References
- Allen, L 2004, ‘Music, film and gangsters in the Sophiatown imaginary: featuring Dolly Rathebe’, Scrutiny2, vol. 9, no. 2, pp. 19–38.
- Bailey, J (ed.) 1987, The Fifties People of South Africa, Heinemann Publishers, Johannesburg.
- Barlow, TE, Yue Dong, Y, Poiger, UG, Ramamurthy, P, Thomas, LM, Weinbaum, AE 2005, ‘The modern girl around the world: A research agenda and preliminary findings’, Gender & History, vol. 17, no. 2, pp. 245–249.
- Chapman, M 1989, The ‘Drum’ Decade: Stories from the 1950s, University of Natal Press, Pietermaritzburg.
- Couzens, T 1984, ‘Moralizing leisure time: The transatlantic connection and black Johannesburg 1918-1936’, in S Marks & R Rathbone (eds), Industrialisation and social changes in South Africa, Longman, New York.
- Daymond, MJ (ed.), The Cardinals, with Meditations and Short Stories, Heinemann Publishers, Johannesburg.
- Dosekun, S 2020, Fashioning Postfeminisim: Spectacular Femininity and Transnational Culture, University of Illinois Press, Champaign.
- Fleming, T & Falola, T 2005, ‘Africa’s Media Empire: Drum’s Expansion to Nigeria’, History in Africa, vol. 32, pp.133–164.
- Guldimann, C 1997, Bessie Head: re-writing the romance: journalism, fiction (and gender), Master’s thesis, University of Cape Town.
- Jaji, TE 2014, Africa in Stereo: Modernism, Music and Pan-African Solidarity, Oxford University Press, London.
- Kruger, L 2013, Imagining the Edgy City: Writing, Performing and Building Johannesburg, Oxford University Press, London.
- Ligaga, D 2020, Women, visibility and morality in Kenyan popular media, African Humanities Program NISC, Grahamstown.
- Macharia, K 2019, Frottage: Frictions of Intimacy across the Black Diaspora, New York University Press, New York.
- Mbembe, A 2008, ‘Aesthetics of Superfluity’, in A Mbembe & S Nuttall (eds), Johannesburg: The Elusive Metropolis, Wits University Press, Johannesburg.
- Mutongi, K 2009, ‘“Dear Dolly’s” Advice Representation of Youth, Courtship and Sexualities in Africa 1960-1980’, in LM Thomas & J Cole (eds.), Love in Africa, University of Chicago Press, Chicago.
- Newell, S 2013 The Power to Name: A History of Anonymity in Colonial West Africa, Ohio University Press, Athens, Ohio.
- Odhiambo, T 2009, ‘The Black Female Body as a “Consumer and Consumable” in Current Drum and True Love Magazines in South Africa’, African Studies, vol. 67, no. 1, pp. 71–80.
- Peterson, B 1993, ‘The Drum Decade: Stories from the 1950s by Michael Chapman’, Research in African Literatures, vol. 24, no. 1, pp. 139–141.
- Peterson, B 2000, Monarchs, Missionaries and African Intellectuals: African Theatre and the Unmaking of Colonial Marginality, Wits University Press, Johannesburg.
- Shepperson, G 1962, ‘Pan-Africanism and ‘Pan-Africanism’: Some Historical Notes’, Phylon (1960), vol. 23, no. 4, pp. 346–358.
- Stratton, F 1994, Contemporary African Literature and the Politics of Gender, Routledge, London.
- Switzer, L 1988, ‘Bantu world and the origins of a captive African commercial press in South Africa’, Journal of Southern African Studies, vol. 14, no. 3, pp. 351–370.
- Thomas, LM 2006, ‘The modern girl and racial respectability in 1930s South Africa’, The Journal of South African History, vol. 47, no. 3, pp. 461–490.
- Thomas, LM 2009, ‘Love, sex and the modern girl in the 1930s Southern Africa’, in LM Thomas & J Cole (eds.), Love in Africa, University of Chicago Press, Chicago.
- Woodson, DC 1988, Drum: An Index to ‘Africa’s Leading Magazine,’ 1951-1965, University of Wisconsin, Madison.
Archival material
- Bantu World
- Drum
- Umteteli wa Bantu
- Zonk! African People’s Pictorial