REFERENCES
- Borrink, Bob. 2010. “Die Krimis, die eine ganze Nation hypnotisierten.” Die Welt, www.welt.de/Die_Krimis_die_eine_ganze_Nation_hypnotisierten.html.
- Cohan, Steven, and Ina RaeHark, eds. 1997. “Introduction.” In The Road Movie Book, 1–14. London: Routledge.
- Cohen, Stanley. 2004. Folk Devils and Moral Panics: The Creation of the Mods and Rockers. 3rd ed.London: Routledge.
- EuroVideo Home Page. 2005. “Rainer Erler Kultfilme.” http://www.eurovideo.de/dvdbluray,de,filmsuche.html?q = Rainer+Erler.
- Hantke, Steffen. 2004. “Raumpatrouille: The Cold War, the ‘Citizen in Uniform’, and West German Television.” Science Fiction Studies31 (1): 63–81.
- Hantke, Steffen. 2010. “Flirting with Subversion: Mainstream Filmmaking, Transgression, and the Case of Joel Schumacher's 8MM.” In Cinema Inferno: Celluloid Explosions from the Cultural Margins, edited by Robert G.Weiner, and JohnCline, 323–343. Lanham, MD: Scarecrow Press.
- Hantke, Steffen. 2011. “Rebellion of the German Seniors: Demographic Dystopia as ‘Event Television’.” Journal of Popular Film & Television39 (4): 193–200.
- Hickethier, Knut. 1998. Geschichte des Deutschen Fernsehens. Stuttgart: J.B. Metzler.
- Lenssen, Claudia. 1993. “Film der Siebziger Jahre: Die macht der Gefühle.” In Geschichte des Deutschen Films, edited by WolfgangJacobson, AntonKaes, and Hans HelmutPrinzler, 249–285. Stuttgart: Metzler.
- Mathijs, Ernest, and JamieSexton. 2011. Cult Cinema: An Introduction. Malden: Wiley-Blackwell.
- Parker, Matt, and DeborahParker. 2011. The DVD and the Study of Film: The Attainable Text. London: Palgrave Macmillan.
- Pearson, Roberta E., and SaraGwenllian-Jones, eds. 2004. “Introduction.” In Cult Television. Minneapolis: University of Minnesota Press.
- Sontag, Susan. 1961. “Notes on Camp.” In Against Interpretation, and Other Essays, 275–293. New York: Farrar, Straus and Giroux.