Invisible Agents and hidden Protagonists: Rethinking Creative Cities Policy

References

• Banks, M., O'Connor, J. (2009). After the creative industries. International Journal of Cultural Policy, 15(4), 365–373. doi: 10.1080/10286630902989027
   Web of Science ®Google Scholar
• Bathelt, H. (2002). The re-emergence of a media industry cluster in Leipzig. European Planning Studies, 10(5), 583–611. doi: 10.1080/09654310220145341
   Web of Science ®Google Scholar
• Bathelt, H. (2005). Cluster relations in the media industry: Exploring the “distanced neighbour” paradox in Leipzig. Regional Studies, 39(1), 105–127. doi: 10.1080/0034340052000320860
   Web of Science ®Google Scholar
• Becker, H. S. (1984). Art Worlds, Berkeley: University of California Press.
   Google Scholar
• Christopherson, S. (2004). The divergent worlds of new media: How policy shapes work in the creative economy. Review of Policy Research, 21(4), 543–558. doi: 10.1111/j.1541-1338.2004.00093.x
   Google Scholar
• Clammer, J. (2005). Culture, development, and social theory: On cultural studies and the place of culture in development. The Asia Pacific Journal of Anthropology, 6(2), 100–119. doi: 10.1080/14442210500168218
   Google Scholar
• Comunian, R., Taylor, C. & Smith, D. (2013) The role of universities in the regional creative economies of the UK: Hidden protagonists and the challenge of knowledge transfer, European Planning Studies. doi: 10.1080/09654313.2013.790589
   Google Scholar
• Davenport, J. (2006). UK film companies: Project-based organisations lacking entrepreneurship and innovativeness?. Creativity and Innovation Management, 15(3), 250–257. doi: 10.1111/j.1467-8691.2006.00394.x
   Google Scholar
• Florida, R. (2002). The Rise of the Creative Class—and How It's Transforming Work, Leisure, Community and Everyday Life, New York: Basic Books.
   Google Scholar
• Gibson, C. (2012). Cultural economy: Achievements, divergences, future prospects. Geographical Research, 50(3), 282–290. doi: 10.1111/j.1745-5871.2011.00738.x
   Web of Science ®Google Scholar
• Granger, R. (2013) Spatial-relational mapping in socio-institutional perspectives of innovation, European Planning Studies. doi: 10.1080/09654313.2013.790591
   Google Scholar
• Jayne, M. (2004). Culture that works? Creative industries development in a working-class city. Capital and Class, 28(3), 199–210. doi: 10.1177/030981680408400119
   Google Scholar
• Jayne, M., Gibson, C., Waitt, G., Bell, D. (2010). The cultural economy of small cities. Geography Compass, 4(9), 1408–1417. doi: 10.1111/j.1749-8198.2010.00380.x
   Google Scholar
• Jeffcut, P., Pratt, A. (2002). Managing creativity in the cultural industries. Creativity and Innovation Management, 11(4), 225–233. doi: 10.1111/1467-8691.00254
   Google Scholar
• Kloosterman, R. (2013) Cultural amenities: Large and small, mainstream and niche. A conceptual framework for cultural planning in an age of austerity, European Planning Studies. doi: 10.1080/09654313.2013.790594
   Google Scholar
• Kong, L. (2000). Cultural policy in Singapore: Negotiating economic and socio- cultural agendas. Geoforum, 31(4), 409–424. doi: 10.1016/S0016-7185(00)00006-3
   Web of Science ®Google Scholar
• Landry, C. (2000). The Creative City: A Toolkit for Urban Innovators, London: Earthscan.
   Google Scholar
• Luckman, S., Gibson, C., Lea, T. (2009). Mosquitoes in the mix: How transferable is creative city thinking?. Singapore Journal of Tropical Geography, 30(1), 70–85. doi: 10.1111/j.1467-9493.2008.00348.x
   Web of Science ®Google Scholar
• Mould, O., Vorley T. & Liu, K. (2013) Invisible creativity? Highlighting the hidden impact of freelancing in London's creative industries, European Planning Studies. doi: 10.1080/09654313.2013.790587
   Google Scholar
• Oakley, K. (2006). Include us out: Economic development and social policy in the creative industries. Cultural Trends, 15(4), 255–273. doi: 10.1080/09548960600922335
   Google Scholar
• O'Connor, J., Kong, L. (2009). Introduction. In KongL.O'ConnorJ. (Ed.), Creative Economies, Creative Cities: Asian-European Perspectives, (pp. 1–8). Dordrecht: Springer Press.
   Google Scholar
• Power, D., Hallencreutz, D. (2002). Profiting from creativity? The music industry in Stockholm, Sweden and Kingston, Jamaica. Environment and Planning A, 34(10), 1833–1854. doi: 10.1068/a3529
   Web of Science ®Google Scholar
• Power, D., Jansson, J. (2004). The emergence of a post-industrial music economy? Music and ICT synergies in Stockholm, Sweden. Geoforum, 35(4), 425–439. doi: 10.1016/j.geoforum.2003.12.001
   Web of Science ®Google Scholar
• Pratt, A. C. (2000). New media, the new economy and new spaces. Geoforum, 31(4), 425–436. doi: 10.1016/S0016-7185(00)00011-7
   Web of Science ®Google Scholar
• Pratt, A. C. (2002). Hot jobs in cool places. The material cultures of new media product spaces: The case of south of the market, San Francisco. Information, Communication and Society, 5(1), 27–50. doi: 10.1080/13691180110117640
   Google Scholar
• Pratt, A. C. (2005). Cultural industries and public policy: An oxymoron?. International Journal of Cultural Policy, 11(1), 31–44. doi: 10.1080/10286630500067739
   Google Scholar
• Pratt, A. C. (2009). Policy transfer and the field of cultural and creative industries: What can be learned from Europe?. In KongL.O'ConnorJ. (Ed.), Creative Economies, Creative Cities: Asian-European Perspectives, (pp. 9–24). Dordrecht: Springer Press.
   Google Scholar
• Pratt, A. C. (2010). Creative cities: Tensions within and between social, cultural and economic development. City, Culture and Society, 1(1), 13–20. doi: 10.1016/j.ccs.2010.04.001
   Google Scholar
• Saundry, R., Nolan, P. (1998). Regulatory change and performance in TV production. Media, Culture & Society, 20(3), 409–426. doi: 10.1177/016344398020003004
   Web of Science ®Google Scholar
• Taylor, C. (2006). Beyond advocacy: Developing an evidence base for regional creative industries strategies. Cultural Trends, 15(1), 3–18. doi: 10.1080/09548960600615871
   Google Scholar
• Taylor, C. (2009). The creative industries, governance and economic development: A UK perspective. In KongL.O'ConnorJ. (Ed.), Creative Economies, Creative Cities: Asian-European Perspectives, (pp. 153–166). Dordrecht: Springer Press.
   Google Scholar
• Taylor, C. (2013) Between culture, policy and industry: The modalities of intermediation in the creative economy. Regional Studies. doi: 10.1080/00343404.2012.748981.
   Google Scholar
• Trip, J. J. & Romein, A. (2013) Creative city policy and the gap with theory, European Planning Studies. doi: 10.1080/09654313.2013.790592
   Google Scholar
• Ursell, G. (2000). Television production: Issues of exploitation, commodification and subjectivity in UK television labour markets. Media, Culture and Society, 22(6), 805–825. doi: 10.1177/016344300022006006
   Web of Science ®Google Scholar
• Waitt, G. (2006). Creative small cities: Cityscapes, power and the arts. In BellD.JayneM. (Ed.), Small Cities: Urban Experience Beyond the Metropolis, (pp. 169–184). London: Routledge.
   Google Scholar
• Waitt, G., Gibson, C. (2009). Creative small cities: Rethinking the creative economy in place. Urban Studies, 46(5&6), 1223–1246. doi: 10.1177/0042098009103862
   Web of Science ®Google Scholar
• Watson, A. (2008). Global music city: Knowledge and geographical proximity in London's recorded music industry. Area, 40(1), 12–23. doi: 10.1111/j.1475-4762.2008.00793.x
   Web of Science ®Google Scholar