Notes
- ‘Appropriating, to some extent, the language of the unconscious, of dream and of myth in its imagery, the movie camera could dissociate itself from the tedium of the mechanical process, and realign itself with those realms of existence repressed by the harsh rationalism of ‘world‐machine’ ideology” . The Channels of Desire , 35
- Mouffe , Chantal , ed. 1979 . Gramsci and Marxist Theory , 17 London : Routledge & Kegan Paul .
- Duby , Georges . 1974 . “Histoire sociale et ideologies des les societes,” . In Faire Histoire , Paris : Gallimard .
- LeGoff , Jacques . 1979 . “Histoire de la mentalite,” . In Nouvelle Histoire , Paris : Gallimard .
- Susman , Warren . 1984 . Culture as History , New York : Pantheon .
- “If Frankenstein provides us with a telling metaphor for a technological world out of reach and out of control, it is the development of communication systems, to a large extent, that has placed the world beyond the network of popular discourse” . The Channels of Desire , 27
- “On a narrow economic level, the origin of mass culture can be seen as an extension of the necessity to generate and maintain an industrial labor force and expand markets. Yet both of these imperatives were inextricably linked to cultural and perceptual processes of change” . The Channels of Desire , 57