The Life and Times of James Bond: Temporalities of Loss and Pathos in Daniel Craig’s Iteration of the Hero

Work Cited

• Achouche, Medhi. 2017. “TV Remakes, Revivals, Updates, and Continuations: Making Sense of the Reboot on Television.” Représentations dans le monde anglophone: 59–78. (January): https://representations.univ-grenoble-alpes.fr/IMG/pdf/4-achouche.pdf.
   Google Scholar
• Ames, Melissa (ed.). 2012. Time in Television Narrative: Exploring Temporality in Twenty-First-Century Programming. Jackson: University Press of Mississippi.
   Google Scholar
• Arnett, Robert P. 2009. “‘Casino Royale’ and Franchise Remix: James Bond as Superhero”. Film Criticism 33 (3): 1–16. https://www.jstor.org/stable/44019224.
   Web of Science ®Google Scholar
• Balló, Jordi. 2000. Imágenes del silencio. Los motivos visuales en el cine. Barcelona: Anagrama.
   Google Scholar
• Bell, Stuart. 2016. “‘Don’t Stop’: Re-Thinking the Function of Endings in Narrative Television.” [PhD diss.]. University of Glasgow.
   Google Scholar
• Bennett, Tony, and Janet Woollacott. 1987. Bond and beyond. The Political Career of a Popular Hero. Basingstoke: MacMillan Education.
   Google Scholar
• Booth, Paul. 2011. “Memories, Temporalities, Fictions: Temporal Displacement in Contemporary Television.” Television & New Media 12 (4): 370–388. doi:10.1177/1527476410392806.
   Web of Science ®Google Scholar
• Chapman, James. 2017. “A Thoroughly English Movie Franchise’: Spectre, the James Bond Films, and Genre.” International Journal of James Bond Studies 1 (1): 3–22. doi:10.24877/jbs.5.
   Google Scholar
• Cox, Katharine. 2014. “Becoming James Bond: Daniel Craig, Rebirth, and Refashioning Masculinity in Casino Royale (2006).” Journal of Gender Studies 23 (2): 184–196. doi:10.1080/09589236.2013.783462.
   Web of Science ®Google Scholar
• D’Alessandro, Anthony. host. 2022. “Barbara Broccoli and Michael G. Wilson.” Crew Call (podcast). January 19, 2022. https://podcasts.apple.com/us/podcast/barbara-broccoli-and-michael-g-wilson/id1434867623?i=1000548321974
   Google Scholar
• Denson, Shane, and Ruth Mayer. 2018. “Border Crossings: Serial Figures and the Evolution of Media.” European Journal of Media Studies 7 (2): 65–84. https://necsus-ejms.org/border-crossings-serial-figures-and-the-evolution-of-media/.
   Google Scholar
• Dodds, Klaus. 2014. “Shaking and Stirring James Bond: Age, Gender, and Resilience in Skyfall (2012).” Journal of Popular Film and Television 42 (3): 116–130. doi:10.1080/01956051.2013.858026.
   Web of Science ®Google Scholar
• Doležel, Lubomír. 1998. Heterocosmica. Fiction and Possible Worlds. Baltimore and London: The Johns Hopkins University Press.
   Google Scholar
• Drake, Philip. 2016. “Reframing Television Performance.” Journal of Film and Video 68 (3–4): 6–17. doi:10.5406/jfilmvideo.68.3-4.0006.
   Web of Science ®Google Scholar
• Eco, Umberto. 2013. “The Narrative Structure in Fleming.” In Popular Culture: Past and Present, edited by Bernard Waites, Tony Bennett and Graham Martin, 242–262. Oxon and New York: Routledge.
   Google Scholar
• Forrest, Jennifer. 2008. The Legend Returns and Dies Harder Another Day: Essays on Film Series. North Carolina: McFarland.
   Google Scholar
• Funnell, Lisa. 2011. “I Know Where You Keep Your Gun’: Daniel Craig as the Bond-Bond Girl Hybrid in Casino Royale.” The Journal of Popular Culture 44 (3): 455–472. doi:10.1111/J.1540-5931.2011.00843.X.
   Web of Science ®Google Scholar
• Funnell, Lisa, and Klaus Dodds. 2017. Geographies, Genders and Geopolitics of James Bond. London: Palgrave MacMillan.
   Google Scholar
• Fussfeld Cohen, Orit. 2016. “The Digital Action Image of James Bond.” Quarterly Review of Film and Video 33 (2): 101–121. doi:10.1080/10509208.2015.1070306.
   Google Scholar
• Gehlawat, Monica. 2009. “Improvisation, Action and Architecture in Casino Royale.” In Revisioning James Bond and Casino Royale, edited by Christoph Lindner, 131–143. London: Wallflower Press.
   Google Scholar
• Golding, Dan. 2019. Star Wars after Lucas: A Critical Guide to the Future of the Galaxy. Minneapolis: University of Minnesota Press.
   Google Scholar
• Hachero, Bruno, and Marga Carnicé Mur. 2016. “La Piedad.” In Motivos Visuales en el Cine, edited by Jordi Balló and Alain Bergala, 397–402. Barcelona: Galaxia Gutenberg.
   Google Scholar
• Henderson, Stuart. 2014. The Hollywood Sequel: History and Form, 1911–2010. London: Palgrave Macmillan.
   Google Scholar
• Herbert, Daniel and Constantine Verevis, eds. 2020. Film Reboots. Edinburgh: Edinburgh University Press.
   Google Scholar
• Higgins, Scott. 2017. “Saturday Afternoon Blockbuster: James Bond’s Serial Heritage.” Film Studies 17 (1): 73–91. doi:10.7227/FS.17.0005.
   Web of Science ®Google Scholar
• Higgins, Scott. 2008. “Suspenseful Situations: Melodramatic Narrative and the Contemporary Action Film.” Cinema Journal 47 (2): 74–96. https://www.jstor.org/stable/30137703.
   Web of Science ®Google Scholar
• Howard, Douglas L. 2009. “Do I Look like I Give a Damn?’: What’s Right about Getting It Wrong in Casino Royale.” In Revisioning James Bond and Casino Royale, edited by Christoph Lindner, 33–49. London: Wallflower Press.
   Google Scholar
• Jones, Stephanie. 2017. “Mr Bond, I’ve Been Expecting You’: The Cinematic Inaugurations of a New James Bond.” International Journal of James Bond Studies 1 (1): 4–19. doi:10.24877/jbs.6.
   Google Scholar
• Kelleter, Frank, and Kathleen Loock. 2017. “Hollywood Remaking as Second-Order Serialization.” In Media of Serial Narrative, edited by Frank Kelleter, 125–147. Columbus: Ohio State University Press.
   Google Scholar
• Klein, Amanda Ann and R. Barton Palmer, eds. 2016. Cycles, Sequels, Spin-Offs, Remakes and Reboots. Multiplicities in Film and Television. Austin: University of Texas Press.
   Google Scholar
• Lim, Bliss Cua. 2009. Translating Time. Cinema, the Fantastic and Temporal Critique. Durham: Duke University Press.
   Google Scholar
• Loock, Kathleen. 2018. “American TV Series Revivals: Introduction.” Television & New Media 19 (4): 299–309. doi:10.1177/1527476417742971.
   Web of Science ®Google Scholar
• May, Todd. 2009. Death. Stocksfield: Acumen.
   Google Scholar
• Mittell, Jason. 2015. Complex TV. The Poetics of Contemporary Television Storytelling. New York: New York University Press.
   Google Scholar
• Murray, Jonathan. 2017. “Containing the Spectre of the past: The Evolution of the James Bond Franchise during the Daniel Craig Era.” Visual Culture in Britain 18 (2): 247–273. doi:10.1080/14714787.2017.1338161.
   Google Scholar
• Pagello, Federico. 2017. “The ‘Origin Story’ is the Only Story: Seriality and Temporality in Superhero Fiction from Comics to Post-Television.” Quarterly Review of Film and Video 34 (8): 725–745. doi:10.1080/10509208.2017.1347864.
   Google Scholar
• Pape, Toni. 2019. “Figures of Time.” Affect and the Television of Preemption. Durham: Duke University Press.
   Google Scholar
• Powell, Helen. 2012. Stop the Clocks! Time and Narrative in Cinema. London: I.B. Tauris.
   Google Scholar
• Proctor, William. 2012. “Regeneration & Rebirth: Anatomy of the Franchise Reboot.” Scope: An Online Journal of Film and Television Studies 22: 1–19. https://www.nottingham.ac.uk/scope/documents/2012/february-2012/proctor.pdf.
   Google Scholar
• Proctor, William. 2015. “The Many Lives of 007: Negotiating Continuity in the Official James Bond Film Series.” http://eprints.bournemouth.ac.uk/29328/
   Google Scholar
• Singer, Ben. 2001. Melodrama and Modernity. New York: Columbia University Press.
   Google Scholar
• Sperb, Jason. 2009. “Hardly the Big Picture: The Ellipsis and Narratives of Interruption in Casino Royale.” In Revisioning James Bond and Casino Royale, edited by Christoph Lindner, 50–66. London: Wallflower Press.
   Google Scholar
• Tedesco-Barlocco, Brunella. forthcoming. “‘Galloping Around the Cosmos is a Game for the Young’: The Nostalgic Drives and Generational Anxieties of Star Trek (2009) and Star Wars: Episode VII: The Force Awakens (2015).” In Star Trek: Essays Exploring the Final Frontier, edited by Amy H. Sturgis and Emily Strand. Delaware: Vernon Press.
   Google Scholar
• Thomas, Sarah. 2018. “The New Brutalism: Agency, Embodiment and Performance in Daniel Craig’s 007.” Journal of Popular Film and Television 46 (1): 34–45. doi:10.1080/01956051.2018.1423208
   Google Scholar
• Tompkins, Joe. 2014. “Re-Imagining’ the Canon: Examining the Discourse of Contemporary Horror Film Reboots.” New Review of Film and Television Studies 12 (4): 380–399. doi:10.1080/17400309.2014.945884.
   Google Scholar
• Tremonte, Colleen M., and Linda Racioppi. 2016. “Body Politics and Casino Royale: Gender and (Inter)National Security.” In The James Bond Phenomenon. A Critical Reader, edited by Christoph Lindner, 184–201. Manchester: Manchester University Press.
   Google Scholar
• Verevis, Constantine. 2006. Film Remakes. Edinburgh: Edinburgh University Press.
   Google Scholar
• Williams, Linda. 1998. “Melodrama Revised.” In Refiguring American Film Genres: Theory and History, edited by Nick Browne, 42–88. Berkeley: University of California Press.
   Google Scholar