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Original Articles

Film as experience: Phenomenological concepts in cinema and television studies

Pages 37-50 | Published online: 05 Jun 2009

Notes

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  • Agel and Ayfre . Major Film Theories , 243 – 53 .
  • Huyssen , Andreas . 1984 . “Mapping the Postmodern” . New German Critique , : 5 – 52 .
  • Foucault , Michel . 1972 . The Archaeology of Knowledge , New York : Pantheon . chap. II/II
  • Bau‐drillard , Jean . 1981 . Simulacres et Simulation , Paris : Editions Galilée . chap. 1
  • Hübner , Kurt . 1983 . Critique of Scientific Reason , 118 Chicago : University of Chicago Press .
  • Eagleton , Terry . 1983 . Literary Theory , Minneapolis : University of Minnesota Press . chap. 2
  • Husserl , Edmund . 1969 . Ideas: General Introduction to Pure Phenomenology , New York : Humanities Press .
  • 1960 . Cartesian Meditations: An Introduction to Phenomenology , The Hague : Nijhoff .
  • Heidegger , Martin . 1962 . Being and Time , New York : Harper and Row .
  • Gadamer , Hans‐Georg . 1975 . Truth and Method , London : Sheed and Ward .
  • Ingarden , Roman . 1973 . The Literary Work of Art , Evanston , Ill. : Northwestern University Press .
  • Iser , Wolfgang . 1978 . The Act of Reading: A Theory of Aesthetic Response , Baltimore : Johns Hopkins University Press .
  • Jauss , Hans‐Robert . 1982 . Toward an Aesthetic of Reception , Minneapolis : University of Minnesota Press .
  • Dewey , John . 1958 . Art as Experience , New York : Capricorn Books . chap. 3
  • Leyda , Jay , ed. 1977 . Voices of Film Experience, 1894 to the Present , New York : Macmillan .
  • Laing , R. D. 1967 . The Politics of Experience , New York : Pantheon . chap. 2
  • Branigan , Edward . 1981 . ‘The Spectator and Film Space—Two Theories” . Screen , 22 : 55 – 78 .
  • Cavell , Stanley . 1971 . The World Viewed: Reflections on the Ontology of Film , 9 10 12 122 New York : Viking Press .
  • Perkins , V. F. 1972 . Film as Film , Harmondsworth : Penguin .
  • Stadler , Harald A. 1986 . “The Spectacle of Theory: An Historical Speculation” . Wide Angle , 8 : 4 – 9 .
  • Harding , D. W. 1962 . “Psychological Processes in the Reading of Fiction” . British Journal of Aesthetics , 2 April : 133 – 34 .
  • Mukafovsky , Jan . 1970 . Kapitel aus der Ästhetik , Frankfurt/Main : Suhrkamp .
  • Thorburn , David . 1986 . “Dialogue” . Cinema Journal , 25 Spring : 71 – 74 .
  • Feuer , Jane . 1986 . “Reply to David Thorburn” . Cinema Journal , 25 Spring : 74 – 76 .
  • Winkler , Mathias . 1985 . Filmerfahrung , Frankfurt/Main : Lang .
  • Hansen , Miriam . 1986 . “Pleasure, Ambivalence, Identification: Valentino and Female Spectatorship” . Cinema Journal , 25 Summer : 6 – 32 .
  • Butler , Jeremy . 1986 . “Notes on the Soap Opera Apparatus: Televisual Style and As the World Turns/” . Cinema Journal , 25 Spring : 53 – 70 .
  • Modleski , Tania . 1984 . “The Rhythms of Reception: Daytime Television and Women's Work” . In Regarding Television , Edited by: Kaplan , E. Ann . Frederick , Md. : University Publications of America .
  • Petro , Patrice . 1986 . “Mass Culture and the Feminine: The ‘Place’ of Television in Film Studies” . Cinema Journal , 25 Spring : 5 – 21 .

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