References
- Ackerley, C. J. and S. E. Gontarski, Eds. 2006. The Faber Companion to Samuel Beckett. London: Faber and Faber.
- Adorno, Theodor W. 1991. Notes to Literature , Volume 1. Edited by Rolf Tiedemann, Translated by Weber Nicholsen. New York: Columbia University Press.
- Attridge, Derek. 2004. The Singularity of Literature. New York: Routledge.
- Badiou, Alain. 2005. Handbook of Inaesthetics . Translated by Alberto Toscano. Stanford: Stanford University Press.
- Barthes, Roland. 1972. Mythologies . Translated by Annette Lavers. New York: Farrar, Strauss and Giroux.
- Beckett, Samuel. 1983. Disjecta: Miscellaneous Writings and a Dramatic Fragment. London: John Calder.
- Beckett, Samuel. 2006. Complete Dramatic Works. London: Faber and Faber.
- Bersani, Leo and Ulysse Dutoit. 1993. Arts of Impoverishment: Beckett, Rothko, Resnais. Cambridge, MA: Harvard University Press.
- Blanchot, Maurice. 2003. The Book to Come . Translated by Charlotte Mandell. Stanford: Stanford University Press.
- Bloom, Kevin. 2009. Ways of Staying. London: Portobello Books.
- Boehmer, Elleke. 2018. Postcolonial Poetics: 21st Century Critical Readings. Palgrave Macmillan.
- Clingman, Stephen. 2012. “Writing Spaces: Fiction and Non-Fiction in South Africa.” Safundi 13 (1–2): 51–85. doi: 10.1080/17533171.2011.642588
- Cook, Eleanor. 1998. Against Coercion: Games Poets Play. Stanford, CA: Stanford University Press.
- De Kock, Leon. 2016. Losing the Plot: Crime, Reality and Fiction in Postapartheid Writing. Johannesburg: Wits University Press.
- Derrida, Jacques. 2006. H.C. For Life, That Is To Say … . Translated by Laurent Milesi and Stefan Herbrechter. Stanford: Stanford University Press.
- Faulkner, William. 1985. As I Lay Dying. New York: Vintage.
- Galgut, Damon. 2010. In a Strange Room: Three Journeys. Johannesburg: Penguin Books
- Galgut, Damon. 2014. Arctic Summer. London: Atlantic Books.
- Harpham, Geoffrey. 1987. The Ascetic Imperative in Culture and Criticism. Chicago: University of Chicago Press.
- Hill, Geoffrey. 2006. Selected Poems. London: Penguin Books.
- Kostelac, Sofia. 2010. “‘Imposter, Lover and Guardian’: Damon Galgut and Authorship in ‘Post-transition’ South Africa.” English Studies in Africa 53 (1): 53–61. doi: 10.1080/00138398.2010.488339
- Kostelac, Sofia. 2014. “Damon Galgut and the Critical Reception of South African Literature.” PhD thesis, University of the Witwatersrand.
- Jacobs, J. U. 2011. “Syntax of the Self in Damon Galgut’s ‘In a Strange Room’.” English in Africa, 38 (3): 91–112.
- Krog, Antjie. 2003. A Change of Tongue. Johannesburg: Random House.
- Morton, Timothy. 2007. Ecology Without Nature: Rethinking Environmental Aesthetics. Cambridge: Harvard University Press.
- Mphahlele, Es’kia. 2013. Down Second Avenue. New York: Penguin.
- Steinberg, Jonny. 2002. Midlands. Johannesburg and Cape Town: Jonathan Ball Publishers.
- Stevens, Wallace. 1984. Collected Poems. London: Faber and Faber.
- Tepper, Anderson. 2010. “At Work: Damon Galgut.” The Paris Review, 11 October 2010. Web. 10 Feb 2019.
- Trotsky, Leon. 2005 [1925]. Literature and Revolution . Translated by Rose Strunsky. Chicago: Haymarket Books.