https://orcid.org/0000-0002-2972-0242
References
- Atkinson, B., and B. Fitzgerald. 2014. A Short History of Copyright: The Genie of Information. Cham, Switzerland: Springer International Publishing.
- Gitelman, L. 2003. “How Users Define New Media: A History of the Amusement Phonograph.” In Rethinking Media Change: The Aesthetics of Transition, edited by B. Seawell, H. Jenkins, and D. Thorburn, 61–79. Cambridge, MA: MIT Press.
- Goldhaber, M. H. 1997. “The Attention Economy and the Net.” First Monday 2 (4). April 7. Accessed 12 August 2019. https:journals.uic.edu/ojs/index.php/fm/rt/printerfriendly/519/440="”
- Green, A. 2016. “Audience Measurement in the Data Age.” Ipsos Knowledge Centre. Accessed 12 August 2019. https://www.ipsos.com/sites/default/files/2016-08/Audience-Measurement-in-the-Data-Age.pdf
- Neuman, R. W., L. Guggenheim, S. Mo Jang, and S. Bae. 2014. “The Dynamics of Public Attention: Agenda‐Setting Theory Meets Big Data.” Journal of Communication 64 (2): 193–214. doi:10.1111/jcom.2014.64.issue-2.
- Tebbutt, J. 2019. “Aural Nation: Knowledge, Information and Music in Early Australian Public Broadcasting.” Historical Journal of Film, Radio and Television 39 (1): 114–131. doi:10.1080/01439685.2018.1478219.
- Terranova, T. 2012. “Attention, Economy and the Brain.” Culture Machine, 13. Accessed 12 August 2019. https://culturemachine.net/paying-attention/