References

• Anderson, Benedict. 1983. Imagined Communities: Reflections on the Origin and Spread of Nationalism. London: Verso.
   Google Scholar
• Blunt, Alison. 2007. “Cultural Geographies of Migration: Mobility, Transnationality and Diaspora.” Progress in Human Geography 31 (5): 684–694.10.1177/0309132507078945
   Web of Science ®Google Scholar
• Chand, Vineeta. 2011. “Elite Positionings towards Hindi: Language Policies, Political Stances and Language Competence in India.” Journal of Sociolinguistics 15 (1): 6–35.10.1111/j.1467-9841.2010.00465.x
   Web of Science ®Google Scholar
• Chatterjee, Partha. 1999. “The Nationalist Resolution of the Women’s Question.” In Recasting Women: Essays in Indian Colonial History, edited by Kumkum Sangari and Sudesh Vaid, 233–253. New Brunswick, NJ: Rutgers University Press.
   Google Scholar
• Chowdhury, Elora Halim. 2010. “Feminism and Its ‘Other’: Representing the ‘New Woman’ of Bangladesh.” Gender, Place & Culture 17 (3): 301–318.
   Web of Science ®Google Scholar
• Chowdhury, Elora Halim. 2011. Transnationalism Reversed: Women Organizing against Gendered Violence in Bangladesh. Albany, NY: State University of New York Press.
   Google Scholar
• Desai, Jigna. 2004. Beyond Bollywood: The Cultural Politics of South Asian Diasporic Film. New York: Routledge.
   Google Scholar
• Dudrah, Rajinder. 2012. Bollywood Travels: Culture, Diaspora and Border Crossings in Popular Hindi Cinema. London: Routledge.
   Google Scholar
• Dwyer, Rachel, and Divia Patel. 2002. Cinema India: The Visual Culture of Hindi Film. New Brunswick, NJ: Rutgers University Press.
   Google Scholar
• Ganti, Tejaswini. 2004. Bollywood: A Guidebook to Popular Hindi Cinema. New York: Routledge.
   Google Scholar
• Ganti, Tejaswini. 2012. Producing Bollywood: Inside the Contemporary Hindi Film Industry. Durham, NC Duke University Press.10.1215/9780822395225
   Google Scholar
• Gehlawat, Ajay. 2010. Reframing Bollywood: Theories of Popular Hindi Cinema. New Delhi: Sage.
   Google Scholar
• Gibson-Graham, J. K. 2006. A Postcapitalist Politics. Minneapolis, MN: University of Minnesota.
   Google Scholar
• Gopal, Sangita. 2011. Conjugations: Marriage and Form in New Bollywood Cinema. Chicago, IL: University of Chicago Press.10.7208/chicago/9780226304274.001.0001
   Google Scholar
• Kumar, Amitava. 2000. Passport Photos. Berkeley, CA: University of California Press.
   Google Scholar
• Lal, Vinay, and Ashis Nandy, eds. 2006. Fingerprinting Popular Culture: The Mythic and the Iconic in Indian Cinema. New Delhi: Oxford University Press.
   Google Scholar
• Loomba, Ania. 2005. Colonialism/Postcolonialism. 2nd ed. London: Routledge.
   Google Scholar
• Morcom, Anna. 2007. Hindi Film Songs and the Cinema. Hampshire: Ashgate.
   Google Scholar
• Morcom, Anna. 2013. Illicit Worlds of Indian Dance: Cultures of Exclusion. London: Hurst & Company.10.1093/acprof:oso/9780199343539.001.0001
   Google Scholar
• Munoz, Jose Esteban. 1999. Disidentifications: Queers of Color and the Performance of Politics. Minneapolis, MN: University of Minnesota Press.
   Google Scholar
• Nandy, Ashis, ed. 1998. The Secret Politics of Our Desires: Innocence, Culpability and Indian Popular Cinema. New Delhi: Oxford University Press.
   Google Scholar
• Punathambekar, Aswin. 2013. From Bombay to Bollywood: The Making of a Global Media Industry. New York: New York University Press.
   Google Scholar
• Rajadhyaksha, Ashish. 2003. “The ‘Bollywoodization’ of the Indian Cinema: Cultural Nationalism in a Global Arena.” Inter-Asia Cultural Studies 4 (1): 25–39.
   Google Scholar
• Rajadhyaksha, Ashish. 2009. Indian Cinema in the Time of Celluloid: From Bollywood to the Emergency. Bloomington: Indiana University Press.
   Google Scholar
• Rao, Shakuntala. 2007. “The Globalization of Bollywood: An Ethnography of Non-Elite Audiences in India.” The Communication Review 10: 57–76.10.1080/10714420601168491
   Google Scholar
• Rao, Shakuntala. 2010. “‘I Need an Indian Touch’: Glocalization and Bollywood Films.” Journal of International and Intercultural Communication 3 (1): 1–19.10.1080/17513050903428117
   Google Scholar
• Shinde, Gauri, dir. 2012. English Vinglish. Mumbai: Eros International. 133 min.
   Google Scholar
• Thobani, Sunera. 2014. “Performing Terror. Mediating Religion: Indian Cinema and the Politics of National Belonging.” International Journal of Communication 8: 483–505.
   Web of Science ®Google Scholar
• Trivedi, Harish. 2006. “All Kinds of Hindi: The Evolving Language of Hindi Cinema.” In Fingerprinting Popular Culture: The Mythic and the Iconic in Indian Cinema, edited by Vinay Lal and Ashis Nandy, 51–86. New Delhi: Oxford University Press.
   Google Scholar
• Virdi, Jyotika. 2003. The Cinematic ImaginNation: Indian Popular Films as Social History. New Brunswick, NJ: Rutgers University Press.
   Google Scholar
• Yuval-Davis, Nira. 1997. Gender and Nation. London: Sage.
   Google Scholar