Street art assemblages

References

• Banksy. 2010. Exit Through the Gift Shop (Film). Revolver Entertainment.
   Google Scholar
• Blommaert, Jan. 2016a. “‘Meeting of Styles’ and the Online Infrastructures of Graffiti.” Applied Linguistics Review 7 (2): 99–115.
   Web of Science ®Google Scholar
• Blommaert, Jan. 2016b. Superdiversity and the Neoliberal Conspiracy.” http://alternative-democracy-research.org/2016/03/03/superdiversity-and-the-neoliberal-conspiracy/.
   Google Scholar
• Cameron, Deborah. 2007. “Language Endangerment and Verbal Hygiene: History, Morality and Politics.” In Discourses of Endangerment: Ideology and Interest in the Defence of Languages, edited by Alexandre Duchêne, and Monica Heller, 268–285. London: Continuum.
   Google Scholar
• Campos, Ricardo. 2015. “Graffiti, Street Art and the Aestheticization of Transgression.” Social Analysis 59 (3): 17–40.
   Web of Science ®Google Scholar
• Campos, Ricardo, Yiannis Zaimakis, and Andrea Pavoni. 2021. Political Graffiti in Critical Times: The Aesthetics of Street Politics. New York: Berghahn.
   Google Scholar
• Goalwin, Gregory. 2013. “The Art of War: Instability, Insecurity, and Ideological Imagery in Northern Ireland’s Political Murals, 1979–1998.” International Journal of Politics, Culture, and Society 26: 189–215.
   Google Scholar
• Gonçalves, Kellie. 2018. “YO! Or OY? – Say What? Creative Place-Making Through a Metrolingual Artifact in Dumbo, Brooklyn.” International Journal of Multilingualism 16 (1): 42–58.
   Web of Science ®Google Scholar
• Gonçalves, Kellie. 2019. “The Semiotic Paradox of Street Art: Gentrification and the Commodification of Bushwick, Brooklyn.” In Making Sense of People, Place and Linguistic Landscapes, edited by Amiena Peck, Quentin E. Williams, and Christopher Stroud, 141–160. London: Bloomsbury.
   Google Scholar
• Hanauer, David. 2011. “The Discursive Construction of the Separation Wall at Abu Dis.” Journal of Language and Politics 10: 301–321.
   Web of Science ®Google Scholar
• Harvey, David. 2008. “The Right to the City.” New Left Review 53: 23–40.
   Google Scholar
• Heinich, Natalie, and Roberta Shapiro. 2012. De L’artification. Enquêtes sur le Passage à L’art. Paris: EHESS.
   Google Scholar
• Howes, David, and Constance Classen. 2014. Ways of Sensing: Understanding the Senses in Society. London: Routledge.
   Google Scholar
• Jaworski, Adam, and Kellie Gonçalves. 2021. “High Culture at Street Level: Oslo's Ibsen Sitat and the Ethos of Egalitarian Nationalism.” In Spaces of Multilingualism, edited by Robert Blackwood, and Unn Røyneland, 135–164. London: Routledge.
   Google Scholar
• Jaworski, Adam, and Crispin Thurlow. 2010. “Introduction.” In Semiotic Landscapes, Language. Image, Space, edited by Adam Jaworski, and Crispin Thurlow, 1–40. London: Continuum.
   Google Scholar
• Karlander, David. 2016. “Backjumps: Writing, Watching, Erasing Train Graffiti.” Social Semiotics 28 (1): 41–59.
   Web of Science ®Google Scholar
• Krzyżanowska, Natalia. 2016. “The Discourse of Counter-Monuments: Semiotics of Material Commemoration in Contemporary Urban Spaces.” Social Semiotics 26 (5): 465–485.
   Web of Science ®Google Scholar
• Lennon, John. 2014. “Assembling a Revolution: Graffiti, Cairo and the Arab Spring.” Cultural Studies Review 20 (1): 237–275.
   Google Scholar
• Levon, Erez. 2020. “Sociolinguistics + Art.” Journal of Sociolinguistics. Epub Ahead of Print, 1–2.
   Google Scholar
• MacDowall, Lachlan, and Poppy de Souza. 2018. “‘I’d Double Tap That!!’: Street Art, Graffiti, and Instagram Research.” Media, Culture & Society 40 (1): 3–22.
   Web of Science ®Google Scholar
• McNamara, Tim. 2021. “Three Rothkos.” Journal of Sociolinguistics, 1–8.
   Web of Science ®Google Scholar
• Milon, Alain. 1999. L'Étranger Dans la Ville: Du rap au Graff Mural. Paris: Presses Universitaires de France.
   Google Scholar
• Pennycook, Alastair. 2009. “Linguistic Landscapes and the Transgressive Semiotics of Graffiti.” In Linguistic Landscape: Expanding the Scenery, edited by Elana Shohamy, and Durk Gorter, 302–312. New York: Routledge.
   Google Scholar
• Pennycook, Alastair. 2010. “Spatial Narrations: Graffscapes and City Souls.” In Semiotic Landscapes, edited by Adam Jaworski, and Crispin Thurlow, 137–150. London: Continuum.
   Google Scholar
• Pennycook, Alastair. 2019. “Linguistic Landscapes and Semiotic Assemblages.” In Expanding the Linguistic Landscape, edited by Martin Pütz, and Neele Mundt, 75–88. Bristol: Multilingual Matters.
   Google Scholar
• Pennycook, Alastair. 2021. “Entanglements of English.” In Bloomsbury World Englishes: Volume 2: Ideologies, edited by Rani Rubdy, and Ruanni Tupas, 9–26. London: Bloomsbury.
   Google Scholar
• Pennycook, Alastair. 2022. “Critical Applied Linguistics in the 2020s.” Critical Inquiry in Language Studies 19 (1): 1–21.
   Google Scholar
• Petrovic, John E., and Bedrettin Yazan. 2021. “Language as Instrument, Resource, and Maybe Capital, but not Commodity.” In The Commodification of Language: Conceptual Concerns and Empirical Manifestations, edited by John E. Petrovic, and Bedrettin Yazan, 24–40. London: Routledge.
   Google Scholar
• Scollon, R., and S. W. Scollon. 2003. Discourses in Place: Language in the Material World. London: Routledge.
   Google Scholar
• Sharma, Bal Krishna. 2021. “The Scarf, Language, and Other Semiotic Assemblages in the Formation of a New Chinatown.” Applied Linguistics Review 12 (1): 65–91.
   Web of Science ®Google Scholar
• Simpson, William, and John O’Regan. 2018. “Fetishism and the Language Commodity: A Materialist Critique.” Language Sciences 70: 155–166.
   Web of Science ®Google Scholar
• Tsing, Anna. 2015. The Mushroom at the End of the World: On the Possibility of Life in Capitalist Ruins. Princeton, NJ: Princeton University Press.
   Google Scholar
• Van Treeck, Bernhard. 2003. “Styles – Typografie als Mittel zur Identitätsbildung.” In HipHop: Globale Kultur – Lokale Praktiken, edited by Jannis Androutsopoulos, 102–110. Bielefeld: Transcript Verlag.
   Google Scholar