Reviving Cinderella: Contested Feminism and Conflicting Models of Female Empowerment in 21st-Century Film and Television Adaptations of “Cinderella”

Works Cited

• Aapola, Sinikka, Gonick Marina, and Harris, Anita. All About the Girl: Culture, Power, and Identity, edited by Anita Harris (New York: Routledge, 2004).
   Google Scholar
• Aapola, Sinikka. Gonick, Marina, and Harris, Anita. Young Femininity: Girlhood, Power, and Social Change (New York: Palgrave McMillan, 2005).
   Google Scholar
• A Cinderella Story. Dir. Mark Rosman, Warner Brothers Pictures, 2004.
   Google Scholar
• Bacchilega, Cristina. Fairy Tales Transformed? Twenty-First Century Adaptations and the Politics of Wonder (Detroit: Wayne State University Press, 2013).
   Google Scholar
• Bacchilega, Cristina, and Rieder, John. Mixing It Up: Generic Complexity and Gender Ideology in Early Twenty-First Century Fairy Tale Films. Fairy Tale Films: Visions of Ambiguity, edited by Pauline Greenhill and Eve Matrix (Logan: Utah State University, 2010), pp. 23–41.
   Google Scholar
• Baumgardner, Jennifer and Richards, Amy. Manifesta: Young Women, Feminism and the Future (New York: Farr, Strauss and Giroux, 2000).
   Google Scholar
• Broumas, Olga. Beginning with O (Hartford: Yale University Press, 1977).
   Google Scholar
• Carter, Angela. The Bloody Chamber (New York: Penguin Books, 1979).
   Google Scholar
• Cinderella. Dir. Kenneth Branagh (Walt Disney Studios Motion Pictures, 2015).
   Google Scholar
• De La Rochère, Martine Hennard Dutheil, Lathey, Gillian, and Woźiak, Monika. Introduction. Cinderella Across Cultures: New Directions and Interdisciplinary Perspectives (Detroit: Wayne State University Press, 2016), pp. 1–26.
   Google Scholar
• Donoghue, Emma. The Tale of the Shoe. Kissing the Witch: Old Tales in New Skins (New York: Harper Collins Publishers, 1997), pp. 1–10.
   Google Scholar
• Driscoll, Catherine. Girls: Feminine Adolescence in Popular Culture and Cultural History (New York: Columbia University Press, 2002).
   Google Scholar
• Ella Enchanted. Dir. Tommy O’Haver, Miramax Films, 2004.
   Google Scholar
• Enchanted. Dir. Kevin Lima, Walt Disney Pictures, 2007.
   Google Scholar
• Ever After. Dir. Andy Tennant. Twentieth Century Fox Films, 1998.
   Google Scholar
• Grimm, Jacob, and Grimm, Wilhelm. Cinderella. Grimms’ Fairy Tales (New York: Grosset and Dunlap Publishers, 1945), pp. 153–161.
   Google Scholar
• Haase, Donald. Forward. Some Day Your Witch Will Come, edited by Kay Stone (Detroit: Wayne State University Press, 2008), pp. ix–xi.
   Google Scholar
• Haase, Donald. Preface. Fairy Tales and Feminism, edited by Donald Haase (Detroit: Wayne State University Press, 2004), pp. vii–xiv.
   Google Scholar
• Hannon, Patricia. Fabulous Identities: Women’s Fairy Tales in Seventeenth Century France (Amsterdam: Rodopi, 1998).
   Google Scholar
• Into the Woods, Dir. Rob Marshall, Walt Disney Studios Motion Pictures, 2014.
   Google Scholar
• Lieberman, Marcia. “Some Day My Prince Will Come:” Female Acculturation through the Fairy Tale. College English 34(1972), 383–95.
   Google Scholar
• Lo, Malinda. Ash (New York: Little, Brown, and Company, 2009).
   Google Scholar
• Lurie, Alison. Fairy Tale Liberation. New York Review of Books 17(1970), 42–4.
   Google Scholar
• Maguire, Gregory. Confessions of an Ugly Stepsister. (New York: William Morrow Paperbacks, 2000).
   Google Scholar
• McRobbie, Angela. Notes on Postfeminism and Popular Culture: Bridget Jones and the New Gender Regime. All About the Girl: Culture, Power and Identity, edited by Anita Harris (New York: Routledge, 2004), pp. 3–14.
   Google Scholar
• Once Upon a Time. ABC, 2011–2018.
   Google Scholar
• Perrault, Charles. Cinderella: A Fairy Tale (New York: North–South Books, 1999).
   Google Scholar
• Pershing, Linda and Gablehouse, Lisa. Disney’s Enchanted: Patriarchal Backlash and Nostalgia in a Fairy Tale Film. Fairy Tale Films: Visions of Ambiguity, edited by Pauline Greenhill and Eve Matrix (Logan: Utah State University, 2010), pp. 137–156.
   Google Scholar
• Pipher, Mary. Reviving Ophelia: Saving the Selves of Adolescent Girls (New York: Ballantine Books, 1994).
   Google Scholar
• Preston, Cathy Lynne. Disrupting the Boundaries of Genre and Gender: Postmodernism and the Fairy Tale. Fairy Tales and Feminism, edited by Donald Haase (Detroit: Wayne State University Press, 2004), pp. 197–212.
   Google Scholar
• Rogers and Hammerstein’s Cinderella, Dir. Robert Iscove, ABC Television, 1997.
   Google Scholar
• Sandberg, Sheryl. Lean In: Women, Work, and the Will to Lead. (New York: Alfred A. Knopf, Inc., 2013).
   Google Scholar
• Sawin, Patricia. Things Walt Disney Didn’t Tell Us (But at Which Rogers and Hammerstein at Least Hinted): The 1965 Made-for-TV Musical of Cinderella. Channeling Wonder, edited by Pauline Greenhill and Jill Terry Rudy (Detroit: Wayne State University Press, 2014).
   Google Scholar
• Seifert, Lewis. Fairy Tales, Sexuality, and Gender in France, 1690–1715 (Cambridge: Cambridge University Press, 1996).
   Google Scholar
• Sexton, Anne. Transformations (New York: Houghton Mifflin Company, 1971).
   Google Scholar
• Snowdon, Kim. Fairy Tale Film in the Classroom: Feminist Cultural Pedagogy, Angela Carter, and Neil Jordan’s The Company of Wolves. Fairy Tale Films: Visions of Ambiguity, edited by Pauline Greenhill and Eve Matrix (Logan: Utah State University, 2010), pp. 157–177.
   Google Scholar
• Stephens, John, and McCallum, Robyn. Utopia, Dystopia, and Cultural Controversy in Ever After and The Grimm Brother’s Snow White. Marvels and Tales 16(2002), 201–213.
   Google Scholar
• Stone, Kay. Fairy Tales for Adults: Walt Disney’s Americanization of the Märchen. Some Day Your Witch Will Come, edited by Kay Stone (Detroit: Wayne State University Press, 2008), pp. 24–35.
   Google Scholar
• Stone, Kay. Things Walt Disney Never Told Us. Some Day Your Witch Will Come, edited by Kay Stone (Detroit: Wayne State University Press, 2008), pp. 13–23.
   Google Scholar
• Tally, Peggy. Re-Imagining Girlhood: Hollywood and the Tween Girl Film Market (New York: Peter Lang Publishing, 2005).
   Google Scholar
• Tasker, Yvonne and Negra, Diane. Introduction. Interrogating Postfeminism: Gender and the Politics of Popular Culture, edited by Yvonne Tasker and Diane Negra Durham, NC: Duke University Press, 2007), pp. 1–26.
   Google Scholar
• The Princess Diaries, Dir. Garry Marshall, Walt Disney Pictures, 2001.
   Google Scholar
• Whelehan, Overloaded: Popular Culture, Feminism, and the Future (London: Women’s Press, Ltd., 2000).
   Google Scholar
• Williams, Christy. The Shoe Still Fits: Ever After and the Pursuit of a Feminist Cinderella. Fairy Tale Films: Visions of Ambiguity, edited by Pauline Greenhill and Eve Matrix (Logan: Utah State University, 2010), pp. 99–115.
   Google Scholar
• Zipes, Jack. Forward. Fairy Tale Films: Visions of Ambiguity, edited by Pauline Greenhill and Eve Matrix (Logan: Utah State University, 2010, pp. ix–xiii).
   Google Scholar
• Zipes, Jack. The Enchanted Screen: The Unknown History of Fairy Tale Films (New York: Routledge, 2011).
   Google Scholar
• Zipes, Jack. The Great Cultural Tsunami of Fairy Tale Films. Fairy Tale Films Beyond Disney: International Perspectives, edited by Jack Zipes, Pauline Greenhill, and Kendra Magnus-Johnston (New York: Routledge, 2016), pp. 1–17.
   Google Scholar