Works cited
- antin, david. i never knew what time it was. berkeley: u of california p, 2005.
- Battista, Silvia. “A Posthuman Interpretation of Wolfgang Laib’s Work with Pollen as an Ecological Proposition.” Performance Research 17.4 (2012): 67–73. doi: 10.1080/13528165.2012.712258
- Bennett, Jane. “Encounters With An Art-Thing.” Evental Aesthetics 3.3 (2015): 91–110.
- Bennett, Jane. “Powers of the Hoard: Further Notes on Material Agency.” Animal Vegetable Mineral. Ethics and Objects. Ed. J. J. Cohen. Washington, DC: Oliphaunt Books, 2012. 237–69.
- Bennett, Jane. Vibrant Mattter. A Political Ecology of Things. Durham: Duke UP, 2010.
- Brown, Carol. “Dancing Between Hemispheres: Negotiating Routes for the Dancer-Academic.” Knowing Feminisms. Ed. L. Stanley. London: Sage, 1997. 132–43.
- Brown, Carol. “Thinking Moving Beyond the Box.” PARIP. Bristol University. www.carolbrowndances.com. 2003.
- Burkhardt, Jan. “Into the Fields Workshop.” Sommer Tanz Open Spaces Workshops. Berlin: Tanzfabrik, 2015. 14.
- Carter, P. Dark Writing: Geography, Performance, Design. Honolulu: U of Hawaii P, 2009.
- Colebrook, C. Understanding Deleuze. Crows Nest, NSW: Allen & Unwin, 2002.
- Deleuze, G. Cinema 1. London: Continuum. 1986.
- Deleuze, G. Essays Critical and Clinical. Trans. D.W Smith and M. Greco. Minneapolis: University of Minnesota Press, 1997.
- Deleuze, Gilles. Negotiations 1972–1990. Trans. H. Tomlinson. New York: Colombia UP, 1995.
- Deleuze, Gilles, and Felix Guattari. Kafka: Toward a Minor Literature. Trans. Dana Polan. Minneapolis: U of Minnesota P, 1986.
- Dempster, E. “Some Notes on the Staging of Ideokinesis.” Writings on Dance 22 (2003): 37–46.
- Duxbury, Nancy. “Culture and Sustainability: How New Ways of Collaboration Allow Us to Re-think Our Cities.” Observatorio Cultural (Enero 2014). Web.
- Ellis, Simon. “Jealousy, Transmission and Recovery.” Performance Research 20.6 (2015): 95–100. doi: 10.1080/13528165.2015.1111061
- Fortin, S. “Somatics in Dance Academia.” Impulse, The International Journal of Dance Science, Medicine and Education 3.4 (1995): 253–62.
- The Guardian. “Touch: Creating Rubbings and Drawing Texture.” The Guardian, Web. 19 Sept. 2009.
- Hamera, J. “Regions of Likeness: The Poetry of Jorie Graham, Dance, and Citational Solidarity.” Text and Performance Quarterly 25.1 (2005): 14–26. doi: 10.1080/10462930500052285
- Hanna, T. “What Is Somatics?” Somatics 1.1 (1976): 4–8.
- Joy, Mike. “Polluted Inheritance: New Zealand’s Freshwater Crisis.” Freshwater for Life (May 2016). Web.
- Kramer, Paula. “Bodies, Rivers, Rocks and Trees: Meeting Agentic Materiality in Contemporary Outdoor Dance Practices.” Performance Research 17.4 (2012): 83–91. doi: 10.1080/13528165.2012.712316
- Kramer, Paula. Dancing Materiality; A Study of Agency and Confederations in Contemporary Outdoor Dance Practices. Unpublished Doctoral Thesis. Coventry: Coventry University, 2015.
- Kramer, Paula, and Alys Longley. Moving, Writing, Living – Experimental Practices in Site Specific Dance Research. Work in Progress Programme: Nordic Forum for Dance Research. Reykjavik, May 2015 <http://nofodrvk2015.akademia.is/wp-content/uploads/2016/04/NOFOD-Proceedings.pdf>.
- Longley, A., et al. “Imagining a Fluid City.” Qualitative Inquiry 19.9 (2013): 736–40. doi: 10.1177/1077800413500936
- Perloff, Marjoree. Poetic License: Essays on Modernist and Postmodernist Lyric. Evanston, IL: Northwestern University Press, 1990.
- Perloff, M. Sam I Am. Bookforum. 2015. 20 Jan. 2015 <http://www.bookforum.com/inprint/016_02/3825>.
- Phipps, A., and Saunders, L. “The Sound of Violets: The Ethnographic Potency of Poetry?” Ethnography and Education 4.3 (2009): 357–87. doi: 10.1080/17457820903170168
- Pollock, D. Performing Writing. The Ends of Performance. Ed. P. Phelan and J. Lane. New York: New York UP, 1998.
- Šunde, Charlotte, and Longley, A. “Fluid City by Charlotte Sunde and Alys Longley.” Intercreate.Org; Art, Science, Culture, Technology (2015). Web.
- trang, Veronica. The Meaning of Water. Oxford: Berg, 2004.