Publication Cover
Continuum
Journal of Media & Cultural Studies
Volume 5, 1992 - Issue 2: Film — Matters of Style
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Original Articles

The magnificent Ambersons: Deep focus, the long take and psychological representation

Pages 15-28 | Published online: 18 May 2009

Notes

  • Vernet , Marc . 1975 . “Freud: Effets spedaux. Mise en scène: USA” . Communications , 23 : 223
  • 1983 . “The Filmic Transaction: On the Openings of Film Noirs” . The Velvet Light Trap , 20 Summer
  • 1989 . “The Look at the Camera” . Cinema Journal , 28 ( 2 ) Winter
  • Hale , Nathan G. Jr. 1971 . Freud and the Americans: The Beginnings of Psychoanalysis in the United States, 1876–1917 , New York : Oxford University Press .
  • Ruitenbeek , Hendrick M. 1966 . Freud and America , New York : MacMillan .
  • Seeley , John R. 1967 . The Americanization of the Unconscious , New York : International Science Press .
  • Elsaesser , Thomas . 1972 . ‘Tales of Sound and Fury: Observations on the Family Melodrama” . Monogram , 4 : 11
  • Seeley . Americanization of the Unconscious 7
  • Murphy , Gardner . 1957 . “The Current Impact of Freud on American Psychology” . In Freud and the 20th Century , Edited by: Nelson , Benjamin . 116 New York : Meridan Books .
  • Ruitenbeek . Freud and America 13
  • Ruitenbeek . Freud and America, 71 – 89 .
  • Vernet . “Freud: Effets speciaux” . 229
  • Harvey King , Richard . 1971 . Freud and Post World War II American Radical Social Thought , 77 University of Virginia . Unpublished PhD dissertation
  • Harpole , Charles H. 1980 . “Ideological and Technological Determinism in Deep‐Space Cinema Images: Issues in Ideology, Technological History, and Aesthetics” . Film Quarterly , XXXIII Spring : 15
  • Mitry , Jean . 1965 . Esthetique et psychologie du cinema 2: les formes , 40 Paris : Eds. Universitaires .
  • Mitry . Esthetique et psychologie 51
  • Mitry . Esthetique et psychologie 43
  • Carringer , Robert . The Making of Citizen Kane , Berkelely : University of California Press .
  • Ogle , Patrick L. 1972 . “Technological and Aesthetic Influences upon the Development of Deep Focus Cinematography in the United States” . Screen , 13 Spring
  • 1977 . Screen Reader , Vol. 1 , London : SEFT .
  • Salt , Barry . 1976 . “Film Style and Technology in the Thirties” . Film Quarterly , XXX Fall
  • 1977 . “Film Style and Technology in the Forties” . Film Quarterly , XXXI Fall
  • Branigan , Edward . 1979 . “Colour and Cinema: Problems in the Writing of History” . Film Reader , 4
  • Gillette , M.E. 1943 . “Psychological Factors in Training Films” . Journal of the Society of Motion Picture Engineers (JSMPE) , 41 September
  • Francisco , L. Mercer . 1947 . “Psychology of the Sound Film” . JSMPE , 49 September
  • Souther , Howard T. 1946 . “The Illusion of Depth in Motion Pictures” . JSMPE , 46 April
  • Francisco . “Psychology of the Sound Film” . 199
  • Becker , Leon S. 1942 . “Technology in the Art of Producing Morion Pictures” . JSMPE , 39 August
  • Morkovin , B.V. 1936 . “The Interrelation of Technical and Dramatic Devices of Motion Pictures” . JSMPE , 26 March
  • 1948 . “Presentment of Psyche” . International Photographer , April
  • Lightman , Herb A. 1946 . “Psychology and the Screen” . American Cinematographer , 27 May : 160
  • Lightman . 1947 . “Mood in the Motion Picture” . American Cinematographer , 28 February : 69
  • Lightman . “Psychology and the Screen” . 160
  • 1942 . “Technical Progress in 1941” . American Cinematographer , 23 January
  • Clarices , Charles G. 1942 . “How Desirable is Extreme Focal Depth?” . American Cinematographer , 23 January
  • Blanchard , Walter . 1942 . “Aces of the Camera XIII: Gregg Toland, A.S. C” . American Cinematographer , 23 January
  • Toland . 1941 . “Realism for Citizen Kane” . American Cinematographer , 22 February
  • McBride , Joseph . 1972 . Orson Welles , 55 London : Secker and Warburg .
  • McBride . Orson Welles 80 – 85 .
  • Bazin , Andre . 1978 . Orson Welles: A Critical View , 59 London : Elm Tree Books .
  • Bazin . Orson Welles 59 62
  • Bazin . Orson Welles 59

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