873
Views
0
CrossRef citations to date
0
Altmetric
Articles

The Sensuality of Presence in “Body Horrors”: Rethinking Body Genres in Documentary and Experimental Film

Work Cited

  • Barker, Jennifer M. 2008. Tactile Eye. Touch and the Cinematic Experience. Berkeley, CA; Los Angeles, CA; London, UK: University of California Press.
  • Beugnet, Martine. 2007. Cinema and Sensation. French Cinema and the Art of Transgression. Edinburgh, UK: Edinburgh University Press.
  • Gaines, Jane M. 1999. “Political Mimesis.” In Collecting Visible Evidence, edited by Jane M. Gaines and Michael Renov. Minneapolis, MN; London, UK: University of Minnesota Press.
  • Goldberg, Max. 2013. “Signal to Noise. An Interview with Ernst Karel at the Harvard Sensory Ethnography Lab.” Moving Image Sound. http://www.movingimagesource.us/articles/signal-to-noise-20130228
  • Hawkins, Joan. 2000. Cutting Edge. Art-Horror and the Horrific Avant-Garde. Minneapolis, MN; London, UK: University of Minnesota Press.
  • Hildebrand, Lucas. 2009. “Experiments in Documentary: Contradiction, Uncertainty, Change.” Millennium Film Journal 51 (Spring): 2–10.
  • Kristeva, Julia. 1982. Powers of Horror. An Essay on Abjection. New York: Columbia University Press.
  • MacDonald, Scott. 2013. American Ethnographic Film and Personal Documentary. The Cambridge Turn. Berkeley, CA: University of California Press.
  • MacDonald, Scott. 2014. Avant-Doc: Intersections of Documentary and Avant-Garde Cinema, Oxford, UK: Oxford Scholarship Online.
  • MacDougall, David. 2006. The Corporeal Image. Film, Ethnography and the Senses. Princeton, MA; Oxford, UK: Princeton University Press.
  • Marks, Laura U. 2000. The Skin of the Film. Intercultural Cinema, Embodiment, and the Senses, Durham, UK; London, UK: Duke University Press.
  • Marks, Laura U. 2002. Touch. Sensuous Theory and Multisensory Media. Minneapolis, MN; London, UK: University of Minnesota Press.
  • Máté, Bori. 2019. “Dokumentumfilm és avantgárd között. Szubjektivitás és dokumentarizmus a Caniba című filmben [Between Documentary and Avant-Garde Cinema. Subjectivity and Documentarism in Caniba].” Metropolis 23 (2): 50–62.
  • Nichols, Bill. 1994. “The Ethnographer’s Tale in Lucien Taylor.” In Visualizing Theory. Selected Essays from V.A.R. 1990–1994, 60–83. New York; London: Routledge.
  • Nichols, Bill. 2001. Introduction to Documentary. Bloomington, IN; Indianapolis, IN: Indiana University Press.
  • Osterweil, Ara. 2014. Flesh Cinema. The Corporeal Turn in American Avant-Garde Film. Manchester, UK; New York, NY: Manchester University Press.
  • Pink, Sarah. 2009. Doing Sensory Ethnography. Los Angeles, CA; London, UK; New Delhi, India; Singapore; Washington, DC: SAGE.
  • Plantinga, Carl. 1997. Rhetoric and Representation in Nonfiction Film. Cambridge, MA; New York, NY; Melbourne, Australia: Cambridge University Press.
  • Renov, Michael. 1993. “Toward a Poetics of Documentary.” In Theorizing Documentary, edited by Michael Renov, 12–37. New York/London: Routledge – Taylor and Francis.
  • Sensory Ethnography Lab: Harvard University. Webpage: Accessed 6 July 2021. https://sel.fas.harvard.edu/.
  • Sitney, P. Adam. 2002. Visionary Film. The American Avant-Garde, 1943–2000. Oxford, UK; New York, NY: Oxford University Press.
  • Sobchack, Vivian. 1992. The Address of the Eye. A Phenomenology of Film Experience. Princeton, NY: Princeton University Press.
  • Sobchack, Vivian. 1999. “Toward a Phenomenology of a Nonfictional Film Experience.” In Collecting Visible Evidence, edited by Jane M. Gaines and Michael Renov, 241–255. Minneapolis/London: University of Minnesota Press.
  • Sobchack, Vivian. 2004. Carnal Thoughts. Embodiment and Carnal Image Culture. Berkley, CA/Los Angeles, CA; London: University of California Press.
  • Min-Ha, Trinh T. 1993. “The Totalizing Quest of Meaning.” In Theorizing Documentary, edited by Michael Renov. New York, NY; London, UK: Routledge – Taylor and Francis.
  • Williams, Linda. 1991. “Film Bodies: Gender, Genre, and Excess.” Film Quarterly 44 (4): 2–13. doi:10.2307/1212758

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.