REFERENCES
- Austin, J. L. How to do Things with Words. 2nd ed. Cambridge: Harvard University Press, 1975.
- Butler, Judith . Giving an Account of Oneself. New York: Fordham University Press, 2005.
- Butler, Judith . Precarious Life: The Powers of Mourning and Violence. London: Verso, 2006.
- Chambers, Lilian , and Eamonn Jordan , eds. The Theatre of Conor McPherson: “Right beside the Beyond.”. Dublin: Carysfort Press, 2012.
- Colleary, Susanne . “Conor McPherson's St. Nicholas: A Study in Comic Anguish.” In Chambers and Jordan The Theatre of Conor McPherson 77–88.
- Cummings, Scott T. “Homo Fabulator: The Narrative Imperative in Conor McPherson's Plays.” In Theatre Stuff: Critical Essays on Contemporary Irish Theatre, edited by Eamonn Jordan , 303–312. Dublin: Carysfort Press, 2000.
- Genter, Robert . Late Modernism: Art, Culture, and Politics in Cold War America. Philadelphia: University of Pennsylvania Press, 2010.
- Grene, Nicholas . “Ireland in Two Minds: Martin McDonagh and Conor McPherson.” Yearbook of English Studies 35 (2005): 298–311.
- Grobe, Christopher A. “Love and Loneliness: Secular Morality in the Plays of Conor McPherson.” The Princeton University Library Chronicle 68, no. 1–2 (2006): 684–704.
- Honig, Bonnie . Antigone, Interrupted. New York: Cambridge University Press, 2013.
- Kerrane, Kevin . “The Structural Elegance of Conor McPherson's The Weir .” New Hibernia Review 10, no. 4 (2006): 105–121.
- Lojek, Helen Heusner . The Spaces of Irish Drama. New York: Palgrave Macmillan, 2011.
- McPherson, Conor . Plays: Two. London: Nick Hern Books, 2004.
- McPherson, Conor . The Seafarer. New York: Theatre Communications Group, 2007.
- McPherson, Conor . Shining City. New York: Dramatists Play Service, 2007.
- McPherson, Conor . The Weir and Other Plays. New York: Theatre Communications Group, 1999.
- O'Donoghue, Mary . “‘Fecking Around with These Old Stories’: Talkers and Earwitnesses in the Theatre of the Bar.” In Anáil an Bhéil Bheo: Orality and Modern Irish Culture, edited by Sean Crosson , 217–227. Newcastle: Cambridge Scholars, 2009.
- Roach, Joseph . Cities of the Dead: Circum-Atlantic Performance. New York: Columbia University Press, 1996.
- Said, Edward . Humanism and Democratic Criticism. New York: Columbia University Press, 2004.
- Szabo, Carmen . “Issues of Narrative, Storytelling and Performance in Conor McPherson's The Actors .” In Chambers and Jordan The Theatre of Conor McPherson 127–136.
- Trench, Rhona . “The Measure of a Pub Spirit in Conor McPherson's The Weir .” In Chambers and Jordan The Theatre of Conor McPherson 165–182.
- Wallace, Clare . “The Art of Disclosure, the Ethics of Monologues in Conor McPherson's Drama: St. Nicholas, This Lime Tree Bower and Port Authority .” In Chambers and Jordan The Theatre of Conor McPherson 43–60.
- Wallace, Clare . “A Micronarrative Imperative: Conor McPherson's Monologue Dramas.” Irish Studies Review 14, no. 1 (2006): 1–10.
- Wallace, Kevin . “‘shame shame shame’: Masculinity, Intimacy and Narrative in Conor McPherson's Shining City .” In Chambers and Jordan The Theatre of Conor McPherson 89–102.
- Watson, Ariel . “Cries of Fire: Psychotherapy in Contemporary British and Irish Drama.” Modern Drama 51, no. 2 (2008): 188–210.
- Watt, Stephen . Beckett and Contemporary Irish Writing. Cambridge: Cambridge University Press, 2009.
- White, Stephen K. The Ethos of the Late-modern Citizen. Cambridge, MA: Harvard University Press, 2009.
- White, Stephen K. “Weak Ontology: Genealogy and Critical Issues.” The Hedgehog Review 7, no. 2 (2005): 11–25.
- Wood, Gerald C. Conor McPherson: Imagining Mischief. Dublin: Liffey Press, 2003.