Notes
- Vernet , Marc . 1975 . “Freud: Effets spedaux. Mise en scène: USA” . Communications , 23 : 223
- 1983 . “The Filmic Transaction: On the Openings of Film Noirs” . The Velvet Light Trap , 20 Summer
- 1989 . “The Look at the Camera” . Cinema Journal , 28 ( 2 ) Winter
- Hale , Nathan G. Jr. 1971 . Freud and the Americans: The Beginnings of Psychoanalysis in the United States, 1876–1917 , New York : Oxford University Press .
- Ruitenbeek , Hendrick M. 1966 . Freud and America , New York : MacMillan .
- Seeley , John R. 1967 . The Americanization of the Unconscious , New York : International Science Press .
- Elsaesser , Thomas . 1972 . ‘Tales of Sound and Fury: Observations on the Family Melodrama” . Monogram , 4 : 11
- Seeley . Americanization of the Unconscious 7
- Murphy , Gardner . 1957 . “The Current Impact of Freud on American Psychology” . In Freud and the 20th Century , Edited by: Nelson , Benjamin . 116 New York : Meridan Books .
- Ruitenbeek . Freud and America 13
- Ruitenbeek . Freud and America, 71 – 89 .
- Vernet . “Freud: Effets speciaux” . 229
- Harvey King , Richard . 1971 . Freud and Post World War II American Radical Social Thought , 77 University of Virginia . Unpublished PhD dissertation
- Harpole , Charles H. 1980 . “Ideological and Technological Determinism in Deep‐Space Cinema Images: Issues in Ideology, Technological History, and Aesthetics” . Film Quarterly , XXXIII Spring : 15
- Mitry , Jean . 1965 . Esthetique et psychologie du cinema 2: les formes , 40 Paris : Eds. Universitaires .
- Mitry . Esthetique et psychologie 51
- Mitry . Esthetique et psychologie 43
- Carringer , Robert . The Making of Citizen Kane , Berkelely : University of California Press .
- Ogle , Patrick L. 1972 . “Technological and Aesthetic Influences upon the Development of Deep Focus Cinematography in the United States” . Screen , 13 Spring
- 1977 . Screen Reader , Vol. 1 , London : SEFT .
- Salt , Barry . 1976 . “Film Style and Technology in the Thirties” . Film Quarterly , XXX Fall
- 1977 . “Film Style and Technology in the Forties” . Film Quarterly , XXXI Fall
- Branigan , Edward . 1979 . “Colour and Cinema: Problems in the Writing of History” . Film Reader , 4
- Gillette , M.E. 1943 . “Psychological Factors in Training Films” . Journal of the Society of Motion Picture Engineers (JSMPE) , 41 September
- Francisco , L. Mercer . 1947 . “Psychology of the Sound Film” . JSMPE , 49 September
- Souther , Howard T. 1946 . “The Illusion of Depth in Motion Pictures” . JSMPE , 46 April
- Francisco . “Psychology of the Sound Film” . 199
- Becker , Leon S. 1942 . “Technology in the Art of Producing Morion Pictures” . JSMPE , 39 August
- Morkovin , B.V. 1936 . “The Interrelation of Technical and Dramatic Devices of Motion Pictures” . JSMPE , 26 March
- 1948 . “Presentment of Psyche” . International Photographer , April
- Lightman , Herb A. 1946 . “Psychology and the Screen” . American Cinematographer , 27 May : 160
- Lightman . 1947 . “Mood in the Motion Picture” . American Cinematographer , 28 February : 69
- Lightman . “Psychology and the Screen” . 160
- 1942 . “Technical Progress in 1941” . American Cinematographer , 23 January
- Clarices , Charles G. 1942 . “How Desirable is Extreme Focal Depth?” . American Cinematographer , 23 January
- Blanchard , Walter . 1942 . “Aces of the Camera XIII: Gregg Toland, A.S. C” . American Cinematographer , 23 January
- Toland . 1941 . “Realism for Citizen Kane” . American Cinematographer , 22 February
- McBride , Joseph . 1972 . Orson Welles , 55 London : Secker and Warburg .
- McBride . Orson Welles 80 – 85 .
- Bazin , Andre . 1978 . Orson Welles: A Critical View , 59 London : Elm Tree Books .
- Bazin . Orson Welles 59 62
- Bazin . Orson Welles 59