References
- Adami, E. and Ferrini, A., 2014. Editorial. Mnemoscope Magazine: the anarchival impulse 1 September. Available from https://www.mnemoscape.org/single-post/2014/09/14/editorial-the-anarchival-impulse [Accessed April 2022].
- Banning, Y., 1997. (Re)viewing Medea. South African Theatre Journal, 11 (1–2), 54–88.
- Barba, E., 1985. The nature of dramaturgy: describing actions at work. New Theatre Quarterly, 1 (1), 75–78.
- Barrett, A.I., 2015. Blackass. London: Chatto & Windus.
- BBC World Service, 2019. Kafka’s ‘the metamorphosis’: a man turns into a monstrous bug. The Forum [Podcast] 11 July. Available from https://www.bbc.co.uk/programmes/w3csyp4y [Accessed June 2022].
- Benjamin, W., 1999. The task of the translator: an introduction to the translation of Baudelaire’s Tableaux Parisiens. In: H. Arendt, ed. Illuminations. London: Pimlico, 70–82.
- Critchley, S., 2019. Tragedy, the Greeks and us. London: Profile Books.
- Derrida, J., 1995. Archive fever: a Freudian impression. Trans. Eric Prenowitz. Chicago, IL: University of Chicago Press.
- Fischer-Lichte, E., 2017. Tragedy’s endurance: performances of Greek tragedies and cultural identity in Germany since 1800. Oxford: Oxford University Press.
- Glissant, E., 1997. Poetics of relation. Trans. Betsy Wing. Ann Arbor, MI: The University of Michigan Press.
- Hall, E., 2004. Why Greek tragedy in the late twentieth century? In: E. Hall, F. Macintosh, and A. Wrigley, eds. Dionysus since 1969: Greek tragedy at the dawn of the third millennium. Oxford: Oxford University Press, 1–46.
- Hamilton, L., 2011. Collective unfreedom in South Africa. Contemporary Politics, 17 (4), 355–372.
- Ingold, T., 2010. The textility of making. Cambridge Journal of Economics, 34, 91–102. doi:10.1093/cje/bep042
- Kafka, F., 2018. The metamorphosis. In: N.N. Glazer, ed. Kafka the complete stories, 3rd ed. London: Vintage, 95–149.
- Lehmann, H-T., 2006. Postdramatic theatre. Trans. Karen Jürs-Munby. London: Routledge.
- Lepecki, A., 2001. Dramaturgy on the threshold. Maska, 16 (1–2), 26–29.
- Lepecki, A., 2010. The body as archive: will to re-enact and the afterlives of dances. Dance Research Journal, 42 (2), 28–48.
- Magnet Theatre, 2019. Antigone (not quite/quiet). Unpublished playtext.
- Maldonado-Torres, N., 2007. On coloniality of being: contributions to the development of a concept. Cultural Studies, 21 (2-3), 240–270.
- Massumi, B., 2016. Working principles. In: A. Murphie, ed. The go-to how-to book of anarchiving. Montreal: The Senselab, 6–8.
- McDonald, M., 1992. Ancient sun, modern light: Greek drama on the modern stage. New York: Columbia University Press.
- Mezzabotta, M., 1994. Medea, or the myth of the murderous (m)other. Didaskalia, 1 (5). Available from http://www.didaskalia.net/issues/vol1no5/mezzabotta.html [Accessed 17 June 2017].
- Mignolo, W.D., 2018. Closing remarks. In: W.D. Mignolo and C.E Walsh, eds. On decoloniality: concepts, analytics, Praxis. Durham, NC: Duke University Press, 227–244.
- Mqhayi, S.E.K., 1908. UMbambushe Induna ka Lwaganda. In: N. Masilela, ed. The collected poems of S.E.K. Mqhayi, translated by Phyllis Ntantala, 21–33. Available from http://pzacad.pitzer.edu/NAM/general/essays/The%20Poetry%20of%20S.%20E.%20K.%20Mqhayi.pdf [Accessed July 2019].
- Ovid, 2004. The metamorphoses. Trans. Charles Martin. London: W.W. Norton & Company.
- Richter, G., 2011. Afterness: figures of following in modern thought and aesthetics. New York: Columbia University Press.
- Rodosthenous, G., ed., 2017. Contemporary adaptations of Greek tragedy: auteurship and directorial visions. London: Bloomsbury.
- Sophocles, 1947. Antigone. In: Sophocles: the Theban plays, trans. Edward Fairchild Watling. London: Penguin Books, 126–162.
- Sophocles, 2015. Antigone. Trans. Anne Carson. London: Oberon Books.
- Steinmeyer, E., 2007. Post-apartheid Electra: in the city of paradise. In: L. Hardwick and C. Gillespie, eds. Classics in post-colonial worlds. Oxford: Oxford University Press, 102–118.
- Stoler, A.L., 2013. Imperial debris: on ruins and ruination. Durham, NC: Duke University Press.
- Van Imschoot, M., 2003. Anxious dramaturgy. Women & Performance: A Journal of Feminist Theory, 13 (2), 57–68. doi:10.1080/07407700308571425
- Van Zyl Smit, B., 1994. Euripides’ medea. Didaskalia, 1 (5). Available from http://www.didaskalia.net/issues/vol1no5/vanzyl.html. [accessed 17 June 2017].
- Van Zyl Smit, B., 2010. Orestes and the truth and reconciliation commission. Classical Receptions Journal, 2 (1), 114–135. doi:10.1093/crj/clp001
- Van Zyl Smit, B., 2003. The reception of Greek tragedy in the ‘old’ and the ‘new’ South Africa. Akroterion, 48, 3–20. doi:10.7445/48-0-96
- Von Weyenberg, A., 2013. The politics of adaptation: contemporary African drama and Greek tragedy. Amsterdam: Rodopi.