References
- The Chicago Manual of Style’s author–date system should be used. All references should be specified in parentheses in the text (and in both the abstract and the text of notes) by surname(s) of the author(s), the year of the publication and page number(s), for example (Dworkin 1986, 45–52). The complete citation should appear at the end of the manuscript (after the Notes, if any) under the caption ‘References’. It is Academy policy to follow etymological guidelines for the s/z convention. Please note the use of capital letters, punctuation marks and italics in the following examples:
In text
- (Black 1979, 110–112) book
- (Marsdon, Hudson and Roberts 2004) three-author book (Van Wyk Smith et al. 2005, 234) multiple author book (Anon. 2011, s.p.) anonymous author/no page given (Butler 1988, vol. 2) book volume
- (P. J. H. Titlestad, pers. comm.) personal communication
- (Sowetan 14 July 2006) newspaper article
- (Swart 2003, 14) unpublished thesis/dissertation
- (Chennells 2000, 2 (3): 16–24) journal volume, number, page range
- (Wessels and Mampuru 1999, 101n2) note
In reference list
- Bean, P. and J. Melville. 1989. Lost Children of the Empire. London: Unwin Hyman.
- Black, M. 1979. More about Metaphor. In Metaphor and Thought. A. Ortony ed., 19–43. New York: Cambridge University Press.
- Hrushovski, B. 1984. Poetic metaphor and frames of reference. Poetics Today 5 (1): 5–43.
- Mahjoub, J. 1997. The writer and globalism, http://www.pandora.lib.hel.f/mcl/articles/index.html/ (accessed 10 August 2010).
- Ortony, A. ed. 1979. Metaphor and Thought. New York: Cambridge University Press.
- Van Heerden, A. 2004. Art and Margaret Atwood’s Lady Oracle. In The Complete Atwood. Dalene van Vuren ed., 154–166. New York: Columbia University Press.
- Weber, M. H., M. de Burletand and O. Abel. 1928. Die Säugetiere. 2nd ed. 2 vols. Jena: Gustav Fischer.