https://orcid.org/0000-0002-6649-9874
References
- Li, Su-Chu, 2002, ‘On the chronology of Chen Cheng-Po (1895–1947) based on three curriculum vitae’, in Kyoto studies in aesthetics and art history, Kyoto University, Kyoto, pp. 135–166.
- Liu, CF 2012, ‘Explore the painter Chen Cheng-Po “brush strokes” and “colour application”’, in Exhibition of conservation and restoration of Chen Cheng-Po’s work, Cheng Shiu Art Center, Kaohsiung, pp. 21–28.
- Mazzoni, Tiziana 1994, ‘All’origine del problema conservative dell’arte contemporanea, la pittura del XIX secolo. Materiali, techniche, alterazioni’, in S Angelucci (ed), Arte contemporanea conservazione e restauro, Nardini, Firenze, pp. 17–36.
- Satsuma, M 2015, ‘The reception of Western oil painting in Modern Japan: the example of the Tokyo School of Fine Arts’, in Japan’s love for Impressionism: from Monet to Renoir, Kunst und Ausstellungshalle der Bundesrepublik Deutschland, Prestel, Bonn, pp. 150–157.
- Soraluze, Ioseba 2006, ‘La conservación de los objetos artísticos contemporáneos: Degradaciones, criterios de actuación y tratamientos de restauración’, PhD thesis, Universidad Politécnica de Valencia, Valencia.
- Soraluze, I & Li, IC 2018, ‘Looking through X-rays: the unknown Chen Cheng-Po’, in Chen Cheng-Po Corpus, vol. 17, Artist Publishing, Taipei, pp. 84–95.