Modifications of R: how the virtual comes to matter in VR, XR and MR art and performance

References

• Artaud, Antonin. 1958. The Theatre and Its Double. Edited by Mary Caroline. Richards: Grove Press.
   Google Scholar
• Barad, Karen. 2007. Meeting the Universe Halfway: Quantum Physics and the Entanglement of Matter and Meaning. Durham & London: Duke University Press.
   Google Scholar
• Benford, Steve, and Gabriella Giannachi. 2011. Performing Mixed Reality. Cambridge, Mass: MIT Press.
   Google Scholar
• Boal, Augusto. 1995. The Rainbow of Desire: The Boal Method of Theatre and Therapy. London & New York: Routledge.
   Google Scholar
• Bolter, J. David, and A. Grusin. Richard. 2000. Remediation: Understanding New Media. Cambridge, Mass: MIT Press.
   Google Scholar
• Deleuze, Gilles. 2010. Difference and Repetition. Edited by Paul Patton. New York: Bloomsbury Publishing.
   Google Scholar
• Eckersall, Peter, Helena Grehan, and Edward Scheer. 2017. New Media Dramaturgy: Performance. Media and New-Materialism: Springer.
   Google Scholar
• Fischer-Lichte, Erika. 2008. The Transformative Power of Performance: A New Aesthetics. Hoboken: Taylor and Francis.
   Google Scholar
• Giannachi, Gabriella. 2004. Virtual Theatres: An Introduction. London & New York: Routledge.
   Google Scholar
• Gibson, Willam. 1984. Neuromancer. London: Orion.
   Google Scholar
• Grau, Oliver. 2003. Virtual Art: From Illusion to Immersion. Edited by Gloria Custance. MIT press.
   Google Scholar
• The House of Commons Culture Media and Sport Select Committee. 2019. “Russian Influence in Political Campaigns.” The Parliament of the United Kingdom of Great Britain and Northern Ireland, Last Modified 29 July 2018. Accessed October 24. https://publications.parliament.uk/pa/cm201719/cmselect/cmcumeds/363/36308.htm#_idTextAnchor033.
   Google Scholar
• Knorr Cetina, Karin. 2009. “The Synthetic Situation: Interactionism for a Global World.” Symbolic Interaction 32 (1): 61–87.
   Web of Science ®Google Scholar
• Massumi, Brian. 2021. Parables for the Virtual: Movement, Affect, Sensation. Durham & London: Duke University Press.
   Google Scholar
• McKenzie, Jon. 1994. “Virtual Reality: Performance, Immersion, and the Thaw.” TDR: The Drama Review 38 (4). https://doi.org/10.2307/1146426.
   Google Scholar
• McLuhan, Marshall. 1964. Understanding Media: The Extensions of Man. New York: New American Library.
   Google Scholar
• Milgram, Paul, Haruo Takemura, Akira Utsumi, and Fumio Kishino. 1995. Augmented Reality: A Class of Displays on the Reality-Virtuality Continuum. Photonics for Industrial Applications. https://doi.org/10.1117/12.197321.
   Google Scholar
• Popat, Sita. 2015. “Placing the Body in Mixed Reality.” In Moving Sites: Investigating Site-Specific Dance Performance, edited by Victoria Hunter, 162–177. London: Routledge.
   Google Scholar
• Popat, Sita. 2016. “Missing in Action: Embodied Experience and Virtual Reality.” Theatre Journal 68 (3): 357–378.
   Web of Science ®Google Scholar
• Rauschnabel, Philipp A., Reto Felix, Chris Hinsch, Hamza Shahab, and Florian Alt. 2022. “What Is XR? Towards a Framework for Augmented and Virtual Reality.” Computers in Human Behavior 133:107289. https://doi.org/10.1016/j.chb.2022.107289.
   Web of Science ®Google Scholar
• S+T+ARTS Prize. 2023. “Child of Now.” Ars Electronica Linz GmbH. Accessed September 14, 2023. https://starts-prize.aec.at/en/child-of-now/.
   Google Scholar
• Salter, Chris. 2017. “Participation, Interaction, Atmosphere, Projection.” In The Routledge Companion to Scenography, edited by Arnold Aronson, 164. London & New York: Routledge.
   Google Scholar
• Shields, Rob. 2005. The Virtual. London & New York: Routledge.
   Google Scholar
• Sora-Domenjó, Carles. 2022. “Disrupting the “Empathy machine”: The Power and Perils of Virtual Reality in Addressing Social Issues.” Frontiers in Psychology 13. https://doi.org/10.3389/fpsyg.2022.814565.
   PubMed Web of Science ®Google Scholar
• Special Counsel Robert S. Mueller III. 2019. “The Report on the Investigation into Russian Interference in the 2016 Presidential Election.” U.S. Department of Justice. Accessed October 24. https://www.justice.gov/storage/report.pdf.
   Google Scholar
• Stanner, W. E. H. 2009. The Dreaming and Other Essays. Melbourne: Black Inc. Agenda.
   Google Scholar
• The UK Information Commissioner. 2019. “Investigation into the Use of Data Analytics in Political Campaigns: Investigation Update 11 July 2018.” Information Commissioner’s Office. Accessed October 24. https://ico.org.uk/media/action-weve-taken/2259371/investigation-into-data-analytics-for-political-purposes-update.pdf.
   Google Scholar
• Walton, Robert, and Claire G Coleman. 2022. “Child of Now.” Melbourne: Arts Centre Melbourne. Accessed May 17, 2024. www.robertwalton.net/project/child-of-now/.
   Google Scholar
• Walton, Robert E., and Claire G. Coleman. 2023. “Beyond the Dystopia-In-Progress: Rehearsing an Indigenized Future ‘Australia’ Through Public Art.” In Dystopian and Utopian Impulses in Art Making : The World We Want, edited by McQuilten Grace and Palmer Daniel, 11–28. Bristol: Intellect Books.
   Google Scholar
• Weinbaum, Stanley G. 1938. “Pygmalion’s Spectacles.” Wonder Stories, Project Gutenberg. June. Accessed February 1, 2024. https://www.gutenberg.org/files/22893/22893-h/22893-h.htm.
   Google Scholar
• Weiser, Mark. 1991. “The Computer for the 21st Century.” Scientific American 3 (3). https://doi.org/10.1145/329124.329126.
   Google Scholar
• Wilson, R. Scott, and Katherine Scully. 2022. “Virtual Reality and Activism.” Anthropology News. Accessed February 10. https://www.anthropology-news.org/articles/virtual-reality-and-activism/.
   Google Scholar
• Zuboff, Shoshana. 2019. The Age of Surveillance Capitalism: The Fight for a Human Future at the New Frontier of Power. New York: PublicAffairs.
   Google Scholar