bibliography
- Anon. “NB.” The Times Literary Supplement 14 Mar. 1997: 14
- Atwood, Margaret. “Garlanded, Spat On and Run Out of Town.” Sydney Morning Herald 12 Mar. 1997: 28
- Bennet, Tony, John Frow and Michael Emmison. Accounting for Taste: Australian Everyday Culture. Cambridge: Cambridge UP, 1999
- Bennett, Catherine. “Last Orders, Please: Same Again Sir?” The Guardian 12 Mar. 1997: 15
- Blackhurst, Chris. “A Swift Rewrite, or a Tribute?” The Independent on Sunday 9 Mar. 1997. Available <http://findarticles.com/p/articles/mi_qn4158/is_19970309/ai_n14092541>
- Buch , Hans Christoph . 1972 . Ut Pictura Poesis: Die Beschreibungsliteratur und ihre Kritiker von Lessing bis Lukács , Munich : Hanser .
- Cunningham , Valentine . 2002 . Reading after Theory , Oxford : Blackwell .
- Frow, John. “Borrowed Treasure.” The Australian's Review of Books Feb. 1997: 32, 31
- Frow, John. “The Case Against …” The Independent on Sunday 16 Mar. 1997: 19
- Frow , John . 1995 . Cultural Studies and Cultural Value , Oxford : Clarendon .
- Frow , John . 1996 . Information as Gift and Commodity . New Left Review , 219 : 89 – 108 .
- Frow, John. “Intertextuality and Ontology.” Intertextuality: Theories and Practices. Ed. Michael Worton and Judith Still. Manchester: Manchester UP, 1990. 45–55
- Frow , John . 1986 . Marxism and Literary History , Cambridge, MA : Harvard UP .
- Frow , John . 2000 . Public Domain and the New World Order in Knowledge . Social Semiotics , 10.2 : 173 – 85 .
- Hammond, Brean S. “Plagiarism: Hammond versus Ricks.” Plagiarism in Early Modern England. Ed. Paulina Kewes. London: Palgrave Macmillan, 2003. 41–55
- Ishiguro, Kazuo. Letter. The Independent on Sunday 16 Mar. 1997: 19
- Jaszi , Peter . 1991 . Toward a Theory of Copyright: The Metamorphoses of ‘Authorship’ . Duke Law Journal , 1991.2 : 455 – 502 .
- Kewes , Paulina . 1998 . Authorship and Appropriation: Writing for the Stage in England, 1660–1710 , Oxford : Clarendon .
- Kewes, Paulina. “Historicizing Plagiarism.” Plagiarism in Early Modern England. Ed. Paulina Kewes. London: Palgrave Macmillan, 2003. 1–18
- Locke, John. Two Treatises of Government. Ed. Peter Laslett. Cambridge: Cambridge UP, 1988
- Love, Harold. “Originality and the Puritan Sermon.” Plagiarism in Early Modern England. Ed. Paulina Kewes. London: Palgrave Macmillan, 2003. 149–65
- McLaughlin , Martin L . 1995 . Literary Imitation in the Italian Renaissance: The Theory and Practice of Literary Imitation in Italy from Dante to Bembo , Oxford : Clarendon .
- Messud, Claire. “As the Butcher Turns to Dust [Review of Graham Swift, Last Order].” The Times 18 Jan. 1996: 41
- Orgel , Stephen . 1981 . The Renaissance Artist as Plagiarist . ELH , 48.3 : 476 – 95 .
- Riley , Denise . 2000 . The Words of Selves: Identification, Solidarity, Irony , Stanford : Stanford UP .
- Roberts, Glenys. “Plagiarism (or Why I Need Atonement) by Ian McEwan.” Daily Mail 4 Dec. 2006. Available <http://www3.interscience.wiley.com/journal/118480707/abstract>
- Rose , Mark . 1993 . Authors and Owners: The Invention of Copyright , Cambridge, MA : Harvard UP .
- Rosenthal , Laura J . 1996 . Playwrights and Plagiarists in Early Modern England: Gender, Authorship, Literary Property , Ithaca, NY : Cornell UP .
- Rushdie, Salman. “The Last Word on Last Orders.” The Independent on Sunday 16 Mar. 1997: 19
- Swift, Graham. “I Never Pretended My Novel Owed No Debt to Faulkner.” The Times 10 Mar. 1997: 3
- Swift, Graham. Letter. The Independent on Sunday 16 Mar. 1997: 19
- Terry , Richard . 2005 . Pope and Plagiarism . The Modern Language Review , 100.3 : 593 – 610 .
- White, Harold Ogden. Plagiarism and Imitation during the English Renaissance. 1935. New York: Octagon, 1965
- Wilson , AN . 1997 . Letter. The Independent on Sunday , 19 16 Mar.