http://orcid.org/0000-0002-9504-5919
References
- Barber K (1987) ‘Popular Arts in Africa’, in African Studies Review, 30, 3, 1-78. doi: 10.2307/524538
- Barber K (2018) A History of African Popular Culture, UK: Cambridge University Press.
- Cole T (2017) ‘Do African digital natives wear glass skirts?’, in Journal of the African Literature Association, 11, 2, 38-44. doi: 10.1080/21674736.2017.1335946
- Hofmeyr I (2004) ‘Popular literature in Africa: Post-resistance perspectives’, in Social Dynamics, 30, 2, 128-140. doi: 10.1080/02533950408628688
- Ligaga D (2012) ‘”Virtual expressions”: Alternative online spaces and the staging of Kenyan popular cultures’, in Research in African Literatures, 43, 4, 1-16. doi: 10.2979/reseafrilite.43.4.1
- Moonsamy N & Spencer LG (2017) ‘”Not the story you wanted to hear”: Reading chick-lit in JM Coetzee’s Summertime’, in Social Dynamics, 43, 3, 435-450. doi: 10.1080/02533952.2017.1390878
- Newell S (2002) ‘Introduction’ in S Newell (ed) Readings in African Popular Fiction, Oxford: James Currey.
- Nyamnjoh FB (2005) Africa's Media, Democracy and the Politics of Belonging, London: Zed Books.
- Ogola G (2017) Popular Media in Kenyan History: Fiction and Newspapers as Political Actors, United Kingdom: Palgrave Macmillan.
- Ogude J & Nyairo J (eds) (2007) Urban Legends, Colonial Myths: Popular Culture and Literature in East Africa, Trenton: Africa World Press.
- Okome O & Newell S (2012) ‘Measuring time: Karin Barber and the study of popular arts in contemporary Africa’, in Research in African Literatures 43, 4, vii-xviii. doi: 10.2979/reseafrilite.43.4.vii