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Electronic resources review

Nkoda

Pages 91-95 | Received 03 Dec 2023, Accepted 06 Dec 2023, Published online: 21 Mar 2024

References

  • Elizabeth Berndt-Morris and Sandi-Jo Malmon, “Surveying Composers: Methods of Distribution, Discoverability, and Accessibility of Their Works and the Corresponding Impact on Library Collections,” Fontes Artis Musicae 67, no. 2 (2020):81–98. https://doi.org/10.1353/fam.2020.0007.
  • Elizabeth Berndt and Sandi-Jo Malmon, “Surveying Composers Part II: Perspectives on Composer and Library Engagement for the Future,” Fontes Artis Musicae 70, no. 1 (2023):1–15. https://doi.org/10.1353/fam.2023.0005.
  • Lisa Hooper, “Contemplating E-Scores: Open Ruminations on the E-Score, the Patron, the Library, and the Publisher,” Proceedings of the Charleston Library Conference (2013). https://doi.org/10.5703/1288284315326 (accessed November 29, 2023).
  • Chuck Peters, “Acquiring PDF Scores for the Music Library: A Progress Report,” Music Reference Services Quarterly 22, no. 3 (2019):131–44. https://doi.org/10.1080/10588167.2019.1614366.
  • Kimmy Szeto, “Keeping Score, Digitally,” Music Reference Services Quarterly 21, no. 2 (2018):98–100. https://doi.org/10.1080/10588167.2018.1455027.
  • Kent Underwood, “Scores, Libraries, and Web-Based, Self-Publishing Composers,” Notes 73, no. 2 (2016):205–40. https://doi.org/10.1353/not.2016.0115.

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