933
Views
2
CrossRef citations to date
0
Altmetric
ARTICLES

Rethinking Constructs of Maternity in the Novels of Elena Ferrante and Alice Sebold

Works Cited

  • Benedetti, Laura (2012), ‘Il linguaggio dell’amicizia e della città: L’amica geniale di Elena Ferrante tra continuità e cambiamento’, Quaderni d’italianistica 33:2, pp. 171–87.
  • Bhabha, Homi K. (1994), The Location of Culture, London: Routledge.
  • Biggs, Joanna (2015), ‘I Was Blind, She a Falcon’, London Review of Books 37:17, pp. 11–12, at www.lrb.co.uk/v37/n17/joanna-biggs/i-was-blind-she-a-falcon (accessed 29 September 2016).
  • Bliss, Ann V. (2008), ‘“Share Moments, Share Life”: The Domestic Photograph as a Symbol of Disruption and Trauma in The Lovely Bones’, Women’s Studies 37:7, pp. 861–84. doi: 10.1080/00497870802344776
  • Cavarero, Adriana (2009), Horrorism: Naming Contemporary Violence [2007], trans. from the Italian by William McCuaig, New York: Columbia University Press.
  • Clark, Alex (2016), ‘Sister Act: Female Friendship in Fiction from Woolf to Ferrante and Zadie Smith’, Guardian, 6 August, at www.theguardian.com/books/2016/aug/06/women-friendship-wold-ferrante-zadie-smith-fiction-alex-clark (accessed 29 September 2016).
  • D’Amelia, Marina (ed.) (1997), Storia della maternità, Bari: Laterza.
  • De Rogatis, Tiziana (2014), ‘L’amore molesto di Elena Ferrante: mito classico e identità femminile’, Allegoria 70:2, pp. 147–82.
  • De Rogatis, Tiziana (2015), ‘Elena Ferrante e il Made in Italy: la costruzione di un immaginario femminile e napoletano’, in Daniele Balicco (ed.), Made in Italy e cultura: indagine sull’identità italiana contemporanea, Palermo: Palumbo, pp. 288–317.
  • Europa Editions (n.d.), ‘Europa Editions Launches Tonga Books’, at www.europaeditions.com/news/881/europa-editions-launches-tonga-books (accessed 1 September 2017).
  • Ferrante, Elena (2005), The Days of Abandonment [2002], trans. from the Italian by Ann Goldstein, New York: Europa.
  • Ferrante, Elena (2006), Troubling Love [1992], trans. from the Italian by Ann Goldstein, New York: Europa.
  • Ferrante, Elena (2008), The Lost Daughter [2006], trans. from the Italian by Ann Goldstein, New York: Europa.
  • Ferrante, Elena (2012), My Brilliant Friend [2011], trans. from the Italian by Ann Goldstein, New York: Europa.
  • Ferrante, Elena (2013), The Story of a New Name [2012], trans. from the Italian by Ann Goldstein, New York: Europa.
  • Ferrante, Elena (2014), Those Who Leave and Those Who Stay Behind [2013], trans. from the Italian by Ann Goldstein, New York: Europa.
  • Ferrante, Elena (2015), The Story of the Lost Child [2014], trans. from the Italian by Ann Goldstein, New York: Europa.
  • Gamble, Sarah (2001), ‘Postfeminism’, in Sarah Gamble (ed.), The Routledge Companion to Feminism and Postfeminism, London: Routledge, pp. 43–54.
  • Goldstein, Ann (2008), ‘ Elena Ferrante on Alice Sebold’s new novel, The Almost Moon’, at www.europaeditions.com/news/340/elena-ferrante-on-alice-sebold-s-new-novel-the-almost-moon (accessed 29 September 2016).
  • Grosz, Elizabeth (1994), Volatile Bodies: Toward a Corporeal Feminism, St Leonards, NSW: Allen and Unwin.
  • Hirsch, Marianne (1997), Family Frames: Photography, Narrative and Postmemory, Cambridge, MA: Harvard University Press.
  • Kristeva, Julia (1982), Powers of Horror: An Essay on Abjection [1980], trans. from the French by Leon S. Roudiez, New York: Columbia University Press.
  • Kristeva, Julia (2001), Melanie Klein [1999], trans. from the French by Ross Guberman, New York: Columbia University Press.
  • Milkova, Stiliana (2013), ‘Mothers, Daughters, Dolls: On Disgust in Elena Ferrante’s La figlia oscura’, Italian Culture 31:2, pp. 91–109. doi: 10.1179/0161462213Z.00000000017
  • Mulvey, Laura (1975), ‘Visual Pleasure and Narrative Cinema’, Screen 16:3, pp. 6–18. doi: 10.1093/screen/16.3.6
  • Sebold, Alice (2002a), The Lovely Bones, London: Picador.
  • Sebold, Alice (2002b), Lucky, London: Picador.
  • Sebold, Alice (2007), The Almost Moon, New York: Little, Brown.
  • Sontag, Susan (1979), On Photography, Harmondsworth: Penguin.
  • Spivak, Gayatri Chakravorty (1988), ‘Can the Subaltern Speak?’, in Cary Nelson and Lawrence Grossberg (eds), Marxism and the Interpretation of Culture, Champaign: University of Illinois Press, pp. 271–313.
  • Walsh, Joanna (2014), ‘Elena Ferrante: Writer of the Unsayable’, Guardian, 12 June, at www.theguardian.com/books/booksblog/2014/jun/12/elena-ferrante-writer-italian-novelist (accessed 7 October 2016).
  • Whitney, Sarah (2010), ‘Uneasy Lie the Bones: Alice Sebold’s Postfeminist Gothic’, Tulsa Studies in Women’s Literature 29:2, pp. 351–73.

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.