References
- Bull, M. (2011). IPod culture: The toxic pleasures of audiotopia. In T. Pinch & K. Bijsterveld (Eds.), The Oxford handbook of sound studies (pp. 526–543). New York, NY: Oxford University Press.
- Driver, J. (2001). A selective review of selective attention research from the past century. British Journal of Psychology, 92, 53–78. doi:10.1348/000712601162103
- Feld, S. (2005). Places sensed, senses placed. Toward a sensuous epistemology of environments. In D. Howes (Ed.), Empire of the Senses. The sensual culture reader (pp. 179–191). Oxford, UK: Berg Publishers.
- Ingold, T. (2007). Against soundscape. In A. Carlyle (Ed.), Autumn Leaves: Sound and the environment in artistic practice (pp. 10–13). Paris, France: Double Entendre.
- Ingold, T. (2013). Making: Anthropology, archeology, art and architecture. London, UK: Routledge.
- Reyes, I. (2012). Mediating a soundwalk: An exercise in claireaudience. International Journal of Listening, 26, 98–101. doi:10.1080/10904018.2012.678096
- Schafer, R. M. (1976). The soundscape. Our sonic environment and the tuning of the world. Rochester, VT: Destiny Books.
- Stokes, M. (1994). Ethnicity, identity and music. The musical construction of place. Oxford, UK: Berg Publishers.