86
Views
0
CrossRef citations to date
0
Altmetric
Original Articles

Tren de Sombras: El Espectro de le Thuit: Memory, Genre and Film Technology

Works cited

  • Banash, David. The Blair Witch Project: Technology, Repression, and the Evisceration of Mimesis. Nothing That Is: Millennial Cinema and the Blair Witch Controversies, edited by Sarah L. Higley and Jeffrey Andrew Weinstock (Detroit: Wayne State University Press, 2004), 111–123.
  • Botting, Fred. Aftergothic: Consumption, Machines, and Black Holes. The Cambridge Companion to Gothic Fiction, edited by Jerrold E. Hogle (Cambridge: Cambridge University Press, 2002), 277–300.
  • Botting, Fred. Technospectrality: Essay on Uncannimedia. Technologies of the Gothic in Literature and Culture: Technogothics, edited by Justin D. Edwards (New York: Routledge, 2015), 17–34.
  • Cabello, Gabriel. Construyendo Tiempo: Los Ensayos Cinematográficos de José Luis Guerín. Ciberletras 12 (2005). http://www.lehman.cuny.edu/ciberletras/v12/cabello.htm
  • Cuevas Álvarez, Belén. En las fronteras del cine aficionado: Tren de Sombras y El Proyecto de la Bruja de Blair. Comunicación y Sociedad XIV/2 (2001); 11–35.
  • Higley, Sarah L. “People Just Want to See Something:” Art, Death, and Document in Blair Witch, The Last Broadcast, and Paradise Lost. Nothing That Is: Millennial Cinema and the Blair Witch Controversies, edited by Sarah L. Higley and Jeffrey Andrew Weinstock (Detroit: Wayne State University Press, 2004), 87–110.
  • Higley, Sarah L., and Weinstock, Jeffrey Andrew, eds. Nothing That Is: Millennial Cinema and the Blair Witch Controversies (Detroit: Wayne State University Press, 2004).
  • Hogle, Jerrold E. The Gothic Ghost of the Counterfeit and the Progress of Abjection. A Companion to the Gothic, edited by David Punter (Malden, MA: Blackwell, 2001), 293–304.
  • Kinder, Marsha. Uncanny Visions of History: Two Experimental Documentaries from Transnational Spain—Asaltar los Cielos and Tren de Sombras. Film Quarterly 56:3 (2003), 12–24.
  • López, Diego, and Pizarro, David. Silencios de Pánico: Historia del Cine Fantástico y de Terror Espaňol, 1897–2010 (Barcelona: Tyrranosaurus Books, 2014).
  • Loxham, Abigail. Cinema at the Edges: New Encounters with Julio Medem, Bigas Luna and José Luis Guerín (New York: Berghahn, 2014).
  • Maturin, Charles. Melmoth the Wanderer (Oxford: Oxford University Press, 1989).
  • Moore, Erica. Haunting Memories: Gothic and Memoir. Gothic Landscapes: Changing Eras, Changing Cultures, Changing Anxieties, edited by Sharon Rose Yang and Kathleen Healey (Cham: Palgrave Macmillan/Springer International, 2016), 169–98.
  • Pérez-Reverte, El Club Dumas (The Dumas Club) (Madrid: Alfaguara, 1998).
  • Robbins, Papagena, and Woofter, Kristopher. Gothumentary: The Gothic Unsettling of Documentary’s Rhetoric of Rationality. Textus 25:3 (2012), 49–62.
  • Sconce, Jeffrey. Haunted Media: Electronic Presence from Telegraphy to Television (Durham NC: Duke University Press, 2000).
  • Sheridan Lefanu, Joseph ‘Carmilla’ In A Glass Darkly (Oxford: Oxford University Press, 2008).
  • Spooner, Catherine. Twenty-First Century Gothic. Terror and Wonder: The Gothic Imagination, edited by Dale Townshend (London: British Library, 2014), 180–205.
  • Spooner, Catherine. Post-Millennial Gothic: Comedy, Romance and the Rise of Happy Gothic (London: Bloomsbury, 2017).
  • Walpole, Horace. The Castle of Otranto (Oxford: Oxford University Press, 2014).
  • Warner, Marina. Fantastic Metamorphoses, Other Worlds: Ways of Telling the Self (Oxford: Oxford University Press, 2002).
  • Warner, Marina. Insubstantial Pageants. The Gothic, edited by Gilda Williams (London: Whitechapel Gallery/MIT Press, 2007), 56–58.

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.