Graffiti goes to the movies: American fictional films featuring graffiti artists/writers and themes

References

• Austin, J. (2001). Taking the train: How graffiti art became an urban crisis in New York City. New York, NY: Columbia University Press.
   Google Scholar
• Bailey, F. Y., Pollock, J. M., & Schroeder, S. (1998). The best defense: Images of female attorneys in popular films. In F. Y. Bailey & D. Hale (Eds.), Popular culture, crime & justice (pp. 180–195). Belmont, CA: West/Wadsworth Publishing.
   Google Scholar
• Banksy. (2006). Wall and piece. London: Century.
   Google Scholar
• Berman, S. J. (1992). View at your own risk: Gang movies and spectator violence. Loyola of Los Angeles Entertainment Law Journal, 12, 477–507.
   Google Scholar
• Bluestone, C. (2000). Feature films as a teaching tool. College Teaching, 48, 141–146. 10.1080/87567550009595832
   Google Scholar
• Campos, R. (2013). Graffiti writer as superhero. European Journal of Cultural Studies, 16, 155–170. 10.1177/1367549412467177
   Web of Science ®Google Scholar
• Castleman, C. (1984). Getting up: Subway graffiti in New York. Boston, MA: MIT Press.
   Google Scholar
• Cheatwood, D. (1998). Prison movies: Films about adult, male, civilian prisons: 1929–1995. In F. Y. Bailey & D. Hale (Eds.), Popular culture, crime & justice (pp. 209–231). Belmont, CA: West/Wadsworth Publishing.
   Google Scholar
• Cook, K. L., & Bacot, H. (1993). Movies in the classroom: Popular images of criminal justice, criminology, and the law. Journal of Criminal Justice Education, 4, 199–209. 10.1080/10511259300082871
   Google Scholar
• Fairey, S. (2009). OBEY: Supply & demand – The art of Shepard Fairey (20th Anniversary ed.). Berkeley, CA: Ginko Press.
   Google Scholar
• Ferrell, J. (1996). Crimes of style: Urban graffiti and the politics of criminality. Boston, MA: Northeastern University Press.
   Google Scholar
• Gastman, R. (2001). Free agents: A history of Washington, DC Graffiti. Bethesda, MD: R. Rock Enterprises.
   Google Scholar
• Gastman, R., & Neelon, C. (2010). The history of American graffiti. New York, NY: Harper Design.
   Google Scholar
• Grévy, F. (2007). Graffiti Paris. New York, NY: Harry N. Abrams.
   Google Scholar
• Hale, D. (1998). Keeping women in their place: An analysis of policewomen in videos, 1972–1996. In F. Y. Bailey & D. Hale (Eds.), Popular culture, crime & justice (pp. 159–179). Belmont, CA: West/Wadsworth Publishing.
   Google Scholar
• Kramer, R. (2010). Painting with permission: Legal graffiti in New York City. Ethnography, 11, 235–253. 10.1177/1466138109339122
   Web of Science ®Google Scholar
• Macdonald, N. (2003). The graffiti subculture: Youth, masculinity, and identity in London and New York. New York, NY: Palgrave.
   Google Scholar
• Manning, P. (1998). Media loops. In F. Y. Bailey & D. Hale (Eds.), Popular culture, crime & justice (pp. 25–39). Belmont, CA: West/Wadsworth Publishing.
   Google Scholar
• Miller, I. (2002). Aerosol Kingdom, subway painters of New York City. Jackson: University Press of Mississippi.
   Google Scholar
• Monaco, J. (1977). How to read a film. New York, NY: Oxford University Press.
   Google Scholar
• O’Sullivan, S. (2003). Representing ‘The killing state’: The death penalty in nineties Hollywood cinema. The Howard Journal of Criminal Justice, 42, 485–503. 10.1046/j.1468-2311.2003.00302.x
   Google Scholar
• Phillips, S. A. (1999). Wallbangin’: Graffiti and gangs in L.A. Chicago: University of Chicago Press.
   Google Scholar
• Przemieniecki, C. J. (2005). Gang behavior and movies: Do Hollywood gang films influence violent gang behavior. Journal of Gang Research, 12, 41–71.
   Google Scholar
• Rafter, N. (2006). Shots in the mirror: Crime films and society (2nd ed.). New York, NY: Oxford University Press.
   Google Scholar
• Rafter, N. (2007). Crime, film and criminology: Recent sex-crime movies. Theoretical Criminology, 11, 403–420. 10.1177/1362480607079584
   Web of Science ®Google Scholar
• Rafter, N. H., & Brown, M. (2011). Criminology goes to the movies: Crime theory and popular culture. New York, NY: New York University Press.
   Google Scholar
• Rockell, B. A. (2009). Challenging what they all know: Integrating the real/reel world into criminal justice pedagogy. Journal of Criminal Justice Education, 20, 75–92. 10.1080/10511250802680373
   Google Scholar
• Ross, J. I. (2013). Street art. In J. I. Ross (Ed.), Encyclopedia of street crime in America (pp. 392–393). Thousand Oaks, CA: Sage. 10.4135/9781452274461
   Google Scholar
• Rothe, D. L., & Collins, V. E. (2013). Teaching criminological theory: The power of film and music. Critical Criminology, 21, 227–241. 10.1007/s10612-013-9178-3
   Web of Science ®Google Scholar
• Rothe, D. L., & Ross, J. I. (2007). Lights, camera, state crime. Journal of Criminal Justice and Popular Culture, 14, 330–343.
   Google Scholar
• Sanders, C. R., & Lyon, E. (1995). Repetitive retribution: Media images and the cultural construction of criminal justice. In J. Ferrell & C. R. Sanders (Eds.), Cultural criminology (pp. 25–44). Boston, MA: Northeastern University Press.
   Google Scholar
• Schacter, R. (2013). The world atlas of street art and graffiti. Stanford, CT: Yale University Press.
   Google Scholar
• Seno, E. (2010). Trespass: A history of uncommissioned urban art. Koln: Tashen.
   Google Scholar
• Snyder, G. J. (2009). Graffiti lives: Beyond the tag in New York’s urban underground. New York, NY: New York University Press.
   Google Scholar
• Snyder, S. (1995). Movie portrayals of juvenile delinquency: Part I. Epidemiology and criminology. Adolescence, 30, 53–64.
   Google Scholar
• Taylor, M. F. (2012). Addicted to the risk, recognition and respect that the graffiti lifestyle provides: Towards an understanding of the reasons for graffiti engagement. International Journal of Mental Health and Addiction, 10, 54–68. 10.1007/s11469-010-9301-6
   Web of Science ®Google Scholar
• Taylor, M. F., Marais, I., & Cottman, R. (2012). Patterns of graffiti offending: Towards recognition that graffiti offending is more than ‘kids messing around’. Policing and Society: An International Journal of Research and Policy, 22, 152–168. 10.1080/10439463.2011.605128
   Web of Science ®Google Scholar
• Waclawek, A. (2011). Graffiti and street art. London: Thames & Hudson.
   Google Scholar
• Welsh, A., Fleming, T., & Dowler, K. (2011). Constructing crime and justice on film: Meaning and message in cinema. Contemporary Justice Review, 14, 457–476. 10.1080/10282580.2011.616376
   Google Scholar
• Yar, M. (2010). Screening crime: Cultural criminology goes to the movies. In K. J. Hayward & M. Presdee (Eds.), Framing crime: Cultural criminology and the image (pp. 68–82). London: Routledge.
   Google Scholar