Notes
- 8. Eisenstein proposes four definite types of dialectical montage: ‘Metric’, ‘Rhythmic’, ‘Tonal’, and ‘Intellectual’. The shot duration for each is ruled by a certain factor. For ‘Metric’ it is a predetermined length, for ‘Rhythmic it is the action, for ‘Tonal’ it is the emotion, and for ‘Intellectual’ it is a comment on a person or ideology. For more information see the web addresses: http://www.utoronto.ca/filmwoman/courses/ini214/Eisenst2.htm http://members.tripod.com/∼afronord/montage.html (http://members.tripod.com/∼afronord/montage.html)
References
- Breitrose , Henry . 2002 . There is Nothing More Practical than a Good Film Theory . Cilect News , 35 January : 9 – 10 . 2002
- Eisenstein , Sergi . 1975 . Film Sense , San Diego, New York, London : Harcourt Brace J .
- Lange , Mary . 2002 . “San and Surrealism” . Durban : University of Natal . Unpublished essay
- Mast , G and Cohen , M , eds. 1985 . Film Theory and Critism , (3rd edition) , New York : Oxford University Press .
- Naficy , Hamid . 1979 . “Jean Rouch: A Personal Perspective” . Quarterly Review of Film Studies , 4 (3) : 339 – 69 .
- 1978 . New Oxford Illustrative Dictionary , London : Oxford .
- Rodríguez , Nino . “Surrealism and the Search for Freedom” . Miami‐Dade College, Department of Arts and Philosophy . http://www.mdcc.edu/wolfson/departments/art&hum/art.hum.1020.sureal.htm
- Stoller , Paul . 1984 . “Eye, Mind and Word in Anthropology” . L'Homme , 24 (3–4)
- _____ . 1992 . The Cinematic Griot: The Ethnography of Jean Rouch , Chicago and London : University of Chicago Press .
- Tomaselli , Keyan . 1993 . “Visions of Africa: Anthropology on Film – Jean Rouch, John Marshall and other Film Makers” . http://www.und.ac.za/und/ccms/publications/articles/visions.htm
- _____ . 1996 . Appropriating images: The semiotics of visual representation , Højbjerg, , Denmark : Intervention Press .
- _____ . 2001 . “Blue is Hot, Red is Cold: Doing Reverse Cultural Studies in Africa” . Cultural Studies – Critical Methodologies , 1 (3) : 283 – 318 .
- _____ . 2003 . “’Dit is die Here se Asem’: The Wind, its Messages, and Issues of Auto‐Ethnographic Methodology in the Kalahari” . Cultural Studies – Critical Methodologies , 3 (4) : 397 – 428 . Theme Issue: From One To An‐Other: Auto‐Ethnographic Explorations in Southern Africa
- Young , Dennis . 1995 . “Ethnographic Surreality, Possession and the Unconscious” . Visual Anthropology , 7 (3) : 191 – 208 .
Film‐ and Videography
- Lange , Mary and Nxumalo , Xolani . 2002 . Kalahari Fires. 17 mins , South Africa : Cultural, Communication & Media Studies of the University of Natal Durban .
- Rouch , Jean . 1971 . Les Maîtres Fous (The Mad Masters). 36mins , France : Film de la Pleide and CNRS . Documentary Educational Resources
- Sætre , Marit and Reinhardt , Timothy . 2002 . The Fire Dance. 6 mins , South Africa : Cultural, Communication & Media Studies of the University of Natal Durban .