1,816
Views
3
CrossRef citations to date
0
Altmetric
Articles

Attitudinal meaning and social struggle in heavy metal song lyrics: a corpus-based analysis

&

References

  • Arnett, Jeffrey Jensen. 1996. Metalheads: Heavy Metal Music and Adolescent Alienation. Boulder, CO: Westview.
  • Avelar, Idelber. 2003. “Heavy Metal Music in Postdictatorial Brazil: Sepultura and the Coding of Nationality in Sound.” Journal of Latin American Cultural Studies 12 (3): 329–346. doi: 10.1080/13569320310001629496
  • “AZLyrics.com.” n.d. Accessed January 19, 2016. http://www.azlyrics.com/.
  • Baker, Charley, and Brian Brown. 2016. “Suicide, Self-Harm and Survival Strategies in Contemporary Heavy Metal Music: A Cultural and Literary Analysis.” Journal of Medical Humanities 37 (1): 1–17. doi: 10.1007/s10912-014-9274-8
  • Barnett, Brett A. 2017. “Black Sabbath’s Pioneering Lyrical Rhetoric: Tragic Structure and Cathartic Potential in Song Narratives.” Metal Music Studies 3 (1): 81–96. doi: 10.1386/mms.3.1.81_1
  • Bayer, Gerd, ed. 2009. Heavy Metal Music in Britain. Surrey, UK and Burlington, VT: Ashgate.
  • Bridle, Marcus. 2018. “Male Blues Lyrics 1920 to 1965: A Corpus Based Analysis.” Language and Literature 27 (1): 21–37. doi: 10.1177/0963947017751757
  • Brown, Andy R., Karl Spracklen, Keith Kahn-Harris, and Niall W. R. Scott. 2016. Global Metal Music and Culture: Current Directions in Metal Studies. Abingdon: Routledge.
  • Chan, Holmes. 2018. “Hong Kong Says Pro-Independence Taiwan Band Member Barred as He Lacks ‘Special Skills, Knowledge or Experience.’” Hong Kong Free Press, December 24, 2018. https://www.hongkongfp.com/2018/12/24/hong-kong-says-pro-independence-taiwan-band-member-barred-lacks-special-skills-knowledge-experience/.
  • Dairianathan, Eugene. 2012. “The Burden of Song.” Journal of Creative Communications 7 (3): 243–260. doi: 10.1177/0973258613512438
  • “DarkLyrics.com.”. n.d. Accessed January 19, 2016. http://www.darklyrics.com/.
  • Djurslev, Christian Thrue. 2014. “The Metal King: Alexander the Great in Heavy Metal Music.” Metal Music Studies 1 (1): 127–141. doi: 10.1386/mms.1.1.127_1
  • Ekinci, Ozalp, Yasin Bez, Osman Sabuncuoglu, Meral Berkem, Elif Akin, and Sebla Gökçe Imren. 2012. “The Association of Music Preferences and Depressive Symptoms in High School Students: A Community-Based Study from Istanbul.” Psychology of Music 41 (5): 565–578. doi:10.1177/0305735612440614.
  • Encyclopaedia Metallum. n.d. “The Metal Archive: Statistics.” Accessed December 27, 2018. https://www.metal-archives.com/stats.
  • Frandsen, Daniel. 2010. “Living for Music, Dying for Life: The Self-Destructive Lifestyle in the Heavy Metal Culture.” In Heavy Fundametalisms: Music, Metal & Politics, edited by Rosemary Hill, and Karl Spracklen, 9–17. Oxford: Inter-Disciplinary Press.
  • Gaines, Donna. 1991. Teenage Wasteland: Suburbia's Dead End Kids. New York, NY: Pantheon Books.
  • Hill, Rosemary, and Karl Spracklen, eds. 2010. Heavy Metal Fundametalisms: Music, Metal and Politics. Oxford: Interdisciplinary Press.
  • Hjelm, Titus, Keith Kahn-Harris, and Mark LeVine. 2012. “Heavy Metal as Controversy and Counterculture.” Popular Music History 6 (1): 5–18. doi: 10.1558/pomh.v6i1/2.5
  • Hoffin, Kevin. 2018. “Decay as a Black Metal Symbol.” Metal Music Studies 4 (1): 81–94. doi: 10.1386/mms.4.1.81_1
  • Kahn-Harris, Keith. 2007. Extreme Metal: Music and Culture on the Edge. Oxford: Berg.
  • Kneer, Julia. 2016. “Are We Evil? Yes We Are–But At Least Not Crazy! How to Test Implicit Associations of Fans and Non-Fans with Metal Music.” Metal Music Studies 2 (1): 69–86. doi: 10.1386/mms.2.1.69_1
  • Knopke, Ekkehard. 2014. “Headbanging in Nairobi: The Emergence of the Kenyan Metal Scene and its Transformation of the Metal Code.” Metal Music Studies 1 (1): 105–125. doi: 10.1386/mms.1.1.105_1
  • Lacourse, Eric, Michel Claes, and Martine Villeneuve. 2001. “Heavy Metal Music and Adolescent Suicidal Risk.” Journal of Youth and Adolescence 30 (3): 321–332. doi: 10.1023/A:1010492128537
  • LeVine, Mark. 2008. Heavy Metal Islam: Rock, Resistance, and the Struggle for the Soul of Islam. New York, NY: Broadway Books.
  • Lozon, Jeffrey, and Moshe Bensimon. 2014. “Music Misuse: A Review of the Personal and Collective Roles of ‘Problem Music.’.” Aggression and Violent Behavior 19 (3): 207–218. doi: 10.1016/j.avb.2014.04.003
  • Martin, Graham, Michael Clarke, and Colby Pearce. 1993. “Adolescent Suicide: Music Preference as an Indicator of Vulnerability.” Journal of the American Academy of Child & Adolescent Psychiatry 32 (3): 530–535. doi: 10.1097/00004583-199305000-00007
  • Martin, James R., and Peter R. R. White. 2005. The Language of Evaluation: Appraisal in English. New York, NY: Palgrave Macmillan.
  • Mast, John F., and Francis T. McAndrew. 2011. “Violent Lyrics in Heavy Metal Music Can Increase Aggression in Males.” North American Journal of Psychology 13 (1): 63–64.
  • Mayer, Adam, and Jeffrey M. Timberlake. 2014. “‘The Fist in the Face of God’: Heavy Metal Music and Decentralized Cultural Diffusion.” Sociological Perspectives 57 (1): 27–51. doi: 10.1177/0731121413516607
  • Miller, Walter B. 1958. “Lower Class Culture as a Generating Milieu of Gang Delinquency.” Journal of Social Issues 14 (3): 5–19. doi: 10.1111/j.1540-4560.1958.tb01413.x
  • Okunew, Nikolai. 2016. “‘Satan Demands Total Annihilation’: Heavy Metal in the German Democratic Republic.” Metal Music Studies 2 (2): 199–214. doi: 10.1386/mms.2.2.199_1
  • Ostling, R. N., Nina Burleigh, and Michael P. Harris. 1990. “No Sympathy for the Devil: A Cardinal Decries Satanic Influence.” TIME, March 1990. http://search.ebscohost.com.ezproxy.lb.polyu.edu.hk/login.aspx?direct=true&db=aph&AN=57901863&site=ehost-live.
  • Rafalovich, Adam. 2006. “Broken and Becoming God-Sized: Contemporary Metal Music and Masculine Individualism.” Symbolic Interaction 29 (1): 19–32. doi: 10.1525/si.2006.29.1.19
  • Rafalovich, Adam, and Andreas Schneider. 2005. “Song Lyrics in Contemporary Metal Music as Counter-Hegemonic Discourse: An Exploration of Three Themes.” Free Inquiry in Creative Sociology 33 (2): 131–142.
  • Rea, Christopher, Pamelyn MacDonald, and Gwen Carnes. 2010. “Listening to Classical, Pop, and Metal Music: An Investigation of Mood.” Emporia State Research Studies 46 (1): 1–3.
  • Recours, Robin, François Aussaguel, and Nick Trujillo. 2009. “Metal Music and Mental Health in France.” Culture, Medicine, and Psychiatry 33 (3): 473–488. doi: 10.1007/s11013-009-9138-2
  • Rowe, Paula. 2017. “Becoming Metal: Narrative Reflections on the Early Formation and Embodiment of Heavy Metal Identities.” Journal of Youth Studies 20 (6): 713–731. doi: 10.1080/13676261.2016.1260696
  • Scheel, Karen R., and John S. Westefeld. 1999. “Heavy Metal Music and Adolescent Suicidality: An Empirical Investigation.” Adolescence 34 (134): 253–273.
  • Scott, Mike. 2017. “Wordsmith.” http://www.lexically.net/wordsmith/.
  • Sinclair, Gary, and Paddy Dolan. 2015. “Heavy Metal Figurations.” Marketing Theory 15 (3): 423–441. doi: 10.1177/1470593115569015
  • Soylent Communications. 2012. “The PMRC Filthy Fifteen.” NNDB. 2012. http://www.nndb.com/lists/405/000093126/.
  • Stack, Steven, Jim Gundlach, and Jimmie L. Reeves. 1994. “The Heavy Metal Subculture and Suicide.” Suicide and Life-Threatening Behavior 24 (1): 15–23.
  • “Statements of Dr. Joe Stuessy, University of Texas at San Antonio, and Dr. Paul King.” 1985. http://www.joesapt.net/superlink/shrg99-529/p117.html.
  • St-Laurent, Méi-Ra. 2016. “Finally Getting out of the Maze: Understanding the Narrative Structure of Extreme Metal Through a Study of ‘Mad Architect’ by Septicflesh.” Metal Music Studies 2 (1): 87–108. doi: 10.1386/mms.2.1.87_1
  • Swami, Viren, Fiona Malpass, David Havard, Karis Benford, Ana Costescu, Angeliki Sofitiki, and Donna Taylor. 2013. “Metalheads: The Influence of Personality and Individual Differences on Preference for Heavy Metal.” Psychology of Aesthetics, Creativity, and the Arts 7 (4): 377–383. doi: 10.1037/a0034493
  • Taylor, Laura Wiebe. 2009. “Images of Human-Wrought Despair and Destruction: Social Critique in British Apocalyptic and Dystopian Metal.” In Heavy Metal Music in Britain, edited by Gerd Bayer, 89–110. Farnham: Ashgate.
  • Umurhan, Osman. 2012. “Heavy Metal Music and the Appropriation of Greece and Rome.” Syllecta Classica 23: 127–152. doi: 10.1353/syl.2013.0000
  • van Dijk, Teun A. 1995. “Discourse Semantics and Ideology.” Discourse and Society 6 (2): 243–289. doi: 10.1177/0957926595006002006
  • Wallach, Jeremy, Harris M. Berger, and Paul D. Greene, eds. 2011. Metal Rules the Globe: Heavy Metal Music around the World. Durham, NC: Duke University Press.
  • Walser, Robert. 1993. Running with the Devil Power, Gender, and Madness in Heavy Metal Music. Middletown, CT: Wesleyan University Press.
  • Weinstein, Deena. 1991. Heavy Metal: A Cultural Sociology. New York, NY: Lexington Books.
  • Weinstein, Deena. 2000. Heavy Metal: The Music and its Culture. Boulder: Da Capo Press.
  • Wright, Adam, and Christy Leung. 2017. “Foreign Bands Entering Hong Kong for Gig at Hidden Agenda Detained at Border, a Week after Bands Arrested in Raid on Venue.” South China Morning Post, May 17, 2017. https://www.scmp.com/culture/music/article/2094652/foreign-bands-entering-hong-kong-gig-hidden-agenda-detained-border.

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.