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Angelaki
Journal of the Theoretical Humanities
Volume 23, 2018 - Issue 4: critical image configurations: the work of georges didi-huberman. issue editors: stijn de cauwer and laura katherine smith
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Editorial Introduction

CRITICAL IMAGE CONFIGURATIONS

the work of georges didi-huberman

Stijn De CauwerErasmushuis, Blijde Inkomstraat 21, box 3301, 3000Leuven, Belgium E-mail: [email protected]
&
Laura Katherine SmithKU Leuven, Maria-Theresiastraat 23, box 3200, 3000Leuven, Belgium E-mail: [email protected]
Pages 3-10 | Published online: 02 Aug 2018

bibliography

  • Arendt, Hannah. “Introduction: Walter Benjamin: 1892–1940.” Illuminations: Walter Benjamin. Trans. Harry Zorn. New York: Schocken, 1968. 1–55. Print.
  • Didi-Huberman, Georges. Aperçues. Paris: Minuit, 2018. Print.
  • Didi-Huberman, Georges. Atlas ou le gai savoir inquiet. L’Œil de l’histoire, 3. Paris: Minuit, 2011. Print.
  • Didi-Huberman, Georges. Images malgré tout. Paris: Minuit, 2003. Print; Images in Spite of All: Four Photographs from Auschwitz. Trans. Shane B. Lillis. Chicago: U of Chicago P, 2008. Print.
  • Didi-Huberman, Georges. Phalènes. Essais sur l’apparition 2. Paris: Minuit, 2013. Print.
  • Didi-Huberman, Georges. Sentir le grisou. Paris: Minuit, 2014. Print.
  • Merleau-Ponty, Maurice. The Visible and the Invisible. Trans. Alphonso Lingis. Evanston: Northwestern UP, 1968. Print.

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