RECOMMENDED READINGS
- Alan, F., and B. J. W. Dixson. 2011. “Venus Figurines of the European Paleolithic: Symbols of Fertility or Attractiveness?” Journal of Anthropology 2011:1–11. doi: 10.1155/2011/569120.
- Chopra, D. 2022. Abundance: The Inner Path to Wealth. Lekki, Lagos: Harmony.
- Hajianfard, R. 2021. “Florescencism by Lida Sherfatmand in the Context of Floral Art History.” Kupas SENI 9 (1): 104–114.
- Head, Dominic. 2022. Abundance’, Nature Prose: Writing in Ecological Crisis, online ed. Oxford: Oxford Academic. doi: 10.1093/oso/9780192870872.003.0004.
- Hodge, S. 2021. Art in detail: 100 masterpieces.
- Houser, H. 2022. “Abundance against Scarcity.” CR: The New Centennial Review 22 (1): 13–35. doi: 10.14321/crnewcentrevi.22.1.0013.
- Kop, M. 2022. “Abundance and Equality.” Frontiers in Research Metrics and Analytics 7: 977684. doi: 10.3389/frma.2022.977684.
- Krinichnaya, N. A. 2012. “Соперничество рек как импульс к преобразованию ландшафта и социума (по материалам этиологических мифов) [Rivalry of Rivers as an Impulse for the Transformation of Landscape and Society (Based on the Materials of Etiological Myths)].” Труды Карельского научного центра Российской академии наук (4): 50–56.
- Mahlakeng, M. K., and H. Solomon. 2023. “Homer-Dixon’s Environmental Scarcity Theory and Potential for Conflict in the Nile River Basin (NRB).” In African Security in the Anthropocene, 23–50. Cham: Springer Nature Switzerland.
- Seaton, B. 1989. “Towards a Historical Semiotics of Literary Flower Personification.” Poetics Today 10 (4): 679. doi: 10.2307/1772806.
- Sherafatmand, L. 2020. April 10. Manifesto of florescencism. Lida Gallery. https://www.lida.gallery/post/manifesto-of-florescencism
- Steingraber, S., and S. Steingräber. 2006. Abundance of Life: Etruscan Wall Painting. Los Angeles: Getty Publications.
- Wynter, S. 2003. “Unsettling the Coloniality of Being/Power/Truth/Freedom: Towards the Human, after Man, Its Overrepresentation–an Argument.” CR: The New Centennial Review 3 (3): 257–337. doi: 10.1353/ncr.2004.0015.