Confessions of a Video Vixen: My Autocritography of Sexuality, Desire, and Memory

Works Cited

• Adams, Tony E., and Stacy Holman-Jones. “Telling Stories: Reflexivity, Queer Theory, and Autoethnography.” Cultural Studies ⇔ Critical Methodologies 11.2 (2011): 108–16. doi:10.1177/1532708611401329/
   Google Scholar
• Alexander, Bryant Keith. “Bordered and Bleeding Identities: An Autocritography of Shifting Academic Life.” The Black Professoriat: Negotiating a Habitable Space in the Academy. Ed. Sandra Jackson and Richard Greggory Johnson III. New York: Peter Lang, 2011. 14–31.
   Google Scholar
• Anzaldúa, Gloria. Borderlands/La Frontera: The New Mestiza. San Francisco: Spinsters/Aunt Lute, 1987.
   Google Scholar
• Aronowitz, Stanly, and Henry Giroux. Postmodern Education: Politics, Culture, and Social Criticism. Minneapolis: U of Minnesota P, 1991.
   Google Scholar
• Awkward, Michael. Scenes of Instruction: A Memoir. Durham, NC: Duke UP, 1999.
   Google Scholar
• Bell, Elizabeth. “Sex Acts Beyond Boundaries and Binaries: A Feminist Challenge for Self Care in Performance.” Text and Performance Quarterly 25.3 (2005): 187–219. doi:10.1080/10462930500271752
   Google Scholar
• Boylorn, Robin. “Gray or for Colored Girls Who Are Tired of Chasing Rainbows: Race and Reflexivity.” Cultural Studies ⇔ Critical Methodologies 11.2 (2011): 178–86. doi:10.1177/1532708611401336
   Google Scholar
• Calafell, Bernadette Marie. “Pro(re-)claiming Loss: A Performance Pilgrimage in Search of Malintzin Tenépal.” Text and Performance Quarterly 25.1 (2005) 43–56. doi:10.1080/10462930500052327
   Google Scholar
• Calafell, Bernadette Marie, and Shane T. Moreman. “Envisioning an Academic Readership: Latina/o Performativities Per the Form of Publication.” Text and Performance Quarterly 29.2 (2009): 123–30. doi:10.1080/10462930902774833
   Web of Science ®Google Scholar
• Cohen, Cathy J. “Deviance as Resistance: A New Research Agenda for the Study of Black Politics.” Du Bois Review 1.1 (2004): 27–45. doi:10.1017/S1742058X04040044
   Google Scholar
• Collins, Patricia Hill. Black Feminist Thought: Knowledge, Consciousness, and the Politics of Empowerment. Boston: Unwin Hyman, 1990.
   Google Scholar
• Conquergood, Dwight. “Performing as a Moral Act: Ethical Dimensions of the Ethnography of Performance.” Literature in Performance 5.2 (1985): 1–13. doi:10.1080/10462938509391578
   Google Scholar
• Cottom, Tressie McMillan. “Whistling Vivaldi Won't Save You: The Shooting Death of Jonathan Ferrell Reminds Us of the Heavy Tool of Stereotype Threat.” Slate. The Slate Group, 20 Sept. 2013. Web. 1 Oct. 2013.
   Google Scholar
• Crenshaw, Kimberlé. “Mapping the Margins: Intersectionality, Identity Politics, and Violence against Women of Color.” Stanford Law Review 43.6 (1991): 1241–99. doi:10.2307/1229039
   Google Scholar
• Floyd-Thomas, Stacey M. Mining the Motherlode: Methods in Womanist Ethics. Cleveland, OH: Pilgrim P, 2006.
   Google Scholar
• Gingrich-Philbrook, Craig. “Autoethnography's Family Values: Easy Access to Compulsory Experiences.” Text and Performance Quarterly 25.4 (2005): 297–314. doi:10.1080/10462930500362445
   Google Scholar
• Goltz, Dustin Bradley. “Frustrating the “I”: Critical Dialogic Reflexivity with Personal Voice.” Text and Performance Quarterly 31.4 (2011): 386–405. doi:10.1080/10462937.2011.602707
   Web of Science ®Google Scholar
• Gray, Jonathan W. “‘I'll be Forever Mackin’: The Social Construction of Black Masculine Identity in Hip Hop's Platinum Age.” Black Sexualities: Probing Powers, Passions, Practices, and Policies. Ed. Juan Battle and Sandra L. Barnes. New Brunswick, NJ: Rutgers UP, 2010. 401–22.
   Google Scholar
• Hall, Rachel. “Patty and Me: Performative Encounters between an Historical Body and the History of Images.” Text and Performance Quarterly 26.4 (2006): 347–70. doi:10.1080/10462930600829186
   Google Scholar
• Hancock, Ange-Marie. “When Multiplication Doesn't Equal Quick Addition: Examining Intersectionality as a Research Paradigm.” Perspectives on Politics 5.1 (2007): 63–79. doi:10.1017/S1537592707070065
   Google Scholar
• Henderson, Chris, and Case Woodard. “Happily Ever After.” Personal Conversation. Def Jam, 1999. CD.
   Google Scholar
• Jay-Z, and Pharell. “I Just Wanna Love U (Give It 2 Me).” The Dynasty: Roc La Familia. Roc-A-Fella, 2000. CD.
   Google Scholar
• Johnson, E. Patrick. “‘Quare’ Studies or (almost) Everything I Know about Queer Studies I Learned from My Grandmother.” Text and Performance Quarterly 21.1 (2001): 1–25. doi:10.1080/10462930128119
   Google Scholar
• Jones Jr., Richard G. “Putting Privilege into Practice through ‘Intersectional Reflexivity’: Ruminations, Interventions, and Possibilities.” Reflections: Narratives of Professional Helping 16.1 (2010): 122–25.
   Google Scholar
• Kendalls, Christopher. “The Detrimental Image of Black Women Displayed in Hip-Hop Videos.” Entertainment Scene 360. Helium, 22 Oct. 2008. Web. 20 Nov. 2008.
   Google Scholar
• Langellier, Kristin M. “Personal Narrative, Performance, Performativity: Two or Three Things I Know for Sure.” Text and Performance Quarterly 19.2 (1999): 123–44. doi:10.1080/10462939909366255
   Google Scholar
• Langellier, Kristin M., and Eric E. Peterson. Storytelling in Daily Life: Performing Narrative. Philadelphia, PA: Temple UP, 2004.
   Google Scholar
• Lee, Wenshu. “Kuaering Queer Theory: My Autocritography and a Race-Conscious, Womanist, Transnational Turn.” Journal of Homosexuality 45.2–4 (2003): 147–70. doi:10.1300/J082v45n02_07
   PubMed Web of Science ®Google Scholar
• Madison, D. Soyini. “The Dialogic Performative in Critical Ethnography.” Text and Performance Quarterly 26.4 (2006): 320–24. doi:10.1080/10462930600828675
   Google Scholar
• Miller-Young, Mireille. “Hip-Hop Honeys and Da Hustlaz: Black Sexualities in the New Hip-Hop Pornography.” Meridians: Feminism, Race Transnationalism 8.1 (2008): 261–92.
   Google Scholar
• Nelly. “Country Grammar (Hot Shit).” Country Grammar. Universal, 2000. CD.
   Google Scholar
• Perry, Imani. Prophets of the Hood: Politics and Poetics in Hip Hop. Durham, NC: Duke UP, 2004.
   Google Scholar
• Pezzullo, Phaedra C. “Touring ‘Cancer Alley,’ Louisiana: Performances of Community and Memory for Environmental Justice.” Text and Performance Quarterly 23.3 (2003): 226–52. doi:10.1080/10462930310001635295
   Google Scholar
• Pollock, Della. “Marking New Directions in Performance Ethnography.” Text and Performance Quarterly 26.4 (2006): 325–29. doi:10.1080/10462930600828733
   Google Scholar
• Reid-Brinkley, Shanara R. “The Essence of Res(ex)pectability: Black Women's Negotiation of Black Femininity in Rap Music and Music Video.” Meridians: Feminism, Race, Transnationalism 8.1 (2008): 236–60.
   Google Scholar
• Rose, Tricia. Black Noise: Rap Music and Black Culture in Contemporary America. Middletown, CT: Wesleyan UP, 1994.
   Google Scholar
• Sandoval-Sánchez, Alberto, and Nancy Saporta Sternbach. Stages of Life: Transcultural Performance and Identity in US Latina Theatre. Tucson: U of Arizona P, 2001.
   Google Scholar
• Shimizu, Celine Parreñas. The Hypersexuality of Race: Performing Asian/American Women on Screen and Scene. Durham, NC: Duke UP, 2007.
   Google Scholar
• Steele, Claude. Whistling Vivaldi: How Stereotypes Affect Us and What We Can Do. New York: Norton, 2011.
   Google Scholar
• Steffans, Karrine. Confessions of a Video Vixen. New York: HarperCollins, 2005.
   Google Scholar
• Tracy, Karen. Everyday Talk: Building and Reflecting Identities. New York: Guilford, 2002.
   Google Scholar
• Yep, Gust A. “Freire's Conscientization, Dialogue, and Liberation: Personal Reflections on Classroom Discussions of Marginality.” Journal of Gay, Lesbian, and Bisexual Identity 3.2 (1998): 159–66.
   Google Scholar
• Young, Harvey. Embodying Black Experience: Stillness, Critical Memory, and the Black Body. Ann Arbor: U of Michigan P, 2010.
   Google Scholar