Works Cited
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- Baudry, Jean-Louis. “Ideological Effects of the Basic Cinematographic Apparatus.” In Narrative, Apparatus, Ideology: A Film Theory Reader, edited by Philip Rosen, 286–298. New York: Columbia University Press, 1986.
- Brinton, Joseph. “Subjective Camera or Subjective Audience?” Hollywood Quarterly 2.4 (1947): 359–366.
- Cormack, Mike. Ideology and Cinematography in Hollywood, 1930–1939. New York: St. Martin's Press, 1994.
- Lehman, Peter. “Looking at Ivy Looking at Us Looking at Her: The Camera and the Garter.” Wide Angle 5.3 (1983): 59–63.
- Prawer, Siegbert Salomon. Caligari's Children: The Film as Tale of Terror. Oxford: Oxford University Press, 1980.
- Robinson, David. “Painting the Leaves Black: An Interview with Rouben Mamoulian.” Sight & Sound 30.3 (1961): 123–127.
- Stevenson, Robert Louis. The Strange Case of Dr Jekyll and Mr Hyde, 2nd ed., edited by Martin A. Danahay. Peterborough, Canada: Broadview, 2005 [1886].
- Sevastakis, Michael. Songs of Love and Death: The Classical American Horror Film of the 1930s. Westport, CT: Greenwood, 1993.
- Turner, George. “Two-Faced Treachery.” American Cinematographer 80.3 (1999): 188–196.
- Vernet, Marc. “The Look at the Camera.” Cinema Journal 28.2 (1989): 48–63.
- Wexman, Virginia Wright. “Horrors of the Body: Hollywood's Discourse on Beauty and Rouben Mamoulian's Dr. Jekyll and Mr. Hyde.” In Dr. Jekyll and Mr. Hyde: After One Hundred Years, edited by William Veeder and Gordon Hirsch, 283–307. Chicago: University of Chicago Press, 1988.
- Willemen, Paul. “Letter to John.” Screen 21.2 (1980): 53–65.