Publication Cover
Continuum
Journal of Media & Cultural Studies
Volume 30, 2016 - Issue 6
658
Views
0
CrossRef citations to date
0
Altmetric
Articles

Digital storytelling as ‘national cinema’?

References

  • “‘About Capture Wales.’ BBC Wales ‘Capture Wales’”. Accessed 9 February 2008. www.bbc.co.uk/wales/capturewales/about
  • Balsom, Erika. 2013. Exhibiting Cinema as Contemporary Art. Amsterdam: Amsterdam University Press.
  • Beddoe, Deidre. 1986. “Images of Welsh Women.” In Wales: The Imagined Nation, edited by Tony Curtis, 237–238. London: Brigend.
  • Berry, David. 1994. Wales and Cinema: The First Hundred Years. Cardiff: University of Wales Press.
  • Borton, Terry, and Deborah Borton. 2015. Before the Movies: American Magic Lantern Entertainment and the Nation’s First Great Screen Artist, Joseph Boggs Beale. Bloomington: Indiana University Press.
  • Burgess, Jean. 2006. “Hearing Ordinary Voices: Cultural Studies, Vernacular Creativity and Digital Storytelling.” Continuum 20 (2): 201–214.10.1080/10304310600641737
  • Brice, Adam, and Richard Lambert. 2009. Digital Storytelling. Carlton: Curriculum Corporation.
  • Crofts, Stephen. 2009. “Concepts of National Cinema.” In World Cinema: Critical Approaches, edited by W. John Hill, Pamela Church Gibson, Richard Dyer, and E. Ann Kaplan, 1–10. Oxford: Oxford University Press.
  • Davies, Geraint Rhys. 2007. “The Conductor.” Digital Story. BBC Wales: Capture Wales, November 30. South East Wales. Accessed 11 June 2015. http://www.bbc.co.uk/wales/audiovideo/sites/yourvideo/pages/geraintrhys_davies_01.shtml
  • Fyfe, Hamish, Mike Wilson, Suzanne Pratt, Mandy Rose, and Karen Lewis. 2009. “A Public Voice: Access, Digital Story and Interactive Narrative.” Accessed 8 June 2015. http://www.bbc.co.uk/blogs/knowledgeexchange/glamorgan.pdf
  • Fletcher, Christopher, and Carolina Cambre. 2009. “Digital Storytelling and Implicated Scholarship in the Classroom.” Journal of Canadian Studies 43 (1): 109–130.
  • Gates, John. 2007. “Stitch Master.” Digital Story. BBC Wales: Capture Wales, October, Maesteg. Accessed 11 June 2015. http://www.bbc.co.uk/wales/audiovideo/sites/yourvideo/pages/john_gates_01.shtml
  • Gibson, Ben. 1992. “Seven Deadly Myths: Film Policy and the BFI, A Personal Lexicon.” In New Questions of British Cinema, edited by Duncan Petrie, 29–39. London: BFI Working Articles.
  • Gordon, Corrine. 2011. “Digital Storytelling in the Classroom: Three Case Studies.” PhD diss., Arizona State University. Accessed 11 June 2015. http://repository.asu.edu/attachments/93320/content/tmp/package-fD9mbW/Gordon_asu_0010E_11221.pdf
  • Hall, Phil. 2011. Review of ‘La Jetée’. Film Threat via Rottentomatoes. April 29. Accessed 9 June 2015. http://www.rottentomatoes.com/m/la_jetee/#
  • Hartley, John. 2009. “TV Stories: From Representation to Productivity.” In Story Circle: Digital Storytelling around the World, edited by John Hartley and Kelly McWilliam, 16–36. London: Blackwell.10.1002/9781444310580
  • Hartley, John, and Kelly McWilliam. 2009. “Computational Power Meets Human Contact.” In Story Circle: Digital Storytelling around the World, edited by John Hartley and Kelly McWilliam, 3–15. London: Blackwell.10.1002/9781444310580
  • Hill, John. 1992. “The Issue of National Cinema and British Film Production.” In New Questions of British Cinema, edited by Duncan Petrie, 10–21. London: BFI Working Articles.
  • Jenkins, Henry. 2006. “Quentin Tarantino’s Star Wars: Digital Cinema, Media Convergence, and Participatory Culture.” In Media and Cultural Studies: Key Works, edited by Meenakshi Gigi Durham and Douglas M. Kellner, 549–576. London: Blackwell.
  • Jones, Patricia. 2007. “A Stitch in Time.” Digital Story. BBC Wales: Capture Wales, November 30. Accessed 11 June 2015. http://www.bbc.co.uk/wales/audiovideo/sites/yourvideo/pages/patricia_jones_01.shtml
  • Kidd, Jenny. 2005. “Capture Wales: Digital Storytelling and the BBC.” PhD diss., The University of Wales College of Cardiff.
  • Kilborn, Richard. 2004. “Framing the Real: Taking Stock of Developments in Documentary.” Journal of Media Practice 5 (1): 25–32.10.1386/jmpr.2004.5.issue-1
  • Marker, Chris, dir. 1962. La Jetée. Argos Films.
  • Lambert, Joe. 2010. Digital Storytelling Cookbook. Digital Diner Press. Accessed 9 July 2015. https://storycenter.org/s/cookbook_sample.pdf
  • Manovich, Lev. 2011. “What is Digital Cinema?” Screening the Past 11. Accessed 12 June 2015. http://www.screeningthepast.com/2011/11/what-is-digital-cinema/
  • McWilliam, Kelly. 2008. “Digital Storytelling as a ‘Discursively-Ordered Domain’.” In Digital Storytelling, Mediatized Stories: Self-Representations in New Media, edited by Knut Lundby, 145–160. New York: Peter Lang.
  • McWilliam, Kelly. 2009. “The Global Diffusion of a Community Media Practice: Digital Storytelling Online.” In Story Circle: Digital Storytelling Around the World, edited by John Hartley and Kelly McWilliam, 37–76. London: Blackwell.10.1002/9781444310580
  • Meadows, Daniel. n.d. “Capture Wales/Cipolwg ar Gymru.” MIT Open Documentary Lab. Accessed 9 June 2015. http://docubase.mit.edu/project/capture-wales-cipolwg-ar-gymru/
  • Meadows, Daniel, and Jenny Kidd. 2009. “Capture Wales, The BBC Digital Storytelling Project.” In Story Circle: Digital Storytelling Around the World, edited by John Hartley and Kelly McWilliam. Oxford: Wiley-Blackwell. 91–117.
  • Meadows, Daniel. 2003. “Digital Storytelling: Research-Based Practice in New Media.” Visual Communication 2 (2): 189–193.10.1177/1470357203002002004
  • O’Regan, Tom. 1996. Australian National Cinema. London: Routledge.
  • O’Regan, Tom. 2002. “A National Cinema.” In The Film Cultures Reader, edited by Graeme Turner, 139–164. London: Routledge.
  • Petrie, Duncan. 1992. “Introduction.” In New Questions of British Cinema, edited by Duncan Petrie, 1–9. London: BFI Working Articles.
  • Plant, Kevin. 2001. “Steel.” Digital Story. BBC Wales: Capture Wales, October, Wrexham. Accessed 11 June 2015. http://www.bbc.co.uk/wales/audiovideo/sites/yourvideo/pages/kevin_plant_01.shtml
  • Rees, Les. 2007. “The Miners’ Struggle.” Digital Story. BBC Wales: Capture Wales, November 30, South East Wales. Accessed 11 June 2015. http://www.bbc.co.uk/wales/audiovideo/sites/yourvideo/pages/les_rees_01.shtml
  • Reeves, Alison G. 2013. “Selves, Lives, and Videotape: Leveraging Self-Revelation through Narrative Pedagogy.” New Directions for Teaching and Learning 135 (Fall): 55–60.10.1002/tl.v2013.135
  • Richards, Jeffrey. 1997. Films and British National Identity from Dickens to Dad’s Army. Manchester: Manchester University Press.
  • Roland, Craig. 2006. “Digital Stories in the Classroom.” School Art 105 (7): 26.
  • Salazar, Juan Francisco. 2010. “Digital Stories and Emerging Citizens’ Media Practices by Migrant Youth in Western Sydney.” Community Broadcasting Association of Australia. August 1. Accessed 9 June 2016. https://www.cbaa.org.au/article/digital-stories-and-emerging-citizens%E2%80%99-media-practices-migrant-youth-western-sydney
  • “Short Films Saved for Posterity.” BBC News. 2009. June 17. Accessed 17 June 2015. http://news.bbc.co.uk/2/hi/uk_news/wales/mid_/8105023.stm
  • Spurgeon, Christina, Jean Burgess, Helen Klaebe, Kelly McWilliam, Jo Tacchi, and Mimi Tsai. 2009. “Co-creative Media: Theorising Digital Storytelling as a Platform for Researching and Developing Participatory Culture.” In Communication, Creativity and Global Citizenship: Refereed Proceedings of the Australian and New Zealand Communications Association Annual Conference, edited by T. Flew. Brisbane, July 8–10. ISBN 987-1-74107-275-4. http://www.proceedings.anzca09.org
  • Spurgeon, Christina, and Jean Burgess. 2015. “Making Media Participatory: Digital Storytelling.” In The Routledge Companion to Alternative and Community Media, edited by Chris Atton, 403–413. London: Routledge.
  • Smith, Dai. 1984. Wales! Wales?. London: George Allen and Unwin.
  • Street, Sarah. 1997. British National Cinema. London: Routledge.10.4324/9780203414880
  • Terry Gilliam, dir. 12 Monkeys. Universal Pictures. 1995.
  • Thumim, Nancy. 2006. “Mediated Self-Representations: ‘Ordinary People’ in ‘Communities’.” In Returning (to) Communities: Theory, Culture and Political Practice of the Communal, edited by Stefan Herbrechter and Michael Higgins, 255–274. New York: Rodopi.
  • Thumim, Nancy. 2009. “‘Everyone has a Story to Tell’: Mediation and Self-Representation in Two UK Institutions.” International Journal of Cultural Studies 12 (6): 617–638.
  • Turner, Graeme. 2002. “Part Three: Industries.” In The Film Cultures Reader, edited by Graeme Turner, 135–138. London: Routledge.
  • Woletz, Julie D. 2008. “Digital Storytelling from Artificial Intelligence to YouTube.” In Handbook of Research on Computer Mediated Communication, edited by Sigrid Kelsey and Kirk St.Amant, 587–601. New York: Hershey.10.4018/978-1-59904-863-5
  • Woodward, Kate. 2003. “Small Nation – Big Screen: Film in Wales During the 1990s.” In Culture + the State: Nationalisms, edited by James Gifford and Gabrielle Zezulka-Mailloux, 189–197. Edmondton: Humanities Studio.

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.