1,030
Views
8
CrossRef citations to date
0
Altmetric
Articles

Capitalism and Reproduction in the New Museology: The Power Discourses about Chinese Cultural Heritage at the Metropolitan Museum of Art

& ORCID Icon

References

  • Ballard, L. M. 2008. “Curating Intangible Cultural Heritage.” Anthropological Journal of European Cultures 17 (1):74–95. doi: 10.3167/ajec.2008.01701005.
  • Benjamin, W. 1936/1987. “The Work of Art in the Age of Mechanical Reproduction.” In Illuminations: Essays and Reflections, edited by H. Arendt, and Z, Harry, 217–51. New York: Schocken.
  • Bennett, T. 2013. The Birth of the Museum: History, Theory, Politics. London: Routledge.
  • Betzler, D., and R. Camina. 2020. “Cultural Entrepreneurship Using the Example of Uli Sigg as Patron and Mediator of Contemporary Chinese Art.” The Journal of Arts Management, Law, and Society 50 (1):1–15. doi: 10.1080/10632921.2019.1659897.
  • Bolton, A. 2015. “Toward an Aesthetic of Surfaces.” In China: Through the Looking Glass, 17–21. New York: Metropolitan Museum of Art.
  • Bourdieu, P. 1979. “Symbolic Power.” Critique of Anthropology 4 (13–14):77–85. doi: 10.1177/0308275X7900401307.
  • Bourdieu, P. 1984. Distinction: A Social Critique of the Judgement of Taste. Cambridge, MA: Harvard University Press.
  • Bourdieu, P. 1986. “The Forms of Capital.” In Handbook of Theory and Research for the Sociology of Education, edited by J. Richardson, 241–58. New York: Greenwood Press.
  • Brooks, A. C., and R. J. Kushner. 2001. “Cultural Districts and Urban Development.” International Journal of Arts Management 3 (2):4–15.
  • Caldwell, N. G. 2000. “The Emergence of Museum Brands.” International Journal of Arts Management, 2 (3):28–34.
  • Chong, D. 2013. “Institutions Trust Institutions Critiques by Artists of the BP/Tate Partnership.” Journal of Macromarketing 33 (2):104–16. doi: 10.1177/0276146712470458.
  • Clark, T. J. 1982. “Clement Greenberg's Theory of Art.” Critical Inquiry 9 (1):139–56. doi: 10.1086/448192.
  • Creswell, J. W. 2013. Qualitative Inquiry and Research Design: Choosing among Five Approaches. Los Angles, CA: Sage.
  • Etikan, I., and K. Bala. 2017. “Sampling and Sampling Methods.” Biometrics & Biostatistics International Journal 5 (6):00149.
  • Giddens, A., and P. Sutton. 2014. Essential Concepts in Sociology. Cambridge, UK: Polity Press.
  • Graham, G. 1997. “The Marxist Theory of Art.” The British Journal of Aesthetics 37 (2):109–17. doi: 10.1093/bjaesthetics/37.2.109.
  • Gregor, A. J. 2014. Marxism and the Making of China: A Doctrinal History. New York: Palgrave Macmillan.
  • Hearn, M. K. 2015. “Asian Art at the Metropolitan Museum.” The Metropolitan Museum of Art Bulletin, 73 (1) Summer. Metropolitan Museum of Art.
  • Jancovich, L. 2015. “Breaking Down the Fourth Wall in Arts Management: The Implications of Engaging Users in Decision-Making.” International Journal of Arts Management 18 (1):14–28.
  • Jørgenson, M. W., and L. Phillips. 2002. Discourse Analysis as Theory and Method. London: SAGE.
  • Mason, R. 2013. “National Museums, Globalization, and Postnationalism: Imagining a Cosmopolitan Museology.” Museum Worlds 1 (1):40–64. doi: 10.3167/armw.2013.010104.
  • McCall, V., and C. Gray. 2014. “Museums and the ‘New Museology’: Theory, Practice and Organisational Change.” Museum Management and Curatorship 29 (1):19–35. doi: 10.1080/09647775.2013.869852.
  • Preece, C. 2014. “The Branding of Contemporary Chinese Art and Its Politics.” Arts Marketing: An International Journal 4 (1–2):25–44. doi: 10.1108/AM-10-2013-0021.
  • Pusa, S, and L. Uusitalo. 2014. “Creating Brand Identity in Art Museums: A Case Study.” International Journal of Arts Management 17 (1):18–30.
  • Pye, E. 2016. The Power of Touch: Handling Objects in Museum and Heritage Context. New York: Taylor & Francis.
  • Sandell, R. 2003. Museums, Society, Inequality. London: Routledge.
  • Silberstein, R. 2015. “Review of China: Through the Looking Glass.” College of Art Association 256:231. doi: 10.3202/caa.reviews.2016.145.
  • Sun, Z. 2011. “历史与实践:纽约大都会博物馆的中国艺术收藏〔美〕 [History and Practice: Chinese Art Collection at the Metropolitan Museum of New York (U.S.)].” Southeast Culture 222 (4):66–71.
  • Vergo, P. 1989. The New Museology. London: Reaktion Books
  • Write, F. 1989. “The Quality of Visitors’ Experiences in Art Museums.” In The New Museology, edited by P. Vergo, 119–148. London: Reaktion Books.
  • Wu, J., K. Jiang, and C. Yuan. 2020. “Market-Oriented Reforms, Economic Efficiency and Commercial Performing Arts in China.” The Journal of Arts Management, Law, and Society 50 (1):33–51. doi: 10.1080/10632921.2019.1664692.

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.