Work Cited
- Batcho, James. 2018. Terrence Malick’s Unseeing Cinema: Memory, Time and Audibility. Cham: Palgrave Macmillan.
- Blasi, Gabriella. 2020. The Work of Terrence Malick: Time-Based Ecocinema. Amsterdam: Amsterdam University Press.
- Bersani, Leo, and Ulysses Dutoit. 2004. Forms of Being: Cinema, Aesthetics, Subjectivity. London: British Film Institute.
- Cavell, Stanley. 1979. The World Viewed: Reflections on the Ontology of Film, Enlarged Edition. Cambridge: Harvard University Press.
- Corrigan, Timothy. 2016. “Essayism and Contemporary Film Narrative.” In The Essay Film: Dialogue, Politics, Utopia, edited by Elizabeth Papazian and Caroline Eades, 15–27. Columbia: Columbia University Press.
- Critchley, Simon. 2005. Things Merely Are: Philosophy in the Poetry of Wallace Stevens. London & New York: Routledge,
- Derrida, Jacques. 2008. “Heidegger’s Hand (Geschlecht II).” In Psyche: Inventions of the Other, Volume II. Translated by John P. Leavey Jr. and Elizabeth Rottenberg. Edited by Peggy Kamuf and Elizabeth Rottenberg, 27–62. Stanford: Stanford University Press.
- Donougho, Martin. 2011. “‘Melt Earth to Sea’: The New World of Terrence Malick.” The Journal of Speculative Philosophy 25: 359–374.
- Flaxman, Gregory. 2019. “The Physician of Cinema: Terrence Malick’s the Tree of Life.” New Review of Film and Television Studies 17 (1): 81–98. doi:10.1080/17400309.2019.1563363
- Habermas, Jürgen. 1986. “Life-Forms, Morality and the Task of the Philosopher.” In Habermas: Autonomy and Solidarity, translated and edited by Peter Dews, 195–196. London: Verso.
- Heidegger, Martin. 2014. “The Question Concerning Technology.” In Philosophy of Technology: An Anthology. Translated by Alfred Hofstadter. Edited by Robert C. Sharff and Val Dusek, 305–317. West Sussex: John Wiley & Sons. .
- Heidegger, Martin. 1991. “The Self-Assertion of the German University.” In The Heidegger Controversy: A Critical Reader. Translated by William S. Lewis. Edited by Richard Wolin, 29–39. New York: Columbia University Press.
- Jägerstätter, Franz. 2009. Letters and Writings from Prison. Translated by Robert A. Krieg. Edited by Erna Putz. Maryknoll, NY: Orbis Books.
- Kisiel, Theodore. 2015. “The Seminar of Winter Semester 1933–4 Within Heidegger’s Three Concepts of the Political.” In Nature, History, State, translated by Gregory Fried and Richard Polt, 127–149. London: Bloomsbury Academic.
- Malick, Terrence. 2020. A Hidden Life. DVD. Beverly Hills, CA: Twentieth-Century Fox Film Corporation and TSG Entertainment.
- Malick, Terrence. 1969. “Translator’s Introduction.” In The Essence of Reasons, xiv–xxv. Evanston: Northwestern University Press.
- Michaels, Lloyd. 2008. Terrence Malick. Urbana: University of Illinois Press.
- Rhym, John. 2010. “The Paradigmatic Shift in the Critical Reception of Terrence Malick’s Badlands and the Emergence of a Heideggerian Cinema.” Quarterly Review of Film and Video 27 (4): 255–266. doi:10.1080/10509200802350331
- Rybin, Steven. 2011. Terrence Malick and the Thought of Film. Maryland: Lexington Books.
- Safranski, Rüdiger. 1998. Martin Heidegger: Between Good and Evil. Translated by Ewald Osers. Cambridge: Harvard University Press.
- Sinnerbrink, Robert. 2006. “A Heideggerian Cinema?: On Terrence Malick’s the Thin Red Line.” Film-Philosophy 10 (3): 26–37. doi:10.3366/film.2006.0027
- Tucker, Thomas Deane and Kendall, Stuart, eds. 2011. Terrence Malick: Film and Philosophy. New York: Continuum.