740
Views
3
CrossRef citations to date
0
Altmetric
Articles

Exploring the ‘Other’: inter-faith marriages in Jodhaa Akbar and beyond

References

  • Abbas, K. A. (Director). 1969. Saat Hindustani/Seven Indians. Motion Picture.
  • Advani, N. (Director). 2007. Salaam-E-Ishq/Ode to Love. Motion Picture.
  • Akhtar, J. 2006, December 20. Secularism in Hindi Cinema has Primarily been a Hindu's Responsibility: Javed Akhtar. Accessed September 26, 2013. www.afaqs.com: http://www.afaqs.com/news/story/16668_Secularism-in-Hindi-cinema-has-primarily-been-a-Hindu%E2%80%99s-responsibility:-Javed-Akhtar
  • Ali, S. (Director). 2007. Jhoom Barabar Jhoom/Dance Baby Dance. Motion Picture.
  • Amrohi, K. (Director). 1972. Pakeezah/The Unsullied. Motion Picture.
  • Arora, C. (Director). 2010. Striker. Motion Picture.
  • Basu, A. 2010. Bollywood in the Age of New Media. Edinburgh: Edinburgh University Press.
  • Bhansali, S. L. (Director). 2007. Sawaariya/Beloved. Motion Picture.
  • Bharucha, R. 1994, January 15. Somebody's Other: Disorientations in the Cultural Politics of Our Times. Economic and Political Weekly XXIX (3): 105–110.
  • Bhasker, I., and R. Allen. 2009. Islamicate Cultures of Bombay Cinema. New Delhi: Tulika Books.
  • Bhattacharya, N. 2013. Hindi Cinema: Repeating the Subject. New York: Routledge.
  • Binny, L. (Director). 1999. Dahek/Fire. Motion Picture.
  • Booth, G. 2004. “Pandits in the Movies: Contesting the Identity of Hindustani Classical Music and Musicians in the Hindi Popular Cinema.” Asian Music: Journal of Society for Asian Music 36 (1): 60–86. doi: 10.1353/amu.2005.0004
  • Butalia, U. 1997. “Abducted and Widowed Women: Questions of Sexuality and Citizenship During Partition.” In Embodiment: Essays on Gender and Identity, edited by M. Thapan, 90–106. New Delhi: Oxford University Press.
  • Chadha, K., and A. P. Kavoori. 2008. “Exoticized, Marginalized, Demonized: The Muslim ‘Other’ in Indian Cinema.” In Global Bollywood, edited by A. P. Kavoori and A. Punathambekar, 131–145. New York: New York University Press.
  • Charkavarty, S. 1993. National Identity in Popular Indian Cinema 1947–1987. Austin: University of Texas Press.
  • Chatterjee, P. 1989. “The Nationalist Resolution of the Women's Question.” In Recasting Women: Essays in Indian Colonial History, edited by S. Vaid and K. Sangari, 233–253. New Delhi: Kali for Women.
  • Chopra, R. (Director). 1988–90. Mahabharata. Motion Picture.
  • Chopra, Y. (Director). 2004. Veer Zaara/Veer and Zaara. Motion Picture.
  • Desai, M. (Director). 1977. Amar Akbar Anthony. Motion Picture.
  • Desai, M. (Director). 1982. Desh Premee/The Patriot. Motion Picture.
  • Desai, M. (Director). 1983. Coolie/The Porter. Motion Picture.
  • Desai, K. (Director). 1986. Allah Rakha/God's Mercy. Motion Picture.
  • D'Silva, R. (Director). 2009. Kurbaan/Sacrificed. Motion Picture.
  • Dwivedi, C. P. (Director). 2003. Pinjar/The Cage. Motion Picture.
  • Faisal, H. (Director). 2012. Ishaqzaade/Born to Hate … Destined to Love. Motion Picture.
  • Forbes, G. 2005. Women in Colonial India: Essays on Politics, Medicine and Historiography. New Delhi: Orient Longman.
  • Ghai, S. (Director). 1986. Karma/Duty. Motion Picture.
  • Ghosh, P. (Director). 1997. Ghulam e Mustafa/Servant of the Prophet. Motion Picture.
  • Ghuman, G. 2006, February 21. The Muslim as The ‘Other’ in Bollywood. Accessed September 7, 2013. Countercurrents: http://www.countercurrents.org/arts-ghuman210206.htm
  • Gopal, S. 2011. Conjugations: Marriage and Form in New Bollywood Cinema. Chicago: University of Chicago Press.
  • Gowariker, A. (Director). 2008. Jodhaa Akbar/Jodhaa and Akbar. Motion Picture.
  • Grewal, R. (Director). 2009. Aloo Chaat. Motion Picture.
  • Guha, R. 1983. Elementary Aspects of Peasant Insurgency in Colonial India. New Delhi: Oxford University Press.
  • Gupta, C. 2001. Sexuality, Obscenity, Community: Women, Muslims and the Hindu Public in Colonial India. New Delhi: Permanent Black.
  • Hirji, F. 2008. “Change of Pace? Islam and Tradition in Popular Indian Cinema.” South Asian Popular Culture 6 (1): 57–69. doi: 10.1080/14746680701878562
  • Islam, M. 2007. “Imagining Indian Muslims: Looking through the Lens of Bollywood Cinema.” Indian Journal of Human Development 1 (2): 403–422.
  • Jain, P. 2011. “From Padosi to My Name is Khan: The Protrayal of Hindu-Muslim Relations in South Asian Films.” Visual Anthropology 24 (4): 345–362. doi: 10.1080/08949468.2011.583570
  • Johar, K. (Director). 2010. My Name is Khan. Motion Picture.
  • Kapoor, P. (Director). 2011. Mausam/Season. Motion Picture.
  • Kaul, M. (Director). 1967. Palki/The Palanquin. Motion Picture.
  • Khalil, S. (Director). 1964. Benazir. Motion Picture.
  • Khan, M. (Director). 1945. Humayun. Motion Picture.
  • Khan, K. (Director). 2009. New York. Motion Picture.
  • Kumar, V. (Director). 1968. Mere Huzoor/My Dearest. Motion Picture.
  • Lal, V. 1998. “The Impossibility of the Outsider in the Modern Hindi Film.” In Secret Politics of our Desires: Innocence, Culpability and the Indian Popular Cinema, edited by A. Nandy, 228–259. New Delhi: Oxford University Press.
  • Lulla, A. B. 2013. “Love Jihad.” Open Magazine, May 4. Accessed November 9, 2013. http://www.openthemagazine.com/article/nation/love-jihad
  • Mehra, P. (Director). 1973. Zanjeer/The chains. Motion Picture.
  • Mehra, P. (Director). 1978. Muqaddar Ka Sikander/Destiny's Child. Motion Picture.
  • Mirza, W. (Director). 1944. Shahenshah Babar/Emperor Babar. Motion Picture.
  • Mishra, V. 2002. Bollywood Cinema: Temples of Desire. New York: Routledge.
  • Mohammed, K. (Director). 2001. Zubeidaa. Motion Picture.
  • Mohan, V. (Director). 1964. Gazal/Poetry. Motion Picture.
  • Mohan, S. (Director). 1980. Aap Ke Deewane/Crazy For You. Motion Picture.
  • Nandy, A. 1980. “Woman versus Womanliness in India: An Essay in Cultural and Political Psychology.” In At the Edge of Psychology: Essays in Politics and Culture, 32–46. New Delhi: Oxford University Press.
  • Niranjana, T. 1995. “Banning Bombay: Nationalism, Communalism and Gender.” Economic and Political Weekly 30 (22): 1291–1292.
  • Noorani, A. G. 2006. Constitutional Questions and Citizen's Rights: An Omnibus Comprising Constitutional Questions in India. New Delhi: Oxford University Press.
  • Osuri, G. Spring. 2012. “Secular Interventions/Hinduized Sovereignty – (Anti) Conversion and Religious Pluralism in Jodhaa Akbar.” Cultural Critique 81: 70–99. doi: 10.1353/cul.2012.0024
  • Prasad, M. 1993. “Cinema and the Desire for Modernity.” Journal of Arts and Ideas 25–26: 71–86.
  • Rai, A. 2003. “Patriotism and the Muslim Citizen in Hindi Films.” Harvard Asia Quarterly 7 (3): 4–15.
  • Rai, A. L. (Director). 2013. Raanjhanaa/Crazy Lover. Motion Picture.
  • Ramaswamy, S. 2001. “Maps and Mother Goddesses in Modern India.” Imago Mundi 53: 97–114.
  • Ramaswamy, V. ed. 2003. Re-Searching Indian Women. New Delhi: Manohar.
  • Ramaswamy, S. 2008. “Maps, Mother/Goddesses, and Martyrdom in Modern India.” The Journal of Asian Studies 67 (3): 819–853. doi: 10.1017/S0021911808001174
  • Rao, T. R. (Director). 1983. Andhaa Kanoon/Blind Law. Motion Picture.
  • Ratnam, M. (Director). 1995. Bombay. Motion Picture.
  • Rawail, H. S. (Director). 1963. Mere Mehboob/My Beloved. Motion Picture.
  • Rawail, H. S. (Director). 1971. Mehboob Ki Mehndi/Beloved‘s Henna. Motion Picture.
  • Rawal, C. L., and P. L. Santoshi. (Directors). 1963. Dil Hi To Hai/Its Only Heart. Motion Picture.
  • Sadiq, M. (Director). 1960. Chaudhvin Ka Chand/Full Moon. Motion Picture.
  • Sadiq, M. (Director). 1967. Bahu Begum. Motion Picture.
  • Sagar, R. (Director). 1987–88. Ramayana. Motion Picture.
  • Sarkar, T. 2003. “The Gender Predicament of the Hindu Right.” In The Concerned Indian's Guide to Communalism, edited by K. N. Panikkar, 131–159. New Delhi: Penguin Book India.
  • Sarkar, S. (Director). 2005. Yahaan/Here. Motion Picture.
  • Sen, I. 2002. Woman and Empire: Representations in the Writings of Colonial India (1858–1900). New Delhi: Orient Longman.
  • Sethi, G. R. (Director). 1943. Shahenshah Akbar/Emperor Akbar. Motion Picture.
  • Sharma, K. N. (Director). 1944. Mumtaz Mahal/Jewel of the Palace. Motion Picture.
  • Sharma, A. (Director). 2001. Gadar/The Revolt. Motion Picture.
  • Shelly, J. (Director). 1977. Pandit aur Pathan/Priest and the Pathan. Motion Picture.
  • Shetty, R. (Director). 2012. Bol Bachchan/Bundle of Lies. Motion Picture.
  • Shrivastava, S. 2007. Passionate Modernity: Sexuality, Class and Consumption in India. Routledge.
  • Smelik, A. 1999. “Feminist Film Theory.” In The Cinema Book. 2nd ed., edited by P. Cook and M. Bernink, 353–362. London: British Film Institute.
  • Tak, S. K. (Director). 1991. Sanam Bewafa/Unfaithful Beloved. Motion Picture.
  • Vasudevan, R. 2001. “Bombay and its Public.” In Pleasure and the Nation: The History, Politics and Consumption of Public Culture in India, edited by R. Dwyer and C. Pinney, 186–211. New Delhi: Oxford University Press.
  • Virdi, J. 2003. The Cinematic ImagiNation: Indian Popular Films as Social History. New Delhi: Permanent Black.
  • Vishwanath, G. 2002. “Saffronizing the Silver Screen: The Right-Winged Nineties Film.” In Film and Feminism: Essays in Indian Cinema, edited by J. Jain and S. Rai, 39–51. Jaipur: Rawat.
  • Wood, R. 2003. Hollywood from Vietnam to Reagan and Beyond. New York: Columbia University Press.

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.