Problematizing Narratives of Tragedy: Postwar Scientific Discourse in Tōho SFX Films

References

• Boyer, P. (1994). By the bomb’s early light: American thought and culture at the dawn of the atomic age. Chapel Hill: University of North Carolina Press.
   Google Scholar
• Clover, C. (1992). Men, women, and chainsaws: Gender in the modern horror film. Oxford: Princeton University Press.
   Google Scholar
• Deamer, D. (2014). Deleuze, Japanese cinema, and the atom bomb: The spectre of impossibility. New York: Bloomsbury.
   Google Scholar
• Dower, J.W. (1999). Embracing defeat: Japan in the wake of World War II. New York: W.W. Norton & Company.
   Google Scholar
• Fukuda, J. ( Director). (1960). Densō Ningen [Film]. Toho.
   Google Scholar
• Fukuda J. ( Director). (1967). Kaijyu-tō no Kessen Gojira no Musuko [Film]. Toho.
   Google Scholar
• Harris, S. (2002). [ 1994] Factories of death: Japanese biological warfare, 1932–1945, and the American cover-up. London: Routledge.
   Google Scholar
• Hirano, K. (1992). Mr Smith goes to Tokyo: Japanese cinema under the American occupation, 1945–1952. Washington, DC: Smithsonian Institution.
   Google Scholar
• Honda, I. ( Director). (1954). Gojira [Film]. Toho
   Google Scholar
• Honda, I. ( Director). (1954). Radon [film]. Toho.
   Google Scholar
• Honda, I. ( Director). (1957). Chikyū Bōeigun [film]. Toho.
   Google Scholar
• Honda, I. ( Director). (1958). Bijo to Ekitai Ningen [Film]. Toho.
   Google Scholar
• Honda, I. ( Director). (1960). Gasu Ningen Daiichi gō [film]. Toho.
   Google Scholar
• Honda, I. ( Director). (1961). Mosura [Film]. Toho.
   Google Scholar
• Honda, I. ( Director). (1963). Matango [film]. Toho.
   Google Scholar
• Honda, I. ( Director). (1964). Mosura tai Gojira [Film]. Toho.
   Google Scholar
• Honda, I. ( Director). (1965). Furankenshutain tai Chiteikaiju Baragon [film]. Toho.
   Google Scholar
• Honda, I. (1994). Honda Ishirō: ‘Gojira’ to waga eiga jinsei [Ishirō Honda: ‘Godzilla’ and my life in cinema]. Tokyo: Jitsugyo no Nihon Sha.
   Google Scholar
• Igarashi, Y. (2000). Bodies of memory: Narratives of war in postwar Japanese culture, 1945–1970. Princeton, NJ: Princeton University Press.
   Google Scholar
• Kagaku rikkoku e [Towards a scientific nation]. (1945, August 20). Asahi Shinbun, p.2.
   Google Scholar
• Kalat, D. (1997). A critical history and filmography of Tōho’s Godzilla series. Jefferson, NC: McFarland & Company.
   Google Scholar
• Noriega, C. (1987). Godzilla and the Japanese nightmare: When ‘Them!’ is US. Cinema Journal, 27(1), 63–77. doi: 10.2307/1225324
   Web of Science ®Google Scholar
• Oda, M. ( Director). (1954). Tōmei Ningen [Film]. Toho.
   Google Scholar
• Oda, M. ( Director). (1955). Gojira no Gyakushū [Film]. Toho.
   Google Scholar
• Ōhashi, Y. (Ed.). (1983). [Tōho tokusatsu eiga zenshi [Tōho SFX film history]. Tokyo: Tōho.
   Google Scholar
• Sherif, A. (2009). Japan’s cold war: Media, literature, and the law. New York, NY: Columbia University Press.
   Google Scholar
• Sobchack, V. (2004). Screening space: The American science fiction film. New Brunswick, NJ: Rutgers University Press.
   Google Scholar
• Sontag, S. (1965). The imagination of disaster. In Against interpretation and other essays (pp. 209–225). New York, NY: Dell Publishing.
   Google Scholar
• Stevens, S. (2015). The rhetorical significance of Gojira: Equipment for living through trauma. In M. Edwards (Ed.), The Atomic Bomb in Japanese Cinema (pp. 17–33). Jefferson, NC: McFarland and Company.
   Google Scholar
• Taketani, M. (1946). Kakumeiki ni okeru shii no kijun: Shizen kagakusha no tachiba kara [Standard of thought in the period of revolution: From a natural scientist’s viewpoint]. In K. Inoue (Ed.), Kagaku no shisō [Scientific thought] (pp. 132–145). Tokyo: Chikumashobo.
   Google Scholar
• Tanaka, T. (1983). Tokusatsu eiga no omoide [Remembering SFX films]. In Y. Ōhashi (Ed.), Tōho tokusatsu eiga zenshi [Tōho SFX film history] (pp. 52–59). Tokyo: Tōho.
   Google Scholar
• Tsuneishi, K. (1981). Kieta saikinsen butai: kantōgun dai 731 butai [The germ warfare unit that disappeared: Kwantung army unit 731]. Tokyo: Kaimeisha.
   Google Scholar
• Urbano, C. (1998). Projections, suspense, and anxiety: The modern horror film and its effects. Psychoanalytic Review, 85(6), 889–908.
   PubMedGoogle Scholar
• Williams, P. & Wallace, D. (1989). Unit 731: The Japanese army’s secret of secrets. London: Hodder & Stoughton.
   Google Scholar
• Wood, R. (2003). The American nightmare: Horror in the 70s. In Hollywood from Vietnam to Reagan … and beyond (pp. 63–84). New York, NY: Columbia University Press.
   Google Scholar
• Wolfe, C. & Elmer, J. (1995). Subject to sacrifice: Ideology, psychoanalysis, and the discourse of species in Jonathan Demme’s Silence of the Lambs. Boundary 2, 22(3), 141–170. doi: 10.2307/303726
   Web of Science ®Google Scholar
• Yoshii, H. (2007). Gojira, Mosura, gensuibaku: Tokusatsu eiga no shakaigaku. [Godzilla, Mothra, the atomic/hydrogen bomb: The sociology of SFX films]. Serica Syjiyobo.
   Google Scholar