Women at the edge: encounters with the Cornish coast in British film and television

REFERENCES

• Bhabha, Homi K.2004. The Location of Culture. 2nd ed.London: Routledge.
   Google Scholar
• Causley, Charles. 2001. The Mermaid of Zennor. London: Orchard Books.
   Google Scholar
• Collins, Wilkie. 1982 [1861]. Rambles Beyond Railways. London: Anthony Mott.
   Google Scholar
• Corbin, Alain. 1994. The Lure of the Sea: The Discovery of the Seaside, 1750–1840. London: Penguin.
   Google Scholar
• Craig, Cairns. 1982. “Myths Against History: Tartanry and Kailyard in 19th-Century Scottish Literature.” In Scotch Reels: Scotland in Cinema and Television, edited by ColinMcArthur, 7–15. London: BFI.
   Google Scholar
• Deacon, Bernard. 1997. “‘The Hollow Jarring of the Distant Steam Engines’: Images of Cornwall between West Barbary and Delectably Duchy.” In Cornwall: The Cultural Construction of Place, edited by EllaWestland, 7–24. Penzance: The Patten Press.
   Google Scholar
• Deacon, Bernard. 2001. “Imagining the Fishing: Artists and Fishermen in Late Nineteenth Century Cornwall.” Rural History12 (2): 159–178.
   Google Scholar
• Deacon, Bernard. 2004. “Under Construction: Cultural and Regional Formation in South-West England.” European Urban and Regional Studies11 (3): 213–225.
   Web of Science ®Google Scholar
• Deacon, Bernard, and PhilipPayton. 1993. “Re-inventing Cornwall: Culture Change on the European Periphery.” In Cornish Studies: One, edited by PhilipPayton, 62–79. Exeter: Exeter University Press.
   Google Scholar
• Fox, Caroline. 1988. Dame Laura Knight. Oxford: Phaidon.
   Google Scholar
• Goodman, Gemma. 2010. “Cornwall: An Alternative Construction of Place.” PhD thesis, University of Warwick, UK.
   Google Scholar
• Gopinath, Gayatri. 2008. “Queer Regions: Locating Lesbians in Sancharram.” In A Companion to Lesbian, Gay, Bisexual, Transgender, and Queer Studies, edited by G. E.Haggerty and M.McGarry, 341–354. Oxford: Blackwell.
   Google Scholar
• Hale, Amy. 2001. “Representing the Cornish: Contesting Heritage Interpretation in Cornwall.” Tourist Studies1 (2): 185–196.
   Google Scholar
• Harper, Graeme, and JonathanRayner. 2010. “Introduction – Cinema and Landscape.” In Cinema and Landscape, edited by GraemeHarper and JonathanRayner, 15–28. Bristol: Intellect.
   Google Scholar
• Harper, Sue. 2010. “The Ownership of Woods and Water: Landscapes in British Cinema 1930–1960.” In Cinema and Landscape, edited by GraemeHarper and JonathanRayner, 147–159. Bristol: Intellect.
   Google Scholar
• Hockenhull, Stella. 2005. “Romantic Landscapes: Visual Imagery in Three Films of Powell and Pressburger.” Journal of British Cinema and Television2: 52–66.
   Google Scholar
• Holt, Ysanne. 2003. British Artists and the Modernist Landscape. Aldershot: Ashgate.
   Google Scholar
• Horvath, Agnes, BjornThomassen, and HaraldWydra. 2009. “Liminality and Cultures of Change.” International Political Anthropology2 (1). http://www.politicalanthropology.org/the-journal-current-a-past-issues/57-ipa-journal-3/171-ipa3-introduction-liminality-and-cultures-of-change.
   Google Scholar
• Husk, Kerryn, and MalcolmWilliams. 2012. “The Legitimation of Ethnicity: The Case of the Cornish.” Studies in Ethnicity and Nationalism12 (2): 249–267.
   Google Scholar
• Iordanova, Dina. 2001. Cinema of Flames: Balkan Film, Culture and the Media. London: BFI.
   Google Scholar
• Iordanova, Dina, ed. 2006. The Cinema of the Balkans. London: Wallflower.
   Google Scholar
• Knight, Laura. 1965. The Magic of a Line. London: William Kimber.
   Google Scholar
• Knowles, Elizabeth.2012. Laura Knight: In the Open Air. Bristol: Sansom and Co.
   Google Scholar
• Laing, Heather. 2007. The Gendered Score: Music in 1940s Melodrama and the Woman's Film. London: Ashgate.
   Google Scholar
• Lant, Antonia. 1991. Blackout: Reinventing Women for Wartime British Cinema. Princeton, NJ: Princeton University Press.
   Google Scholar
• Laviosa, Flavia. 2010. “Apulia and its Filmmakers after 1989: A Mediterranean Frontier.” California Italian Studies1 (1): 1–9.
   Google Scholar
• Massey, Doreen. 1994. Space, Place and Gender. London: Polity Press.
   Google Scholar
• McArthur, Colin, ed. 1982a. Scotch Reels: Scotland in Cinema and Television. London: BFI.
   Google Scholar
• McArthur, Colin. 1982b. “Scotland and Cinema: The Iniquity of the Fathers.” In Scotch Reels: Scotland in Cinema and Television, edited by ColinMcArthur, 40–69. London: BFI.
   Google Scholar
• Melbye, David. 2010. Landscape Allegory in Cinema: From Wilderness to Wasteland. London: Palgrave Macmillan.
   Google Scholar
• Moseley, Rachel. 2010. “A Landscape of Desire: Cornwall as Romantic Setting in Love Story and Ladies in Lavender.” In British Women's Cinema, edited by MelanieBell and MelanieWilliams, 77–93. London: Routledge.
   Google Scholar
• Moseley, Rachel. 2013. “‘It's a Wild Country. Wild, Passionate, Strange’: Poldark and the Place-Image of Cornwall.” Visual Culture in Britain14 (2): 218–237.
   Google Scholar
• Moseley, Rachel. Forthcoming. Picturing Cornwall: Encounters with the Cornish Coast in Film and Television.
   Google Scholar
• Payton, Philip. 2004. Cornwall: A History. Fowey: Cornwall Editions.
   Google Scholar
• Petrie, Duncan. 2000. Screening Scotland. London: BFI.
   Google Scholar
• Pilcher, Rosamunde. 1995. Coming Home. London: Hodder.
   Google Scholar
• Russell, Dave. 2004. Looking North: Northern England and the National Imagination. Manchester: Manchester University Press.
   Google Scholar
• Shields, Rob. 1991. Places on the Margin: Alternative Geographies of Modernity. London: Routledge.
   Google Scholar
• Spalding, Adrian. 1994. “An Introductory Note on the Wildlife of Brittany and Cornwall with Special Reference to the Lepidoptera.” In Cornish Studies: Two, edited by PhilipPayton, 164–173. Exeter: Exeter University Press.
   Google Scholar
• Thomas, Chris. 1997. “See Your Own Country First: The Geography of a Railway Landscape.” In Cornwall: The Cultural Construction of Place, edited by EllaWestland, 107–128. Penzance: The Patten Press.
   Google Scholar
• Thornton, Paul. 1997. “Costal Tourism in Cornwall since 1900.” In Recreation and the Sea, edited by StephenFisher, 57–83. Exeter: University of Exeter Press.
   Google Scholar
• Turner, Victor. 1967. “Betwixt and Between: The Liminal Period in Rites de Passage.” In The Forest of Symbols: Aspects of Ndembu Ritual, 93–111. Ithaca, NY: Cornell University Press.
   Google Scholar
• Vernon, James. 1998. “Border Crossings: Cornwall and the English (Imagi)nation.” In Imagining Nations, edited by GeoffreyCubitt, 153–172. Manchester: Manchester University Press.
   Google Scholar
• Wesley, Mary. 1984. The Camomile Lawn. London: Macmillan.
   Google Scholar
• Westland, Ella. 1995. “The Passionate Periphery: Cornwall and Romantic Fiction.” In Peripheral Visions: Images of Nationhood in Contemporary British Fiction, edited by Ian A.Bell, 153–172. Cardiff: University of Wales Press.
   Google Scholar
• Westland, Ella, ed. 1997. Cornwall: The Cultural Construction of Place. Penzance: The Patten Press.
   Google Scholar
• Wormell, Chris. 2005. The Sea Monster. London: Jonathan Cape.
   Google Scholar