506
Views
8
CrossRef citations to date
0
Altmetric
Essays

From Employment to Projects: Work and Life in Contemporary Dance World

Works Cited

  • Agamben, Giorgio. The Man without Content. Trans. Georgia Albert. Stanford, CA: Stanford UP, 1999.
  • Arvidsson, Adam, Giannino Malossi, and Serpica Naro. “Passionate Work? Labour Conditions in the Milan Fashion Industry.” Journal for Cultural Research 14.3 (2010): 295–309. 10.1080/14797581003791503
  • Bauer, Bojana. “The Makings of … Production and Practice of the Self in Choreography: The Case of Vera Mantero and Guests.” Performance Research 13.1 (2008): 15–22. 10.1080/13528160802465425
  • Bauer, Eleanor. “Becoming Room, Becoming Mac: New Artistic Identities in the Transnational Brussels Dance Community.” Maska 107–108 (2007): 58–65.
  • Berlant, Lauren. “Slow Death (Sovereignty, Obesity, Lateral Agency).” Critical Inquiry 33.4 (2007): 754–80. 10.1086/521568
  • Boltanski, Luc, and Ève Chiapello. “The New Spirit of Capitalism.” International Journal of Politics, Culture, and Society 18.3/4 (2005): 161–88.
  • Bosse, Joanna. “Salsa Dance and the Transformation of Style: An Ethnographic Study of Movement and Meaning in a Cross-cultural Context.” Dance Research Journal 40.1 (2008): 45–64. 10.1017/S0149767700001364
  • Chatterjea, Ananya. “Red-Stained Feet: Probing the Ground on which Women Dance in Contemporary Bengal.” Worlding Dance. Ed. Susan Leigh Foster. New York: Palgrave, 2009. 119–44.
  • Christiansen, Flemming, and Ulf Hedetoft, eds. The Politics of Multiple Belonging: Ethnicity and Nationalism in Europe and East Asia. Aldershot: Ashgate, 2004.
  • D'Amelio, Toni. “On the Premises of French Contemporary Dance: Concepts, Collectivity and ‘Trojan Horses’ in the Work of Jérôme Bel and Loïc Touzé.” Decentring Dancing Texts: The Challenge of Interpreting Dances. Ed. Janet Lansdale. New York: Palgrave, 2008. 89–107.
  • D'Andrea, Anthony. Global Nomads: Techno and New Age as Transnational Countercultures in Ibiza and Goa. New York: Routledge, 2007.
  • Di Stefano, John. “Moving Images of Home.” Art Journal 61.4 (2002): 38–51. 10.2307/778150
  • Dirlik, Arif. The Postcolonial Aura: Third World Criticism in the Age of Global Capitalism. Boulder, CO: Westview, 1998.
  • Doogan Kevin. New Capitalism? The Transformation of Work. Cambridge: Polity, 2009.
  • Featherstone, Mike. Undoing Culture: Globalization, Postmodernism and Identity. Thousand Oaks, CA: Sage, 1995.
  • Foulkes, Julia L. “Angels ‘Rewolt!’: Jewish Women in Modern Dance in the 1930s.” American Jewish History 88.2 (2000): 233–52. 10.1353/ajh.2000.0029
  • Franko, Mark. The Work of Dance: Labor, Movement, and Identity in the 1930s. Middletown, CT: Wesleyan UP, 2002.
  • Gardner, Sally. “The Dancer, the Choreographer and Modern Dance Scholarship: A Critical Reading.” Dance Research: The Journal of the Society for Dance Research 25.1 (2007): 35–53. 10.3366/dar.2007.0018
  • Giersdorf, Jens Richard. “Dance Studies in the International Academy: Genealogy of a Disciplinary Formation.” Dance Research Journal 41.1 (2009): 23–44. 10.1017/S0149767700000516
  • Graff, Ellen. Stepping Left: Dance and Politics in New York City, 1928–1942. Durham, NC: Duke UP, 1997.
  • Hamera, Judith. “An Answerability of Memory: ‘Saving’ Khmer Classical Dance.” TDR: The Drama Review 46.4 (2002): 65–85. 10.1162/105420402320907029
  • Hamera, Judith. Dancing Communities: Performance, Difference and Connection in the Global City. New York: Palgrave, 2011.
  • Hamera, Judith. “The Labors of Michael Jackson: Virtuosity, Deindustrialization, and Dancing Work.” PMLA 127.4 (2012): 751–65. 10.1632/pmla.2012.127.4.751
  • Hardt, Michael, and Antonio Negri. Empire. Cambridge, MA: Harvard UP, 2000.
  • Hesmondhalgh, David. “Normativity and Social Justice in the Analysis of Creative Labour.” Journal for Cultural Research 14.3 (2010): 231–49. 10.1080/14797581003791461
  • Jackson, Shannon. Professing Performance: Theatre in the Academy from Philology to Performativity. Cambridge: Cambridge UP, 2004.
  • Jackson, Shannon. Social Works: Performing Arts, Supporting Publics. New York: Routledge, 2011.
  • Jansen, Stef. “After the Red Passport: Towards an Anthropology of the Everyday Geopolitics of Entrapment in the EU's ‘Immediate Outside.’” Journal of the Royal Anthropological Institute 15.4 (2009): 815–32. 10.1111/j.1467-9655.2009.01586.x
  • Kennedy, Paul, and Victor Roudometof, eds. Communities Across Borders: New Immigrants and Transnational Cultures. New York: Routledge, 2003.
  • Koruga, Igor. Personal Interview. 27 Sept. 2013.
  • Kunst, Bojana. “The Economy of Proximity: Dramaturgical Work in Contemporary Dance.” Performance Research 14.3 (2009): 81–88. 10.1080/13528160903519542
  • Lepecki, André. Exhausting Dance: Performance and Politics of Movement. New York: Routledge, 2006.
  • Le Roy, Xavier. “Selfinterview.” Xavier Le Roy. n.d. Web. 20 Jan. 2013. <www.insituproductions.net/_eng/frameset.html>.
  • MacNeill, Kate. “Pina Bausch, Creative Industries and the Materiality of Artistic Labour.” International Journal of Cultural Policy 15.3 (2009): 301–13. 10.1080/10286630902785623
  • Madison, D. Soyini. “That Was Then and This Is Now.” Text and Performance Quarterly 33.3 (2013): 207–11. 10.1080/10462937.2013.790557
  • Manolescu, Cosmin. Personal Interview. 25 Aug. 2008.
  • Martin, Randy. Critical Moves: Dance Studies in Theory and Politics. Durham, NC: Duke UP, 1998.
  • McDowell, Linda. Working Bodies: Interactive Service Employment and Workplace Identities. Oxford: Wiley-Blackwell, 2009.
  • McKenzie, Jon. Perform or Else: From Discipline to Performance. New York: Routledge, 2001.
  • Morris, Gay. A Game for Dancers: Performing Modernism in the Postwar Years, 1945–1960. Middletown, CT: Wesleyan UP, 2006.
  • Negri, Antonio. Empire and Beyond. Trans. Ed Emery. Cambridge: Polity, 2008.
  • Novak, Daniel A. “Labors of Likeness: Photography and Labor in Marx's Capital.” Criticism 49.2 (2007): 125–50.
  • Ong, Aihwa. Flexible Citizenship: The Cultural Logics of Transnationality. Durham, NC: Duke UP, 1999.
  • Parreñas, Rhacel Salazar. Servants of Globalization: Women, Migration and Domestic Work. Stanford CA: Stanford UP, 2001.
  • Performance Studies international. “PSi #18 :: Performance :: Culture :: Industry.” Performance Studies international. n.d. Web. 2 Jan. 2013. <http://www.psi-web.org/detail/posts/10900>.
  • Pouillaude, Frédéric. “Scène and Contemporaneity.” Trans. Noémie Solomon. TDR: The Drama Review 51.2 (2007): 124–35. 10.1162/dram.2007.51.2.124
  • Puar, Jasbir, ed. “Precarity Talk: A Virtual Roundtable with Lauren Berlant, Judith Butler, Bojana Cveji, Isabell Lorey, Jasbir Puar, and Ana Vujanović.” TDR: The Drama Review 56.4 (2012): 163–77.
  • Rayner, Alice. “Rude Mechanicals and the Specters of Marx.” Theatre Journal 54.4 (2002): 535–54. 10.1353/tj.2002.0133
  • Ridout, Nicholas. Stage Fright, Animals, and Other Theatrical Problems. Cambridge: Cambridge UP, 2006.
  • Ridout, Nicholas, and Rebecca Schneider. “Precarity and Performance: An Introduction.” TDR: The Drama Review 56.4 (2012): 5–9. 10.1162/DRAM_a_00210
  • Roberts, John. The Intangibilities of Form: Skill and Deskilling in Art after the Readymade. New York: Verso, 2007.
  • Ross, Andrew. “The Mental Labor Problem.” Social Text 63 18.2 (2000): 1–31. 10.1215/01642472-18-2_63-1
  • Scolieri, Paul, ed. Congress on Research in Dance. Spec. issue of Dance Research Journal 40.2 (2008): v–107.
  • Siegel, Marcia B. Days on Earth: The Dance of Doris Humphrey. Durham, NC: Duke UP, 1993.
  • Smith, Michael Peter, and Adrian Favell, eds. The Human Face of Global Mobility: International Highly Skilled Migration in Europe, North America and the Asia-Pacific. New Brunswick, NJ: Transaction, 2006.
  • Spångberg, Mårten. “The Doing of Research.” It Takes Place When It Doesn't: On Dance and Performance Since 1989. Ed. Martina Hochmuth, Krassimira Kruschkova, and Georg Schöllhammer. Frankfurt am Main: Revolver, 2006. 59–73.
  • Terry, David P. “Showing Our Work.” Text and Performance Quarterly 33.3 (2013): 223–24. 10.1080/10462937.2013.791998
  • Tsianos, Vassilis, and Dimitris Papadopoulos. “Who's Afraid of Immaterial Workers? Embodied Capitalism, Precarity, Imperceptibility.” Academia.edu. Academia, 2006. Web. 30 Mar. 2014. <https://www.academia.edu/3406075/WHOS_AFRAID_OF_IMMATERIAL_WORKERS_EMBODIED_CAPITALISM_PRECARITY_IMPERCEPTIBILITY_Vassilis_Tsianos_and_Dimitris_Papadopoulos>.
  • Unruh, Vicky. “Introduction: ‘Compañero, Respect Your Vocation!’: Improvisations for a Workaday Crisis.” PMLA 127.4 (2012): 731–50. 10.1632/pmla.2012.127.4.731
  • Virno, Paolo. A Grammar of the Multitude: For an Analysis of Contemporary Forms of Life. Cambridge, MA: Semiotext(e), 2003.

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.