References
- Artforum. 2022 March 24. “Poet and Novelist Margaret Atwood Reads from ‘Letters from Kyiv’.” Instagram. https://www.instagram.com/p/Cbf8VplpP2M/.
- Azoulay, Ariella. 2008. The Civil Contract of Photography. New York: Zone Books.
- Bakhtin, Mikhail. 1981. “Forms of Time and of the Chronotope in the Novel. Notes Towards a Historical Poetics.” The Dialogic Imagination - Four Essays by Mikhail Bakhtin, edited by Michael Holquist, Cary Emerson and Michael Holquist, 84-258. Austin: University of Texas Press.
- Belorusets, Yevgenia. 2014–2017. “Victories of the Defeated.” belorusets.com. https://belorusets.com/work/victories-of-the-defeated.
- Belorusets, Yevgenia. 2015. “Please Don’t Take My Picture! Or They’ll Shoot Me Tomorrow.” belorusets.com. https://belorusets.com/work/please-don-t-take-my-picture-or-they-ll-shoot-me-tomorrow.
- Belorusets, Yevgenia. 2018. Lucky Breaks. Berlin: Matthes & Seitz.
- Belorusets, Yevgenia. 2022a. “The War Diary of Yevgenia Belorusets.” In In the Face of War – Yevgenia Belorusets, Nikita Kadan, Lesia Khomenko, London: Isolarii.
- Belorusets, Yevgenia. 2022b. “Nebenan/Close By. Texts, Photographs, Sounds.” belorusets.com. https://belorusets.com/work/nebenan-close-by.
- Belorusets, Yevgenia. 2022c. Anfang des Krieges. Tagebücher aus Kyjiw. Berlin: Matthes & Seitz.
- Belorusets, Yevgenia. 2023. “A Tale of Fear.” Isolarii. https://www.isolarii.com/kyiv.
- Benjamin, Walter. 2003. “On the Concept of History.” In Selected Writings, edited by Michael W. Jennings and trans. by Edmund Jephrott, Vol. 4, 1938–1940. Cambridge, MA: Harvard University Press.
- Bezruk, Tetiana, and Belorusets, Yevgenia. 2018 November 6. “‘We Can’t Use the War to Justify Anything’: Photographer Yevgenia Belorusets on Documenting Ukraine’s Most Vulnerable Groups.” opendemocracy.net. https://www.opendemocracy.net/en/odr/yevgenia-belorusets-interview/.
- Butler, Judith, Gambetti, Zeynep, and Sabsay, Leticia. 2016. “Introduction.” In Vulnerability in Resistance, edited by Judith Butler, Zeynep Gambetti, and Leticia Sabsay, 1–11. Durham and London: Duke University Press.
- Khromeychuk, Olesya. 2022. “Where Is Ukraine? How a Western Outlook Perpetuates Myths About Europe’s Largest Country.” Royal Society for Arts Journal 2:26–31. https://www.thersa.org/globalassets/pdfs/journals/rsa-journal-issue-2-2022.pdf.
- Lenart-Cheng, Helga. 2022. Story Revolutions. Collective Narratives from the Enlightenment to the Digital Age. Charlottesville: University of Virginia Press.
- Ostashevsky, Eugene. 2018. “Translator’s Afterword.” In Yevgenia Belorusets. Lucky Breaks, 102–108. Berlin: Matthes & Seitz.
- Perepadya, Olena, and Belorusets, Yevgenia. “‘Dieser Krieg ist eine internationale Katastrophe’.” 2022 September 7. Deutsche Welle. https://www.dw.com/de/yevgenia-belorusets-ilb-berlin-ukraine-russland-krieg/a-63046957.
- Petrowskaja, Katja. 2022. Das Foto schaute mich an. Kolumnen. Berlin: Suhrkamp Verlag.
- Rothberg, Michael. 2019. The Implicated Subject: Beyond Victims and Perpetrators. Palo Alto: Stanford University Press.
- Sontag, Susan. 2003. Regarding the Pain of Others. New York: Picador.
- The Other Front Lines. 2022 April 22. “Four Personal Stories from the War in Ukraine.” This American Life. https://www.thisamericanlife.org/768/the-other-front-lines.
- Todorova, Maria. 2009. Imagining the Balkans. Oxford: Oxford University Press.
- Warner, Michael. 2022. Publics and Counterpublics. New York: Zone Books.
- Zherebkina, Irina. 2023 April 27. “Waiting for Victory: Afterword to ‘Diary of War’.” e-flux. https://www.e-flux.com/notes/536238/waiting-for-victory-afterword-to-diary-of-war.