References
- Brand, D 2001, A Map to the Door of No Return, Vintage Canada, Toronto.
- Ehrenzweig, A 1969, The Hidden Order of Art (1st ed.), University of Carlifornia Press, Berkeley, Los Angeles.
- Fu-Kiau, KKB 1980, African Cosmology of the Bantu-Kongo (1st ed.), Athelia Henrieth Press, Toronto.
- Hanson, PW 2004, ‘Cardinal Directions’, in: PM Peeks & K Yankah (eds.), African Folklore: An Encyclopedia, Routledge, New York, pp. 87–92.
- Fanon, F 1963, The Wretched of the Earth (7th ed.), Grove Press, New York.
- Gates Jr, HL 1988, The Signifying Monkey: A Theory of African-American Literary Criticism, Oxford University Press, New York.
- Harley, J & Woodward, D 1987, The History of Cartography, Vol. 1: Cartography in Prehistoric, Ancient and Medieval Europe (1st ed.), University of Chicago Press, Chicago.
- Harris, W 1999, Selected Essays. (1st ed.), Routledge, New York.
- Hateb, L 1990, Myth and Philosophy: A Contest of Truths (1st ed.), Open Court, La Salle, Ill.
- Kaku, M 1994, Hyperspace: A Scientific Odyssey Through Parallel Universes, Time Warps and the Tenth Dimension, Doubleday, New York.
- Kuti, FA 1989, Beasts of No Nation [Sound Recording] (Fela Anikulapo-Kuti Estate).
- Lucarelli, R 2011, ‘Demonology during the Late Pharaonic and Greco-Roman Periods in Egypt’, Journal of Ancient Near Eastern Religions, vol. 11, pp. 109–125.
- Luyaluka, KL 2016, ‘The Spiral as the Basic Semiotic of the Kongo Religion, the Bukongo’, Journal of Black Studies, vol. 48, no. 1, pp. 91–112.
- Mackey, N 1993, Discrepant Engagement: Dissonance, Cross-Culturality, and Experimental Writing, Cambridge University Press, Edinburgh.
- Mamdani, M 1996, Citizen and Subject: Contemporary Africa and the Legacy of Late Colonlialism (6th ed.), Princeton University Press, Princeton, NJ.
- McKittrick, K 2006, Demonic Grounds: Black Women and the Cartographies of Struggle (1st ed.),; University of Minnesota Press, Minneapolis.
- Morrison, T 1995, ‘The Site of Memory’, in W Zinsser (ed.), Inventing the Truth: The Art and Craft of Memoir, Houghton Miffin, New York, pp. 83–102.
- Morrison, T 1992, Playing in the Dark (1st ed.), Harvard University Press, London.
- Snead, JA 1981, ‘On Repetition in Black Culture’, Black American Literature Forum, vol. 15, no. 4, pp. 146–154.
- Spillers, H 1987, ‘Mama's Baby, Papa's Maybe', Diacritics, Culture and Countermemory: The “American” Connection, vol. 17, no. 12, pp. 64–81.
- Tutuola, A 1954, My Life in the Bush of Ghosts, Faber & Faber, London.
- Wynter, S 1990, ‘Afterword: Beyond Miranda's Meanings: Un/silencing the “Demonic Ground” of Caliban's Woman’, in CB Davies & ES Fido (eds.), Out of the Kumbla: Caribbean Women and Literature, Africa World Press, Trenton, NJ, pp. 355–369.
- Zenani, NM 1992, The World and the Word, The University of Wisconsin Press, Madison.