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Women: a cultural review Volume 30, 2019 - Issue 3: Danger! Women Reading: Feminist Encounters with Art, History and Theory guest-edited by Victoria Horne
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ARTICLES

Heresies’ Heresies: Collaboration and Dispute in a Feminist Publication on Art and Politics

Amy Tobin
Pages 280-296 | Published online: 18 Oct 2019

Works Cited

  • Alloway, Lawrence (1972), ‘Network: The Art World Described as a System’, Artforum 11:1, pp. 28–32.
  • Braderman, Joan dir. (2009), The Heretics. colour, 91mins.
  • Brownmiller, Susan (1999), In Our Time: Memoir of a Revolution, New York: Delta.
  • Burk, Tara (2013), ‘In Pursuit of the Unspeakable: Heresies’ “Lesbian Art and Artists” Issue, 1977’, WSQ: Women’s Studies Quarterly 41:3&4, pp. 63–78. doi: 10.1353/wsq.2013.0098
  • D’Souza, Aruna (2018), ‘Early Intersections: The work of Third World Feminism’, in Catherine Morris and Rujeko Hockley (eds) We Wanted a Revolution Black Radical Women, 1965–85: New Perspectives, New York: The New Museums, pp. 73–96.
  • Fishman, Louise (1977), ‘The Tapes’, Heresies: A Feminist Publication on Art and Politics, ‘Lesbian Art and Artists’, 1:3, pp. 15–21.
  • Fraser, Nancy (1990), ‘Rethinking the Public Sphere: A Contribution to the Critique of Actually Existing Democracy’, Social Text 25/26, pp. 56–80. doi: 10.2307/466240
  • Freeman, Joreen (Jo) (1972), ‘The Tyranny of Structurelessness’, The Second Wave 2:1.
  • Hammond, Harmony (1977), ‘Class Notes’, Heresies: A Feminist Publication on Art and Politics, ‘Lesbian Art and Artists’, 1:3, pp. 34–36.
  • Lippard, Lucy R (1984), Get the Message: A Decade of Art for Social Change, New York: E.P. Dutton.
  • Moore, Sabra (2016), Openings: A Memoir of the Women’s Art Movement, New York City 1970–1992, New York: New Village Press.
  • Morris, Catherine and Rujeko Hockley (eds) (2017), We Wanted a Revolution Black Radical Women 1965–85: A Sourcebook, New York: Brooklyn Museum.
  • New York Movement Women’s Caucus (1977), ‘Do you see Feminism Correcting the Errors of Socialism?’ Heresies, no.2.
  • Rickey, Carrie (1993), ‘Writing (and Righting) Wrongs: Feminist Art Publications’ in Mary D. Garrard and Norma Broude (eds), The Power of Feminist Art, New York: EP Dutton.
  • Robinson, Hilary (ed) (2001), Feminism Art Theory: An Anthology 1968–2000, Oxford: Wiley Blackwell.
  • Vicuña, Cecilia (1982), ‘Choosing the Feather’, translated by Lorraine O’Grady, Heresies: Racism is the Issue, 15, pp. 18–19.

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