1994. Black Noise: Rap Music and Black Culture in Contemporary America. Hanover and London: Wesleyan University Press.
  • Russell, John G. 2012. “Playing with Race/Authenticating Alterity: Authenticity, Mimesis, and Racial Performance in the Transcultural Diaspora.” CR: The New Centennial Review 12 (1): 41–92. doi:10.1353/ncr.2012.0022.
  • RZA. 2009. The Tao of Wu. New York: Riverhead Books.
  • Sinker, Mark. 1992. “Loving the Alien—Black Science Fiction.” The Wire 96 (February): 30–33.
  • Steinberg, Marc. 2012. Anime’s Media Mix: Franchising Toys and Characters in Japan. Minneapolis: University of Minnesota Press.
  • Sterling, Marvin D. 2010. Babylon East: Performing Dancehall, Roots Reggae, and Rastafari in Japan. Durham and London: Duke University Press.
  • Sugimoto, Yoshio. 2014. An Introduction to Japanese Society. 4th ed. Port Melbourne, Victoria: Cambridge University Press.
  • Thweatt-Bates, Jeanine. 2012. Cyborg Selves: A Theological Anthropology of the Posthuman. Farnham and Burlington: Ashgate.
  • Valaskivi, Katja. 2013. “A Brand New Future? Cool Japan and the Social Imaginary of the Branded Nation.” Japan Forum 25 (4): 485–504. doi:10.1080/09555803.2012.756538.
  • Weheliye, Alexander G. 2005. Phonogrophies: Grooves in Sonic Afro-Modernity. Durham and London: Duke University Press.
  • Whaley, Deborah Elizabeth. 2006. “Black Bodies/Yellow Masks: The Orientalist Aesthetic in Hip-Hop and Black Visual Culture.” In AfroAsian Encounters: Culture, History, Politics, edited by Heike Raphael-Hernandez and Shannon Steen, 188–203. New York and London: New York University Press.
  • White, Joy. 2017. Urban Music and Entrepreneurship: Beats, Rhymes and Young People’s Enterprise. Oxon and New York: Routledge.
  • Wiley. 2017. Eskiboy. London: William Heinemann.
  • Yano, Christine R. 2013. Pink Globalization: Hello Kitty’s Trek across of the Pacific. Durham and London: Duke University Press.
  • Youngquist, Paul. 2016. A Pure Solar World: Sun Ra and the Birth of Afrofuturism. Austin: University of Texas Press.

Discography

  • Tracey, A. J. 2016. “Buster Cannon.” Lil Tracey – EP. ℗© AJ Tracey.
  • Tracey, A. J. 2020a. “Yumeko.” Secure The Bag! 2 – EP. ℗© AJ Tracey.
  • Tracey, A. J. 2020b. “Hikikomori.” Secure The Bag! 2 – EP. ℗© AJ Tracey.
  • Blay Vision. 2018. “Won’t Let Em.” Pre Vision. © Blay Vision.
  • Blay Vision. 2019. Do Not Disturb. © Blay Vision.
  • Ghetts feat. Skepta. 2021. “IC3.” Conflict of Interest. ℗© Warner Records UK.
  • Jme. 2006a. “96 Bars of Revenge.” Boy Better Know – Shh Hut Yuh Muh Edition 1. © Boy Better Know.
  • Jme. 2006b. “Final Boss.” Boy Better Know – Shh Hut Yuh Muh Edition 1. © Boy Better Know.
  • Jme. 2006c. “The Future.” Boy Better Know – Poomplex Edition 2. © Boy Better Know.
  • Jme. 2019. “96 of My Life.” Grime MC. ℗© Boy Better Know.
  • Joe Grind and Jme. 2019. Boss. ℗© SN1 Records.
  • Skepta. 2012. “Castles.” Blacklisted. ℗© 3Beat.
  • Skepta. 2016. “Konnichiwa.” Konnichiwa. © Boy Better Know.
  • Wiley. 2013. Born in the Cold. ℗© Big Dada/A-List.