Ironic Performativity: Amy Schumer's Big (White) Balls

Works Cited

• Booth, Wayne C. A Rhetoric of Irony. Chicago: U of Chicago P, 1974.
   Google Scholar
• Burke, Kenneth. A Grammar of Motives. Berkeley: U of California P, 1969.
   Google Scholar
• Colletta, Lisa. “Political Satire and Postmodern Irony in the Age of Stephen Colbert and Jon Stewart.” Journal of Popular Culture 42.5 (2009): 856–74. doi: 10.1111/j.1540-5931.2009.00711.x
   Web of Science ®Google Scholar
• Comedy Central Roast of Charlie Sheen. Dir. Joel Gallen. 19 Sep. 2011. Digital download. Jan. 2013.
   Google Scholar
• Conquergood, Dwight. “Beyond the Text: Toward a Performative Cultural Politics.” The Future of Performance Studies: Visions and Revisions. Ed. Sheron J. Dailey. Annandale, VA: National Communication Association, 1998. 25–36.
   Google Scholar
• “Crossing the Line: 15 Comedians Who Went There.” huffingtonpost.com. The Huffington Post, 13 Jul. 2012. Web. Jan. 2015.
   Google Scholar
• de Man, Paul. “The Concept of Irony.” Aesthetic Ideology. Ed. Andrzej Warminski. Minneapolis: U of Minnesota P, 1996. 163–84.
   Google Scholar
• Diamond, Elin. “Performance and Cultural Politics.” The Routledge Reader in Politics and Performance. Ed. Lizbeth Goodman and Jane de Gay. New York: Routledge, 2000. 66–69.
   Google Scholar
• Gilbert, Joanne R. Performing Marginality: Humor, Gender, and Cultural Critique. Detroit, MI: Wayne State UP, 2004.
   Google Scholar
• Gournelos, Ted, and Viveca Greene, eds. “Introduction: Popular Culture and Post 9/11 Politics.” A Decade of Dark Humor: How Comedy, Irony, and Satire Shaped Post 9/11 America. Jackson: U of Mississippi P, 2011. xi–xxxv.
   Google Scholar
• Kramarae, Cheris. “Classified Information: Race, Class, and (Always) Gender.” Gendered Relationships. Ed. Julia T. Wood. Mountain View, CA: Mayfield, 1995. 20–37.
   Google Scholar
• Kreuz, Roger J., and Richard M. Roberts. “On Satire and Parody: The Importance of Being Ironic.” Metaphor and Symbolic Activity 8.2 (1993): 97–109. doi: 10.1207/s15327868ms0802_2
   Web of Science ®Google Scholar
• LaMarre, Heather L., Kristen D. Landreville, and Michael A. Beam. “The Irony of Satire: Political Ideology and the Motivation to See What You Want to See in the Colbert Report.” International Journal of Press/Politics 14.2 (2009): 212–31.
   Google Scholar
• Langellier, Kristin M. “Personal Narrative, Performance, Performativity: Two or Three Things I Know for Sure.” Text and Performance Quarterly 19.2 (1999): 125–44. doi: 10.1080/10462939909366255
   Google Scholar
• Langellier, Kristin M., and Eric E. Peterson. “Shifting Contexts in Personal Narrative Performance.” The Sage Handbook of Performance Studies. Ed. D. Soyini Madison and Judith Hamera. Thousand Oaks, CA: Sage, 2006. 151–68.
   Google Scholar
• Lowery, Lacy, Valerie R. Renegar, and Charles E. Goehring. “‘When God Gives You AIDS  …  Make Lemon-AIDS’: Ironic Persona and Perspective by Incongruity in Sarah Silverman's Jesus Is Magic.” Western Journal of Communication 78.1 (2014): 58–77. doi: 10.1080/10570314.2013.792387
   Google Scholar
• Madison, D. Soyini. “Lost in Translation: The Mirror or the Hammer.” Text and Performance Quarterly 34.1 (2014): 111–12. doi: 10.1080/10462937.2013.853826
   Web of Science ®Google Scholar
• Madison, D. Soyini. “Performance, Personal Narratives, and the Politics of Possibility.” The Future of Performance Studies: Visions and Revisions. Ed. Sheron J. Dailey. Annandale, VA: National Communication Association, 1998. 276–86.
   Google Scholar
• Muñoz, José Esteban. Disidentifications: Queers of Color and the Performance of Politics. Minneapolis: U of Minnesota P, 1999.
   Google Scholar
• Nachman, Gerald. “Curing the Body Politic: Dick Gregory.” Seriously Funny: Rebel Comedians of the 1950s and 1960s. New York: Pantheon, 2003. 480–508.
   Google Scholar
• Nelson, T. G. A. “Chapter 1: Laughter.” Comedy: The Theory of Comedy in Literature, Drama, and Cinema. New York: Oxford UP, 1990. 1–18.
   Google Scholar
• Pelle, Susan. “The ‘Grotesque’ Pussy: ‘Transformational Shame’ in Margaret Cho’s Stand-up Performances.” Text and Performance Quarterly 30.1 (2010): 21–37. doi: 10.1080/10462930903366977
   Web of Science ®Google Scholar
• Pelias, Ronald J., and James VanOosting. “A Paradigm for Performance Studies.” Quarterly Journal of Speech 73.2 (1987): 219–31. doi: 10.1080/00335638709383804
   Web of Science ®Google Scholar
• Radar Staff. “Amy Schumer Stands by Her Controversial ‘Charlie Sheen Roast’ Ryan Dunn Joke.” radaronline.com. Radar Online, 20 Sep. 2011. Web. Jan. 2015.
   Google Scholar
• Scarpetta, Fabiola, and Anna Spagnolli. “The Interactional Context of Humor in Stand-up Comedy.” Research on Language and Social Interaction 42.3 (2009): 210–30. doi: 10.1080/08351810903089159
   Web of Science ®Google Scholar
• Shugart, Helene A. “Parody as Subversive Performance: Denaturalizing Gender and Reconstituting Desire in Ellen.” Text and Performance Quarterly 21.2 (2001): 95–113. doi: 10.1080/10462930128124
   Google Scholar
• Shugart, Helene. A. “Postmodern Irony as Subversive Rhetorical Strategy.” Western Journal of Communication 63.4 (1999): 433–55. doi: 10.1080/10570319909374653
   Web of Science ®Google Scholar
• Taylor, Diana. “Performance and/as History.” TDR: The Drama Review 50.1 (2006): 67–86. doi: 10.1162/105420406776092421
   Web of Science ®Google Scholar
• Vilkomerson, Sara. “Schumer? We Hardly Know Her!” Entertainment Weekly 10 Apr. 2015: 26–33.
   Google Scholar