The development of chordal harmony in Greek rebetika and laika music, 1930s to 1960s

References

• Abatzi , Eleni and Tasoulas , Manouil . Indoprepon apokalypsi: Apo tin India tou exotismou stin laiki mousa ton Ellinon. , Athens : Atrapos . (forthcoming)
   Google Scholar
• Adamidou , Sofia . 1998 . Sotiria Bellou — Pote dortia, pote exares. , Athens : Livani .
   Google Scholar
• Aksoy , Bülent . 1995 . “Towards the definition of the makam.” . Structure and idea of maqām: historical approaches.Proceedings of the Third Conference of the ICTM Maqām Study Group, Tampere—Virrat . October 2–5 1995 , Tampere, Finland. Edited by: Eisner , Jürgen and Pennanen , Risto Pekka . pp. 7 – 25 . Dept of Folk Tradition . 1997
   Google Scholar
• Anastasiou , Theofilos . 1995 . Paidaki me psihi kat zilemeno — 329 tragoudia tou Vasili Tsitsani. , Trikala : Politistikos organismos dimou Trikaion .
   Google Scholar
• Ayangil , Ruhi . 1994 . “Kanto.” . In Dünden bügine İstanbul ansiklopedisi , Vol. 4 , 419 – 20 . Istanbul : Kültür Baganliği ve tahir vakfi'nin ortak yaymdir .
   Google Scholar
• Beken , Münir Nurettin . 1996 . Notes for the CD Masters of Turkish Music Vol. 2 , Rounder CD 1111
   Google Scholar
• Boukouvalas , Dimitris I. 1991 . Bouzouki. I tehniki tou kai I didaskalia tis. Me eidiko systima simeiografias 3. , Athens : Dim. Boukouvalas .
   Google Scholar
• Braune , Gabriele . 1992 . “Maqāmāt and Western harmony in Egypt with musical examples of Sayyid Darwis and Farid al‐ÅAtraš.” . In Regionale maqām — Traditionen in Geschichte und Gegenwart , Materialen der 2. Edited by: Eisner , Jürgen and Jähnichen , Gisa . 75 – 82 . Berlin : Arbeitstagung der Study Group “maqām” des International Council for Traditional Music vom 23. bis 28. März 1992 in Gosen bei Berlin .
   Google Scholar
• Chabrier , J.‐Cl. Ch. 1991 . “Makam.” . In Encyclopaedia of Islam , New Ed. , Edited by: Bosworth , C.E. and et al. Vol. 6 , 96 – 104 . Leiden : E.J. Brill .
   Google Scholar
• Conway Morris , Roderick . 1980 . “Greek café music.” . Journal of the British Institute of Recorded Sound , 80 : 79 – 117 .
   Google Scholar
• Dietrich , Eberhard . 1987 . Das Rebetiko. Eine Studie zur städtischen Musik Griechenlands. Beiträge zur Ethnomusikologie 17. , Berlin : Freie Universität . Hamburg: Verlag der Musikaliehandlung Karl Dieter Wagner
   Google Scholar
• Dragoumanos , Petros . 1994 . Odigos ellinikis diskografias 1950–1994. , 3rd ed. , Athens : A.A. Livanis . LPs & Maxi‐Singles & CDs
   Google Scholar
• _____ . 1997 . “Marika Ninou—diskografia.” . Difono , 19 : 96
   Google Scholar
• Dragoumis , Markos . 1975 . “The music of the rebetes.” . In Rebetika — songs front the old Greek underworld , Edited by: Butterworth , K. and Schneider , S. 16 – 25 . Athens : Komboloi .
   Google Scholar
• _____ . 1984 . “Mia mousikoloyiki prosegisi tou rebetikou.” . In Themata ellinikou politismou.Symbosio Aigaiou kentrou ellinikis filosofias 55 – 6 . Athens
   Google Scholar
• Dussant , René . 1957 . “Comma.” . In Larousse de la musique , Edited by: Dufoureq , Norbert . Vol. 1 , 214 Paris : Larousse .
   Google Scholar
• Einarsson , Mats . 1987 . Grekisk rebetika. En översiktlig beskrivning av rebetikakulturen och stilistiska iakttagelser av musiken. 60‐poengsuppsats vid Musikvetenskapliga Institutionen vid Stockholms Universitet. , Univ. of Stockholm . Unpublished M.A. thesis
   Google Scholar
• _____ . 1989 . “Om improvisation i grekiska musikmiljöer.” . In Ord om ton. 14 uppsatser om musikforsning , Edited by: Larsen , Holger and Norrman , Stig . 49 – 59 . Stockholm : Musikvetenskapliga institutionen .
   Google Scholar
• _____ . 1990 . “ ‘Två taximia av Ioannis Koupourtiadis. Musik‐ och situationsanalys.” . In Musik och kultur , Edited by: Ronström , Owe . 202 – 9 . Lund, Sweden : Studentlitteratur .
   Google Scholar
• Feldman , Walter . 1996 . Music of the Ottoman court: makam, composition and the early Ottoman instrumental repertoire. Intercultural Music Studies 10 , Berlin : Verlag für Wissenschaft und Bildung .
   Google Scholar
• Frye , Ellen . 1973 . The marble threshing floor: a collection of Greek folksongs. , Memoirs 57 Austin : Univ. of Texas Press . Publications of the American Folklore Society
   Google Scholar
• Gauntlett , Stathis . 1982/83 . “Rebetiko tragoudi as a generic term.” . Byzantine and Modem Greek Studies , 8 : 77 – 102 .
   Web of Science ®Google Scholar
• _____ . 1985 . Rebetika carmina graeciae recentioris: a contribution to the definition of the term rebetiko tragoudi through detailed analysis of its verses and of the evolution of its performance. Modified version of doctoral thesis, Univ. of Oxford , Athens : Denise Harvey & Co . 1978
   Google Scholar
• _____ . 1991 . “Orpheus in the criminal underworld, myth in and about rebetika.” . Mandaforos deltio neoellinikon spoudon , 34 Dec. : 7 – 48 . 1991
   Google Scholar
• Greve , Martin . 1995 . Die Europäisierung orientalischer Kunstmusik in der Türkei. Europäische Hochschulschriften Bd. 142 , Technical Univ. of Berlin . Doctoral thesis
   Google Scholar
• Grigoriadis , Dimitris . 1997[?] . Yia to bouzouki. , Thessaloniki : Doremi .
   Google Scholar
• Hatzidoulis , Kostas . 1980 . Vasilis Tsitsanis, i zoi mou, to ergo mou. , Athens : Nefeli .
   Google Scholar
• Hering , Gunnar . Oktober 1996 . “Aspekte der Kulturpolitik des Metaxas‐Regimes (1936–1940).” . In Die Kultur Griechenlands in Mittelalter und Neuzeit Bericht über das Kolloquium der Südosteuropa‐Komission 28.‐31 , Edited by: Lauer , Reinhard and Schreiner , Peter . Oktober , 285 – 321 . Göttingen : Vandenhoeck & Ruprecht . 1992
   Google Scholar
• Holst , Gail . 1983 [1975] . Road to rembetika: music of a Greek sub‐culture. Songs of love, sorrow and hashish. , 3rd ed. , Athens : Denise Harvey & Co. .
   Google Scholar
• Howard , Charles . 1996 . Notes for the CD Roza Eskenazi, Rembetissa. Rounder CD 1080
   Google Scholar
• Hristianopoulos , Nikos . 1994 . O Vasilis Tsitsanis kai ta proto tragoudia tou (1932–1946 , Thessaloniki : Diagoniou .
   Google Scholar
• Hughes , David W. 1991 . “Japanese ‘new folk songs,’ old and new.” . Asian Music , 22.1 : 1 – 49 .
   Web of Science ®Google Scholar
• Jalkanen , Pekka . 1981 . “Mustalaismusiikki.” . In Kansanmusiikki , Edited by: Asplund , Anneli and Hako , Matti . 199 – 206 . Helsinki : Suomalaisen Kirjallisuuden Seura .
   Google Scholar
• _____ . 1989 . Alaska, Bombay ja Billy Boy: jazzkulttuurin murros Helsingissä 1920‐luvulla. , Helsinki : Suomen etnomusikologinen seura . Doctoral thesis, Univ. of Helsinki
   Google Scholar
• Jouste , Marko . 1994 . “Rebetikamusiikin kitaratyylit ja musiikillinen fuusio.” . In Etnomusikologian vuosikirja , Vol. 6 , 66 – 86 . Helsinki : Suomen etnomusikologinen seura .
   Google Scholar
• Jouste , Marko . 1996 . Hariklaki — Tapaustutkimus makameihin perustuvan populaarimusiikin muuutoksesta Kreikassa. , Finland : Univ. of Tampere . Unpublished M.A. thesis
   Google Scholar
• _____ . “The remains of makam‐based music of the Ottoman Era in Anatolian Greek music.” . Structure and idea of maqām: historical approaches Proceedings of the Third Conference of the ICTM Maqām Study Group, Tampere—Virrat . October 2–5 1995 , Tampere, Finland. Edited by: Elsner , Jürgen and Pennanen , Risto Pekka . pp. 87 – 102 . Dept of Folk Tradition .
   Google Scholar
• Kleiasiou , Ioanna . 1997 . “Kai i vroha epipte... streit throu” . In Yiorgos Zambetas — vios kai politela. , Athens : Defi .
   Google Scholar
• Konstandinidou , Maria . 1987 . Koinonioloyiki istoria tou rebetikou. , Thessaloniki : Barbounakis .
   Google Scholar
• Konstantzos, Yiorgos (1997) Notes for the CD Melodies tis Anatolis — Tragoudia tis Smyrnis (190s aionas). FM Records FM 800.
   Google Scholar
• Koukoulinis , Kostas . 1995 . Akkombaniamenda yia bouzouki kai i praktiki efarmoyi tous. , Athens : Fagotto .
   Google Scholar
• Kounadis , Panayiotis and Papaïoannou , Spyros . 1981 . “Antholoyia apo tin diskografia tou rebetikou sti Smyrni‐Poli prin to 1922.” . Musiki , 43 June : 20 – 2 .
   Google Scholar
• Kurkela , Vesa . 1989 . Musiikkifolklorismi ja järjestökulttuuri. Kansanmusiikin ideologinen ja taiteellinen hyödyntäminen suomalaisissa musiikki‐ ja nuorisojärjestöissä. , Jyväskylä, Finland : Suomen etnomusikologinen seurn . Doctoral thesis, Univ. of Helsinki
   Google Scholar
• _____ . 1997 . “Music and media in the eastern Balkans: privatised, deregulated, and neo‐traditional.” . Cultural Policy , 3.2 : 177 – 205 .
   Google Scholar
• _____ , Pennanen and Pekka , Risto . “Some aspects of ‘Brigitte Bardot'—a comparative view.” . Popular music studies in seven acts Conference Proceedings of the Fourth Annual Conference of the Finnish Society for Ethnomusicology 1995 . Tampere, Finland. Edited by: Hautamäki , Tarja and Rautiainen , Tarja . pp. 95 – 103 . Dept of Folk Tradition .
   Google Scholar
• Lambelet , Georges . 1934 . La musique populaire greque: chants et danses. , Athens : La Direction de la Presse du Ministère des Affaires Étrangères .
   Google Scholar
• Liavas , Lambros . 1994 . “I glossa tis mousikis kai i mousiki tis glossas.” . In ..Kai me fas kai me thanaton akatapavstos , 122 – 5 . Athens : Megaro Mousikis Athinon .
   Google Scholar
• Lilliestam , Lars . 1995 . Gehörsmusik: blues, rock och muntlig tradering. Skrifter från Musikvetenskapliga institutionen , nr 37 Gothenberg : Akademiförlaget .
   Google Scholar
• P. , Loukareas Takis . 1985 . Laiko i dromoi. Proto Antholoyio. , Athens : Neanes .
   Google Scholar
• Maniatis , Dionysis . 1994 . Vasilis Tsitsanis — o ateleiotos. , Athens : Pitsilos .
   Google Scholar
• Manuel , Peter . 1988 . Popular musics of the non‐Western world: an introductory survey. , Oxford University Press .
   Google Scholar
• _____ . 1989 . “Modal harmony in Andalusian, Eastern European, and Turkish syncretic musics.” . In Yearbook for Traditional Music Vol. 21 , 70 – 94 .
   Google Scholar
• Mylonas , Kostas . 1993a . Istoria tou ellinikou tragoudiou 1 (1824–1960 , Athens : Kedros . 4th printing
   Google Scholar
• _____ . 1993b . Istoria tou ellinikou tragoudiou 2 (1960–1970) , Athens : Kedros . 4th printing
   Google Scholar
• Netti , Bruno . 1978 . “Persian classical music in Tehran: the process of change.” . In Eight urban musical cultures: tradition and change , Edited by: Nettl , Bruno . 146 – 85 . Univ. of Illinois Press .
   Google Scholar
• _____ . 1985 . The Western impact on world music: change, adaptation and survival. , New York : Schirmer .
   Google Scholar
• _____ . 1997 . “Relating the present to the past: thoughts on the study of musical change and culture change in ethnomusicology.” . Music & Anthropology , 1 http://gotan.cirfid.unibo.it/M/A/index/ma_ind.htm.
   Google Scholar
• Özkan , Ismail Hakki . 1984 . Turk mûsikîsi nazariyatt ve usûlleri. Kudüm velveleri. , Istanbul : Ötüken Neşriyat .
   Google Scholar
• Papaïoannou , Yiannis . 1973 . “I mousiki ton rembetikon ananeosi i epistrofi stis piyes.” . Hroniko , 73 : 282 – 96 .
   Google Scholar
• Payiatis , Haralambos . 1987 . Oi laikoi dromoi. , Athens : Fagotto .
   Google Scholar
• _____ . 1992 . Oi laikoi dromoi. , Improved edition , Athens : Fagotto .
   Google Scholar
• Pennanen , Risto Pekka . 1994 . “Moodit elvytetyn rebetikan kirjallisuudessa.” . In Etnomusikologian vuosikirja , Vol. 6 , 87 – 102 . Helsinki : Suomen etnomusikologinen seura .
   Google Scholar
• _____ . 1995 . “A recent reissue of rebetika recordings; Arheio Ellinikis Diskografias.” . Asian Music , 26.2 : 137 – 42 .
   Web of Science ®Google Scholar
• _____ . 1996 . “Äänilevy ja lähdekritiikki.” . In Etnomusikologian vuosikirja , Vol. 8 , 242 – 57 . Helsinki : Suomen etnomusikologinen seura .
   Google Scholar
• _____ . “Development, interpretation, and change of dromos Houzam in Greek rebetika music.” . Structure and idea of maqām: historical approaches Proceedings of the Third Conference of the ICTM Maqām Study Group, Tampere—Virrat . October 2–5 1995 , Tampere, Finland. Edited by: Eisner , Jürgen and Pennanen , Risto Pekka . pp. 125 – 74 . Dept of Folk Tradition .
   Google Scholar
• Petropoulos , Ilias . 1983 . Rebetika tragoudia. , 2nd ed. , Athens : Kedros . 2nd printing
   Google Scholar
• Piston , Walter . 1978 . Harmony. , Edited by: Voto , Mark De . London : Victor Gollancz .
   Google Scholar
• Powers , Harold S. 1980 . “Mode.” . In New Grove dictionary of music and musicians , Edited by: Sadie , S. Vol. 12 , 376 – 450 . London : Macmillan .
   Google Scholar
• Rocha , José , Tenório , Maria and Pinto , Tiago de Oliveira Pinto . 1986 . “Bandas‐de‐pífanos, die Instrumental‐Ensembles des Nordostens.” . In Brasilien: Einführung in Musiktraditionen Brasiliens , Edited by: Pinto , T. de Oliveira . 89 – 107 . Schott : Mainz .
   Google Scholar
• Sárosi , Bálint . 1986 . Folk music: Hungarian musical idiom. , Budapest : Corvina .
   Google Scholar
• Seppälä , Hilkka . 1981 . Bysanttilaiset ekhokset ja ortodoksinen kirkkolaulu Suomessa. Acta Musicologica Fennica , Vol. 13 , Helsinki : Suomen Musiikkitieteellinen Seura .
   Google Scholar
• Shorelis , Tasos . 1987a . Rebetiki anthologia 3. , 2nd ed. , Athens : Plethron .
   Google Scholar
• _____ . 1987b . Rebetiki anthologia 4. , 2nd ed. , Athens : Plethron .
   Google Scholar
• Signell , Karl . 1977 . Makam: modal practice in Turkish art music. , Washington : Asian Music Publications .
   Google Scholar
• Smith , Ole L. 1989 . “Research on rebetika: some methodological problems and issues.” . Journal of Modern Hellenism , 6 : 177 – 90 .
   Google Scholar
• _____ . 1991 . “The chronology of rebetiko—a reconsideration of the evidence.” . Byzantine and Modem Greek Studies , 12 : 318 – 24 .
   Google Scholar
• Stokes , Martin . 1992 . The Arabesk debate: music and musicians in modern Turkey. , Oxford Studies in Social and Cultural Anthropology Oxford : Clarendon Press .
   Google Scholar
• Tabouris , Petros . 1993 . Notes for the CD anthology Ellinikos fonografos (The Greek Archives). FM Records
   Google Scholar
• Tekelioğlu , Ornan . 1996 . “The rise of a spontaneous synthesis: the historical background of Turkish popular music.” . Middle Eastern Studies , 32.2 : 194 – 215 .
   Web of Science ®Google Scholar
• Torp , Lisbet . 1992 . “Zorba's Dance: the story of a dance illusion—and its touristic value.” . Ethnografika , 8 : 207 – 10 .
   Google Scholar
• _____ . 1993 . Salonikiós: “The best violin in the Balkans.” , Copenhagen : Museum Tusculanum Press .
   Google Scholar
• Torun , Mutlu . 1993 . Ud Metodu “Celenekle geleceğe”. , Istanbul : Çağlay yayinlari .
   Google Scholar
• van der Merwe , Peter . “The Italian blue third.” . Popular music studies in seven acts Conference Proceedings of the Fourth Annual Conference of the Finnish Society for Ethnomusicology 1995 . Tampere, Finland. Edited by: Hautamäki , Tarja and Rautiainen , Tarja . pp. 55 – 67 . Dept of Folk Tradition .
   Google Scholar
• van Straten , Hans . 1989 . Rebetika: Griekse stadmuziek met een turkse basis. Een studie naar de muzikale aspecten van de rebetika. , Univ. of Amsterdam . Unpublished M.A. thesis
   Google Scholar
• von Hornbostel , Erich M. 1913 . “Melodie und Skala.” . In Jahrbuch der Musikbibliothek Peters , Vol. 11 , 11 – 23 . Leipzig : C.F. Peters .
   Google Scholar
• Žganec , Vinko . 1955 . “Oriejentalizmi u jugoslavenskom muzičkom folkloru.” . Tkalčićev zbornik , 1 : 18 – 21 .
   Google Scholar
• Ziegler , Susanne . 1979 . Das Volkslied in Westmazedonien. , Berlin : Osteuropa‐Institut . Band 2
   Google Scholar