The Vivid Cast

NOTES

• Sudjic , Deyan . 2001 . “Australia Looks Back in Allegory at its Inglorious Past,” . In The Observer March 4,. Other articles also discussed this issue and cited responses by Daniel Libeskind: Anne Susskind, “Footprints in the Quicksand,” The Bulletin, June 13, 2000; Paul Heinrichs, “Museum a Copy, Claims Architect,” The Sunday Age, April 8, 2001.
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• Tangled Destinies: National Museum of Australia Howard Raggatt suggests that the land-art zig-zag furrows by Michael Heizer (Rift 1968) pre-empted the Jewish Museum and the NMA, a connection reiterated by Charles Jencks, as a partial response to the tension of originality versus precedence.—Raggatt, “Visible and Invisible Space,” in ed. Dimity Reed (Mulgrave, Vic.: The Images Publishing Group, 2002), 43; Jencks, “Constructing National Identity,” in Tangled Destinies, 67; Paul Heinrichs, “Museum a Copy.”
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• Dimity Reed . “National Masterpiece,” . In The Age March 22, 2001; Deyan Sudjic, “Australia Looks Back.”
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• Eternity Other writers have discussed such borrowings, but it is worth listing some of them to indicate the scope of the tactic: elements of James Stirling's Neue Staatsgalerie, Sydne.'s Opera House, Parliament House, the Melbourne Cricket Ground, Aldo Rossi's Gallaratese housing and a pointed reinterpretation of the Villa Savoye. These architectural specimens share the tableau with cultural extractions; the MCG with associated Mexican wave, the graffiti of Arthur Stace, Blue Poles, and the Christian motifs of the vesica piscis and the Holy Cross.
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• Jenner , Ross . “The Palace at 4am,” . In Tangled Destinies in 102–09.
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• Howard Raggatt . 2004 . interview with author, Melbourne, June 27
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• Sudjic . “Australia Looks Back in Allegory at its Inglorious Past.” .
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• Raggatt . “9 Designs from Melbourne,” . 20
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• Raggatt . “9 Designs from Melbourne,” . 20
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• Raggatt . “9 Designs from Melbourne,” . 20
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• Boothryd and Levenspiel . “Halftime Club Minutes,” . 124
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• Raggatt . 2004 . interview with author, Melbourne, June 27
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• Raggatt . 2002 . interview with author, Melbourne, July 9,. Raggatt talked of waning religious practice.
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• Rossi , Aldo . 1979 . “La città analoga: tavola = The Analogous City: Panel,” . In Lotus International 13 (December 1976): 4–9; “Roma Interrotta,” AD Profile 20, Architectural Design 49, nos. 3–4.
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• Rossi , Aldo . 1983 . Selected Writings and Projects 60 London : Architectural Design .
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• 1978 . Collage City Cambridge , Mass. : The MIT Press . Colin Rowe and Fred Koetter, 179.
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• Rowe and Koetter . Collage City 144
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• Architectural Design “Stirling and Wilford,” 50, nos. 5–6 (1980): 75–76.
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• 1979 . Japan Architect “Kazuo Shinohara: Architectural-space exploration,” 54, no. 3 (March,): 263.
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• Matsunaga , Yasumitsu . 1982 . “Architecture as Text: Kasuo Shinohara in his Third Phase,” . In Kasuo Shinohara New York : Rizzoli . IAUS 17: 2–3.
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• Tangled Destinies This sign reappears at the NMA as a consequence of the super-graphic of “Eternity” intersecting with the wall panel to reveal this abstracted Christian fish. The process from which the fish motif was extracted from the super graphics is explained in Dimity Reed, ed., 45.
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• Raisbeck , Peter . 1981 . who worked in the office of Howard Raggatt in, recalled an interest in the Matthias Grunewald painting of the Small Crucifixion (1511–20).—Raisbeck, interview with author, Melbourne, 12 June 2002.
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• II Samuel 7:2.
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• Le Corbusier . 1946 . Towards a New Architecture 66 – 67 . London : The Architectural Press .
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• McDougall , Ian . 1981 . Transition “Shinkenchiku Residential Design Competition,” 3, no. 1 (March 1982): 15–18.
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• Raggatt , Howard . 1993 . “Notness,” . In Fin de Siecle, Melbourne Melbourne : A 38 South Publication . in ed. Leon van Schaik, 128.
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• Raggatt . “Notness,” . 128
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• Susskind , Anne . “Footprints in the quicksand” . In The Bulletin 13 6.00, pp.108–9
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• Raggatt . “Notness,” . 113
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• Raggatt . 2002 . interview with author, Melbourne, June 27
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• Rowe and Koetter . Collage City 148 Johnson: Rambler #194, January 25, 1752.
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• Raggatt . 2002 . interview with author, Melbourne, June 27
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• Raggatt . 2002 . interview with author, Melbourne, July 9
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• Raggatt . 2002 . interview with author, Melbourne, July 9,; Raggatt, Dean's Lecture Series, University of Melbourne, August 23, 2005.
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• Raggatt . “Visible and Invisible Space,” . 43
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• Boolean operations are derived from mathematics and set theory. Within the context of 3D computer models this operation refers to the literal subtraction of one form from another.
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• Raggatt . “Visible and Invisible Space,” . 33
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• Raggatt . “Notness,” . 158
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• The authors of chapters include Dimity Reed, Charles Jencks, Deyan Sudjic, Ross Jenner, Ian Perlman and Michael Markham.
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