Publication Cover
Angelaki
Journal of the Theoretical Humanities
Volume 23, 2018 - Issue 6
560
Views
0
CrossRef citations to date
0
Altmetric
Articles

LOOKING THROUGH LIDLESS EYES

friedrich, kleist and the logic of sensation

bibliography

  • Blanchot, Maurice. The Space of Literature. Trans. Ann Smock. Lincoln: U of Nebraska P, 1982. Print.
  • Boime, Albert. A Social History of Art, Volume 2: Art in the Age of Bonapartism, 1800–1815. Chicago: U of Chicago P, 1990. Print.
  • Börsch-Supan, Helmut. Caspar David Friedrich. London: Thames, 1974. Print.
  • Brentano, Clemens. “In Front of a Friedrich Seascape with Capuchin Monk.” Art Journal 33.3 (1974): 209. Print.
  • Brown, Hilda Meldrum. Heinrich Von Kleist: The Ambiguity of Art and the Necessity of Form. Oxford: Clarendon, 1998. Print.
  • Burke, Edmund. A Philosophical Enquiry into the Origin of Our Ideas of the Sublime and Beautiful. Ed. Paul Guyer. Oxford: Oxford World’s Classics, 2015. Print.
  • Coleridge, Samuel Taylor. The Complete Poems. Ed. William Keach. Harmondsworth: Penguin, 1997. Print.
  • Deleuze, Gilles. Cinema 2: The Time-Image. Trans. Hugh Tomlinson. London: Athlone, 1989. Print.
  • Deleuze, Gilles. Francis Bacon: The Logic of Sensation. Trans. Daniel W. Smith. London: Continuum, 2003. Print.
  • Deleuze, Gilles. The Logic of Sense. Trans. Mark Lester. London: Continuum, 2004. Print.
  • Deleuze Gilles, and Félix Guattari. What is Philosophy? Trans. Graham Burchell and Hugh Tomlinson. London: Verso, 1994. Print.
  • Deleuze, Gilles, and Félix Guattari. A Thousand Plateaus: Capitalism and Schizophrenia. Trans. Brian Massumi. London: Continuum, 2004. Print.
  • Dosse, François. Gilles Deleuze and Félix Guattari: Intersecting Lives. Trans. Deborah Glassman. New York: Columbia UP, 2010. Print.
  • Eagleton, Terry. “Fictions of the Real.” A Concise Companion to Realism. Ed. Matthew Beaumont. Oxford: Wiley-Blackwell, 2010. 68–85. Print.
  • Fried, Michael. “Orientation in Painting: Caspar David Friedrich.” Another Light: Jacques-Louis David to Thomas Demand. New Haven: Yale UP, 2014. 11–49. Print.
  • Gage, John. “The Highway to Abstraction.” Times Literary Supplement 3859, 27 Feb. 1976: 221–22. Print.
  • Grave, Johannes. Caspar David Friedrich. Munich: Prestel, 2012. Print.
  • Hallward, Peter. Out of this World: Deleuze and the Philosophy of Creation. London: Verso, 2006. Print.
  • Hartley, Keith, et al., eds. The Romantic Spirit in German Art, 1790–1990. London: Thames, 1994. Print.
  • Hazlitt, William. “On Imitation.” The Collected Works of William Hazlitt. Ed. A.R. Waller and W.E. Henley. London: Dent, 1902. 72–79. Print.
  • Hofmann, Werner. Caspar David Friedrich. London: Thames, 2000. Print.
  • Huff, Steven R. Heinrich von Kleist’s Poetics of Passivity. Rochester, NY: Camden House, 2009. Print.
  • Kant, Immanuel. Critique of Judgment. Ed. Nicholas Walker. Oxford: Oxford World’s Classics, 2007. Print.
  • Kleist, Heinrich von. “Feelings before Friedrich’s Seascape.” Art Journal 33.3 (1974): 208. Print.
  • Kleist, Heinrich von. Penthesilia. Trans. Joel Agee. New York: HarperCollins, 1998. Print.
  • Kleist, Heinrich von. Selected Writings. Ed. and trans. David Constantine. London: Dent, 1997. Print.
  • Meyertholen, Andrea. “Apocalypse Now: On Heinrich von Kleist, Caspar David Friedrich, and the Emergence of Abstract Art.” The German Quarterly 86.4 (2013): 404–20. Print. doi: 10.1111/gequ.10189
  • Miller, Philip B. “Anxiety and Abstraction: Kleist and Brentano on Caspar David Friedrich.” Art Journal 33.3 (1974): 205–10. Print. doi: 10.1080/00043249.1974.10793215
  • Reeves, Nigel. “Kleist’s Bedlam: Abnormal Psychology and Psychiatry in the Works of Heinrich von Kleist.” Romanticism and the Sciences. Ed. Andrew Cunningham and Nicholas Jardine. Cambridge: Cambridge UP, 1990. 280–94. Print.
  • Rilke, Rainer Maria. Selected Poems. Trans. Susan Ranson and Mareille Sutherland. Oxford: Oxford World’s Classics, 2011. Print.
  • Rosenblum, Robert. “The Abstract Sublime.” New York Painting and Sculpture: 1940–1970. Ed. Henry Geldzahler. New York: Dutton, and the Metropolitan Museum of Art, 1969. 350–59. Print.
  • Rosenblum, Robert. Modern Painting and the Northern Romantic Tradition: Friedrich to Rothko. London: Thames, 1975. Print.
  • Schmied, Wieland. “Faces of Romanticism: Friedrich, Delacroix, Turner, Constable.” Hartley et al. 28–35. Print.
  • Sinnerbrink, Robert. “Nomadology or Ideology? Žižek’s Critique of Deleuze.” Parrhesia 1 (2006): 62–87. Print.
  • Vaughan, William. German Romantic Painting. New Haven: Yale UP, 1980. Print.
  • Vaughan, William. “Landscape and the ‘Irony of Nature.’” Hartley et al. 184–90. Print.
  • Weineck, Silke-Maria. “Thoughts before a Line by Kleist.” The Germanic Review: Literature, Culture, Theory 85.1 (2010): 63–69. Print. doi: 10.1080/00168890903446682
  • Wolf, Norbert. Caspar David Friedrich, 1774–1840: The Painter of Stillness. Los Angeles: Taschen, 2012. Print.
  • Žižek, Slavoj. Disparities. London: Bloomsbury, 2016. Print.
  • Žižek, Slavoj. Organs without Bodies: On Deleuze and Consequences. London: Routledge, 2004. Print.

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.