Transcending dramatic space divisions: the use of metadramatic and ‘spect-actor’ techniques in theatrical arts – the case of a student manuscript and performance

References

• Abah, O.S., 2006. Young people’s drama & social action in northern Nigeria: a case study of the Zaria ‘For Tomorrow … .’ Project. In: M. Etherton, ed. African theatre: Youth. Oxford: James Currey, 42–60.
   Google Scholar
• Amankulor, J.N., 1993. English-language drama and theatre. In: O. Owomoyela, ed. A history of twentieth-century African literatures. Lincoln & London: University of Nebraska Press, 138–172.
   Google Scholar
• Asiedu, A.M., 2008. Making use of the stage in West Africa: the role of audiences in the production of efficacious theatre. Studies in Theatre and Performance, 28 (3), 223–236. doi: 10.1386/stap.28.3.223_1
   Google Scholar
• Aston, E. and Savona, G., 1991. Theatre as sign-system: a semiotics of text and performance. London & New York: Routledge.
   Google Scholar
• Baugh, C., 2013. Baroque to romantic theatre. In: D. Wiles and C. Dymkowski, eds. Cambridge companion to theatre history. Cambridge: Cambridge University Press, 33–54.
   Google Scholar
• Benedetti, R., 1976. Seeming, being and becoming: acting in our century. New York: Drama Book Specialists.
   Google Scholar
• Boal, A., 1998 [1971]. Theatre of the oppressed. Trans. C. McBride and M. L. McBride. London: Pluto.
   Google Scholar
• Brecht, B., 1993 [1964]. Brecht on theatre. J. Willet, Trans. J. Willet eds. London: Methuen.
   Google Scholar
• Brockett, O. G., and Ball, R. J., 2004. The essential theatre, 8th ed. Belmont, CA: Wadsworth/Thomson Learning.
   Google Scholar
• Carlson, M., 1989. The iconic stage. Journal of Dramatic Theory and Criticism, III (2), 3–18.
   Google Scholar
• Carlson, M., 2013. Reflections on global theatre history. In: D. Wiles and C. Dymkowski, eds. Cambridge companion to theatre history. Cambridge: Cambridge University Press.
   Google Scholar
• Deandrea, P., 2002. Fertile crossings: metamorphoses of genre in anglophone West African literature. Amsterdam & New York: Rodopi.
   Google Scholar
• Dogbe, E., 2002. Visibility, eloquence & silence: women & theatre for development in Ghana. In: J. Plastow, ed. African theatre: women. Oxford: James Currey, 83–98.
   Google Scholar
• Finnegan, R., 1970. Oral literature in Africa. Nairobi & Dar es Salaam: Oxford University Press.
   Google Scholar
• Fischer-Lichte, E., 2013. Classical theatre. In: D. Wiles and C. Dymkowski, eds. The Cambridge companion to theatre history. Cambridge: Cambridge University Press, 73–84.
   Google Scholar
• Fowler, R., 1973. A dictionary of modern literary terms. London: Routledge.
   Google Scholar
• Genet, J., 1959. The blacks. London: Faber and Faber.
   Google Scholar
• Grotowski, J., 1968. Towards a poor theatre. London: Methuen.
   Google Scholar
• Hilton, J., 1987. Performance. London: Macmillan.
   Google Scholar
• Hornby, R., 1986. Drama, metadrama, and perception. Lewisburg: Bucknell University Press.
   Google Scholar
• Hulfeld, S., 2013. Modernist theatre. Trans L. Bartholomai. In: D. Wiles and C. Dymkowski, eds. Cambridge companion to theatre history. Cambridge: Cambridge University Press, 15–32.
   Google Scholar
• Issacharoff, M., 1981. Space and reference in drama. Poetics Today, 2 (3), 211–224. doi: 10.2307/1772472
   Web of Science ®Google Scholar
• Kane, G., Byrne, D., and Scheepers, R., 2013. Introduction to English literary studies. Cape Town: Oxford University Press.
   Google Scholar
• Kenny, A., 2015. 'I hope 'twill make you laugh': audience laughter at the Globe Theatre. Theatre Research International, 40 (1), 37–49. doi: 10.1017/S0307883314000534
   Web of Science ®Google Scholar
• Kerr, D., 1995. African popular theatre. London: James Currey.
   Google Scholar
• Kerr, D., 1999. Art as tool, weapon or shield? Arts for development seminar, Harare. In: M. Benham, J. Gibbs and F. Osofisan, eds. African theatre in development. Oxford: James Currey, 79–86.
   Google Scholar
• Keuris, M., 1996. The play: a manual. Pretoria: Van Schaik.
   Google Scholar
• Keuris, M., 2003. Advanced theory of drama. Pretoria: Unisa Press.
   Google Scholar
• Keuris, M., 2004. Found in translation: Chekov revisited by Reza de Wet and Janet Suzman. Journal of Literary Studies, 20 (1/2), 148–164. doi: 10.1080/02564710408530349
   Google Scholar
• Keuris, M., and Krüger, L., 2014. South African drama and theatre heritage (part I): a map of where we find ourselves. South African Theatre Journal, 27 (1), 19–31. doi: 10.1080/10137548.2014.846662
   Google Scholar
• Klages, M., 2001. Postmodernism. Available at: http://www.Colorado.EDU/English/ENGL2012Klages/1997pomo.html (accessed 8 January 2014).
   Google Scholar
• Mike, C., 1999. Performance studio workshop: Igboelerin East. In: M. Benham, J. Gibbs and F. Osofisan, eds. African theatre in development. Oxford: James Currey, 61–78.
   Google Scholar
• Mukaronda, N., 2001. Making sense project: promoting entrepeneurship by theatre & radio in Southern Africa. In: M. Benham, J. Gibbs and F. Osofisan, eds. African theatre: playwrights & politics. Oxford: James Currey, 181–190.
   Google Scholar
• Olaniyan, T., 2007. Festivals, rituals, and drama in Africa. In: O. Owomoyela and A. Quayson, eds. African literature: an anthology of criticism and theory. Oxford: Blackwell, 253–263.
   Google Scholar
• Passow, W., 1981. The analysis of theatrical performance: the state of the art. Poetics Today, 2 (3), 237–254. doi: 10.2307/1772474
   Web of Science ®Google Scholar
• Ravengai, S., 2011. ‘Unhappily, we are afraid of it’: modernism as deracination on the Rhodesian/Zimbabwean stage. South African Theatre Journal, 25 (2), 101–118. doi: 10.1080/10137548.2011.639187
   Google Scholar
• Sauter, W., 2013. The audience. In: D. Wiles and C. Dymkowski, eds. Cambridge Companion to Theatre History. Cambridge: Cambridge University Press, 169–183.
   Google Scholar
• States, B. O., 1985. Great reckonings in little rooms: on the phenomology of theatre. Berkeley & Los Angeles, CA: University of California Press, Ltd.
   Google Scholar
• Turner, G., 1993. Film as social practice. London & New York: Routledge.
   Google Scholar
• Ubersfeld, A., 1982. The pleasure of the spectactor. Modern Drama, 25 (1), 127–139. doi: 10.3138/md.25.1.127
   Web of Science ®Google Scholar